Tag Archives: Glenn Chandler

Fanny and Stella

★★★★

The Garden Theatre

Fanny and Stella

Fanny and Stella

The Garden Theatre

Reviewed – 11th August 2020

★★★★

 

“the show is a light and frothy bit of fun”

 

Sitting in The Garden Theatre, the newly-named performance space at The Eagle in Vauxhall, on a hot summer’s night, sipping an icy vodka and tonic and watching six actors strut their stuff, accompanied by a pianist, is as close to heaven as this reviewer has been for six long months. It was, quite literally, an oasis, in the desperate COVID-created cultural landscape in which we currently find ourselves. And let’s shout it from the rooftops: WE NEED THEATRE! WE NEED LIVE PERFORMANCE! There is a frisson to seeing real people – people like us – telling us a story. We feel it in a different way. So, congratulations to everyone involved in bringing this first taster back to us. It was managed beautifully; a track and trace system and social distancing were in place, but handled with ladlefuls of welcome and humanity by the Eagle staff, and the whole event fizzed with a sense of delight and solidarity.

The show itself is a musical, based on the true story of two young men in Victorian London – Frederick William Park and Ernest Boulton – who were put on trial for dressing as women and conspiring to commit sodomy. Frederick and Ernest – the eponymous Fanny and Stella – were well-known figures, having public dalliances with a bevy of society gentlemen, as well as attending drag balls, which were a feature of gay London life of the period. Glenn Chandler’s book and lyrics emphasise the freedom the young men feel within this world and their right to live as they choose – which is a reminder of the battle against misogyny that femme-presenting gay men and trans women still battle with today. The reminder is there, but the piece is far from a polemic. Steven Dexter (director) and Nick Winston (musical staging) have done a terrific job of bringing some real MT pzazz to this tiny space; the choreography is simple but tight throughout, and the performers make it sing, with Jed Berry (Stella) in particular, leading from the front and dancing with real skill, style and showmanship.

There are a few stand-out numbers, as you would expect, and the opener – Sodomy on the Strand – starts the show with a bang. Alex Lodge (Louis Charles Hurt) does some lovely work in one of the more tender romantic songs, but (’twas ever thus) the show really belongs to the barn stormers, and Kane Verrall (Fanny) gives them exactly the level of gutsy ribald chutzpah they need. He gives a terrific comedy performance throughout, and helps get things back on track on the few occasions when the script loses a bit of energy and pace. There are a couple of jarring moments tonally (the horribly invasive medical scene just didn’t sit right as light comedy) but, as a whole, the show is a light and frothy bit of fun, providing a very welcome 90 minutes of laughter and joy in this strange hot summer of 2020.

 

Reviewed by Rebecca Crankshaw

Photography by Alex Hinson

 


Fanny and Stella

The Garden Theatre until 25th August

 

 

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Fanny and Stella

Fanny and Stella: The Shocking True Story
★★★★

Above the Stag

Fanny and Stella

Fanny and Stella: The Shocking True Story

Above The Stag

Reviewed – 10th May 2019

★★★★

 

“a fantastic romp through the Victorian world, in all its pomposity, hypocrisy and raw authenticity”

 

From the moment we enter the theatre we know we are in for a night of Victorian entertainment – part musical, part pantomime, part courtroom drama. Glenn Chandler’s ‘Fanny & Stella’ transports us, via Bermondsey Working Men’s Club, to the drama of a pair who describe themselves as ‘he-she ladies’. It is a fantastic romp through the Victorian world, in all its pomposity, hypocrisy and raw authenticity.

The drama takes them through their turbulent love life, through to their time of arrest and trial for dressing as women and ‘conspiring and inciting persons to commit an unnatural offence’. Much of the action is beautifully portrayed through the songs, with standout performances from Tobias Charles as Fanny, and Kieran Parrott as Stella. The music underscores the action, telling the story and giving us an insight into the joys and sufferings of the characters. Chandler’s lyrics are witty and in some cases vulgar. The formal music hall tunes (score by Charles Miller), with four part harmonies are punctured with risqué references, much to the amusement of the audience.

The set equally plays its part, with two closets involved. It is no coincidence that entrances and exits are made through these – part of director Steven Dexter’s nimble work in bringing out moments of commentary alongside the farce. Sometimes however some parts lacked subtlety, Fanny and Stella recount their own tale in a deliberately elaborate manner, yet at points this staging of their story feels over-egged.

This is a minor quibble. There is potential for a play like this to be a heavy-handed vehicle to comment on today’s gender and sexual politics. However, Charles and Parrott allow the characters to speak for themselves and for the story to breath. In this ambitious play it is left to us to make the connections, and draw our own conclusions, and it’s all the better for it.

As an audience, we are sucked into the old forms of melodrama and music hall, with top hats and jazz hands galore. What makes this show special is that it has a twist in the tail. In the end, it is the clever knowing quality of the songs that really stand out creating a new, more relevant form of pantomime.

 

Reviewed by Emily Morris

 

Fanny and Stella

Fanny and Stella: The Shocking True Story

Above the Stag until 2nd June

 

Previously reviewed at this venue:
Title Of Show | ★★★★ | February 2019
Goodbye Norma Jeane | ★★ | March 2019
Romance Romance | ★★★★ | March 2019
Queereteria TV | ★★ | April 2019

 

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