Tag Archives: Ben Caplan

A Sherlock Carol

★★★★

Marylebone Theatre

A SHERLOCK CAROL at the Marylebone Theatre

★★★★

“one of the cleverest and most entertaining of the current festive productions”

Sherlock Holmes was just thirty-seven years old when he was reported to have died in the Reichenbach Falls in 1891; having fallen to his death in a struggle with the criminal mastermind Moriarty. The sleuth reappeared three years later, however, to resume his detective business, but becomes filled with self-doubt and slips into semi-retirement. Meanwhile, not too many yards away from 221b Baker Street, Ebenezer Scrooge is enjoying his twilight years. Nearly fifty years on from his spirit induced epiphany one Christmas Eve, he remains a respected and admired member of society, frequently visited by his close friend and beneficiary, Dr Timothy Cratchit.

It is no surprise then, that these individuals’ paths should cross as the nineteenth century is drawing to its close. There is no historical evidence to the contrary, so the events that occur in Mark Shanahan’s ingeniously clever and witty play, “A Sherlock Carol”, are entirely plausible. If a little bonkers. After all, when you have eliminated the impossible, whatever remains, however improbable, must be the truth. Okay, the sceptical among you will be clamouring to remind me that these are fictional people, but I say ‘Humbug’ to that – let’s suspend our disbelief.

It seems that ‘A Christmas Carol’ is everywhere, so this is a perfect antidote to relieve the bloated overindulgence of Dickens at this time of year. A glorious mash up, it is recognisable as both ‘A Christmas Carol’, and as ‘Sherlock Holmes’, but the crossover is so tightly packed that characters and characteristics are well and truly mixed up. The styles as untangleable as last year’s decorations brought down from the loft.

“The cast can barely keep the smile from their faces, yet each and every one is a master at characterisation”

Holmes (Ben Caplan) is a haunted, cantankerous scrooge, insulting carol singers and bleating misanthropically at all the merry makers on Christmas Eve. He rudely shuns Watson’s (Richard James) invitation to join him for Christmas lunch. Enjoying (or rather not particularly enjoying) a melancholy drink in a melancholy tavern his solitude is interrupted by Doctor Timothy Cratchit (Devesh Kishore) who implores him, unsuccessfully, to investigate the mysterious death of Scrooge (Kammy Darweish). Holmes famously doesn’t believe in ghosts, but is nevertheless visited by a spectral Scrooge in the form of the ghost of Christmas past, present and future rolled into one. Reinvigorated he then decides to take on Cratchit’s case. A case that involves a precious blue diamond, a misplaced goose, poisoned candles, a recalcitrant maid, a bumbling Inspector Lestrade, a young Fezziwig and quite a few elementaries. Don’t ask me! Go and figure it out for yourself. You certainly won’t regret it.

The cast can barely keep the smile from their faces, yet each and every one is a master at characterisation, many of them grappling with multiple personas. Virtuosity and comedy are as intertwined as the plotlines. There is a Victorian music hall quality to it all, with the story telling and the performances taking centre stage with no reliance on modern trickery or high budget effects. Yet at the same time there is a timeless and modern quality to the presentation that appeals to all. Fans of Arthur Conan Doyle and of Charles Dickens will love it. So will newcomers. And non-fans. That covers all, I think.

At one point Watson laments the fact that Sherlock is ‘not the man I thought he was’. He hits the nail on the head. Except that this is nothing to lament, but to celebrate instead. “A Sherlock Carol” is certainly not the Sherlock you’d think it to be. Nor the Christmas Carol. But it is one of the cleverest and most entertaining of the current festive productions. You don’t need a detective’s skills to discover that. Just the ability to find Baker Street on Google Maps. And enjoy it. ‘Come, the game is afoot!’.

 


A SHERLOCK CAROL at the Marylebone Theatre

Reviewed on 30th November 2023

by Jonathan Evans

Photography by Alex Brenner

 

 

Previously reviewed at this venue:

The Dry House | ★★½ | April 2023


A Sherlock Carol


A Sherlock Carol

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Old Stock: A Refugee Love Story

★★★★★

Wilton’s Music Hall

Old Stock: A Refugee Love Story

Old Stock: A Refugee Love Story

Wilton’s Music Hall

Reviewed – 19th September 2019

★★★★★

“full of joyous music, inspired storytelling, ribald humour, and yes, plenty to think about regarding the fragility of life”

 

Old Stock: A Refugee Love Story by Hannah Moscovitch comes to Wilton’s Music Hall by way of the 2b Theatre Company based in Nova Scotia, Canada. It is, as one might expect from the title, a story of emigration. The word “refugee” gives notice that this is not about voluntary emigration. As the story of Chaya and Chaim unfolds, we are introduced to a relationship between two people forged out of the tragedy of pogroms and marginalised lives in Europe, and to the challenges that beset them as they struggle to forge a life together in the New World. Old Stock reveals a tale of people poor in material belongings, but rich in culture, even if problems of letting go of the past keep them on the brink of tragedy in a new, and not always welcoming environment. If this sounds like a show full of unrelieved sadness, it is not. Old Stock is also full of joyous music, inspired storytelling, ribald humour, and yes, plenty to think about regarding the fragility of life. It is eighty minutes full of vivid contrasts held together by the glorious singing and acting of Ben Caplan, who, as the Wanderer, serves as commentator and master of ceremonies.

Wilton’s Music Hall is also the perfect venue. The proscenium arch works well as a frame for a stage empty of everything but a modern red shipping container which unfolds to reveal the treasures inside as soon as the show begins. The set design is by Louisa Adamson and Christian Barry (who also directs), and it’s a clever metaphor for the entire show, for what expresses travel across a vast sea holding the belongings of people on the move better? And what expresses the cultural riches of refugees better than the gifted group of musicians and storytellers that the audience discovers inside? 2b Theatre Company has assembled an extraordinarily versatile group of performers. Mary Fay Coady as Chaya is an accomplished musician on the violin, as is Eric Da Costa as Chaim, on woodwinds. Both actors are charmingly convincing as the young couple. If the character of Chaya seems a bit stereotypical from time to time, Coady imbues her with enough complexity to make a good foil for her ardent lover. Da Costa delights as Chaim, who is not only persistent in his suit for Chaya’s hand, but is also quite willing to share her with her dead first husband, who maintains a relentless grip on the memories and heart of his widow. Other members of this accomplished band include Kelsey McNulty on keyboards and accordion, and Jeff Kingsbury on drums.

But, as mentioned before, Ben Caplan is the performer who holds this feast of riches together. Caplan is already well known as a folk singer/songwriter in and outside his native Canada, but in Old Stock, he shows off his early theatrical training to great effect. Moving effortlessly from master of ceremonies at a music hall to the cantor’s solemnity at a traditional Jewish wedding, his voice moves the audience from laughter to hushed celebration without missing a beat. Playwright Moscovitch is also to be congratulated on writing a script – a very personal script, since this is the story of her great-grandparents – that gives this talented company so much to work with. Do take the opportunity to see this wonderful show.

 

Reviewed by Dominica Plummer

Photography by Stoo Metz

 


Old Stock: A Refugee Love Story

Wilton’s Music Hall until 28th September

 

Previously reviewed at this venue:
Sancho – An act of Remembrance | ★★★★★ | June 2018
Twelfth Night | ★★★ | September 2018
Dietrich – Natural Duty | ★★★★ | November 2018
The Box of Delights | ★★★★ | December 2018
Dad’s Army Radio Hour | ★★★★ | January 2019
The Good, The Bad And The Fifty | ★★★★ | February 2019
The Pirates Of Penzance | ★★★★ | February 2019
The Shape Of the Pain | ★★★★★ | March 2019
The Talented Mr Ripley | ★★★★ | May 2019
The Sweet Science Of Bruising | ★★★★ | June 2019

 

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