★

“The end result is indeed confused, and sad to say, lacking in drama”

Confused Chronicles of Aleppo sounds promising from the description on the Camden People’s Theatre’s website, but the actual performance turns out to be something rather different. It’s a fifty minute, two man production. Underluminal, the novel on which Confused Chronicles of Aleppo is based, presents the story of two photo journalists who travel the world in search of images that will make them famous. It’s a tale told in flashbacks, ending eventually in the war torn city of Aleppo. We know from the beginning that the Syrian assignment will have tragic consequences for both Gerard and Becky.

Confused Chronicles of Aleppo is well named, though perhaps a touch ironic, because there is much in the narrative that is opaque and difficult to follow. Performer Alessandro Onorato reads from a pile of pages on stage, accompanied by the steady beat of musician Nicolò Bodini of the band La Scapigliatura. As he finishes a page, he lets go, and it flutters to the floor. Truth be told, there’s not much about Aleppo in this meandering tale of two photo journalists who meet on a beach in Vietnam, and become colleagues, as well as lovers.

Onorato has any number of opportunities to connect with the audience and give a tangible sense of the main characters in Confused Chronicles of Aleppo. But it’s difficult for the audience to see these moments when Onorato’s eyes are glued to the pages he is reading. The beat from Bodini, while pleasant to listen to, also has the unfortunate effect of muting much of what Onorato is saying. The end result is indeed confused, and sad to say, lacking in drama. Despite the promising title.

Onorato and Bodini have the germ of something interesting in Confused Chronicles of Aleppo. There is an eye catching backdrop on stage for the piece, with rough textured textiles on which pages of script have been attached. Despite that, there are still missed opportunities to create a set that is more evocative of the locations that are described in the show. Most importantly, Onorato needs to ditch his script, and simply connect with the audience. There’s a great story waiting to be revealed in Confused Chronicles of Aleppo, but it needs more work before it’s ready for its next appearance in the theatre.

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

★★

“It is possible to see how, with more work, Invasion! can become something that audiences will enjoy”

If Edinburgh is beyond your budget this year, you should definitely visit the varied performances now being offered as part of the 2023 Camden Fringe Festival instead. You’re bound to find something appealing, and at bargain prices too. It’s great to find interesting theatre in your own backyard, and the number of shows on offer seems to grow every year. So feast your eyes on all the intriguing performances listed on the Camden Fringe website, and hurry to get your tickets before it’s too late.

This year I’m beginning with a visit to the latest musical from the Cambridge University Musical Theatre Society. This is the group that gave the West End its blockbuster musical hit SIX, about King Henry VIII’s unfortunate wives. The packed audience in the Camden People’s Theatre last night sounded eager to see if there’s another hit musical in the making. While there’s certainly conspicuous talent on display in Invasion! An Alien Musical, the show is a long way from the West End at the moment, figuratively speaking. This is mostly because Invasion! is a big budget musical put together on a shoestring. The money appears to have gone into boosting the sound of the keyboards at the expense of the singers. If you’re going to use amplification for the music, it seems only fair to give your singers a fighting chance by giving them an amplified sound as well.

But let’s backtrack a bit, and provide a sketch of the plot. With more than a little nod from classics such as the Little Shop of Horrors, the story behind Invasion! An Alien Musical is familiar enough. In brief, we meet exploited workers toiling away in a miserable theme park with not enough to live on, while an evil prime minister welcomes in sinister aliens disguised as plush toys. These aliens are, not surprisingly, here to take over the Earth. This would seem to be a pretty poor choice on the aliens’ part, given the current state of the Earth, but OK. The plush toys, called Larry Lotus’, that the aliens inhabit in order to mind meld with humans, are adorable, and of course, all the more threatening for that. If the plot had just stuck to the main story of Johnny Fox, exploited worker, trying to free himself and his fellow humans from alien plush toys (with the help of another alien called Sola) the audience could have reached the end of the show reasonably clear about what had happened. But there’s a ton of extra characters, some with mysterious American accents (take that how you will), and a lot of muddled rushing on and off the stage. There’s too much exposition to explain why these characters are on stage in the first place. The Rocky Horror Show, which also began as a musical on a shoestring, did this all very successfully, keeping the alien mayhem caught within a sinister mansion, rather than a theme park. And it brought all the extraneous events and characters into the mansion, while keeping Downing Street out of it. Keep it simple, folks.

It is possible to see how, with more work, Invasion! can become something that audiences will enjoy. Sci fi musicals have been successful in the past—even another low budget one like Return to the Forbidden Planet, which toured London parks in the Bubble Theatre’s inflatable yellow tent before transferring to the West End. It can be done, and the music and lyrics by the talented Lily Blundell deserve to reach a wider audience. But Jasper Cresdee-Hyde and Jonathan Powell, as writers and directors, are several drafts away from a workable book. The cast has some great singers, Kate South and Iona Rogan in particular. Gregory Miller is rather underused as a performer. But the leads, Jamie Ellis as Johnny Fox, Nathan Galpin as Brian Fox, and Freya Cowan as the alien Sola, are simply lost among the overpowered playing of Blundell on keyboards, and the acting and singing of the rest of the cast. The whole show needs to go for broke, and that includes the lighting, costumes and make up.

Hopefully this run at the Camden People’s Theatre won’t be the last we see of Invasion! An Alien Musical. If the cuddly plush toys go back to the drawing board and work on another draft, I, for one, would welcome the alien wannabe overlords back to the Camden Fringe next year. It would be cool to see how their plans for taking over the Earth—or even the West End—are progressing

CONFUSED CHRONICLES OF ALEPPO at the Camden People’s Theatre

★

“The end result is indeed confused, and sad to say, lacking in drama”

CONFUSED CHRONICLES OF ALEPPO at the Camden People’s Theatre

Reviewed on 25th August 2023

by Dominica Plummer

More reviews from Camden Fringe 2023:

Confused Chronicles Of Aleppo

Confused Chronicles Of Aleppo

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

★★

“It is possible to see how, with more work, Invasion! can become something that audiences will enjoy”

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

Reviewed on 31st July 2023

by Dominica Plummer

Photography Charlotte Dargan

Recently reviewed by Dominica:

Invasion! An Alien Musical

Invasion! An Alien Musical