Tag Archives: Luke Latchman

Millennials

Millennials

★★★

The Other Palace

Millennials

Millennials

The Other Palace

Reviewed – 15th July 2022

★★★

 

“Hannah Benson’s immersive staging bubbles with an energy”

 

There is, and always has been, debate about the purpose or usefulness of demographic tags. But whether we like them or not, or whether they influence an individual or a group of personalities, the labels are here to stay.

If you are a ‘Millennial’ you witnessed the 9/11 terrorist attacks that shook the world, and were likely to be old enough to comprehend its historical significance. You grew up in the shadow of the wars in Iraq and Afghanistan; you will have watched the erosion of the global political climate. Reaching adulthood, you would have walked headlong into the height of an economic recession. And the internet has pretty much always been there for you.

Is this significant?

If you are a ‘Millennial’ (according to psychologists) you are likely to be confident, but also confused. You are tolerant, but have an overblown sense of entitlement. You are generous, but at the same time narcissistic. In other words, you merely possess the contradictions that make us human.

Elliot Clay has written a song cycle that tells these Millennials’ stories. But he runs up against the same problems. For the most part they come across as merely human stories; under the Millennial banner. And it is a banner that is waved flamboyantly. Colourful yet superficial. There is little that earmarks a Millennial’s ownership of the subject matter. So we are left with a song cycle. And there is nothing wrong with that. Clay has composed some very fine numbers here. But a trick has been missed, and what is slightly frustrating about the show is the awareness that some sort of thread could have been weaved into the overall concept; or something to bind the characters into some sort of collective. To give them a real, solid context or journey.

Fortunately, that reservation in no way extends to the presentation. Hannah Benson’s immersive staging bubbles with an energy that sweeps aside the misgivings and allows us just to have fun. Andrew Exeter’s design matches, and supersedes, the sheer pizzazz. The Other Palace is transformed into a candied, Wonka-like, emporium. Part disco, part adventure playground; shimmering with colours that overflow with e-numbers. You can taste the sweetness of the set.

The performances are the main attraction. Despite most of their energy being channelled into Tinovimbanashe Sibanda’s slick choreography, the cast of six unleash their glorious voices to the crowd with the dynamism and craftmanship befitting the cream of Musical Theatre. Clay’s songs and lyrics are given the starry treatment and they have the appeal to stand their ground, but “Millennials”, as a show, lacks the cohesive ingredients to ensure a similar longevity. But as a gig, it’s a pretty good night out.

 

 

Reviewed by Jonathan Evans

Photography by Mark Senior

 


Millennials

The Other Palace until 7th August

 

All our reviews this month so far – click to read:

I Can’t Hear You | ★★★★ | Theatre503 | July 2022

The Hive | ★★★ | Hoxton Hall | July 2022

Report to an Academy | | Old Red Lion Theatre | July 2022

Barefoot in the Park | ★★★★ | The Mill at Sonning | July 2022

Flat and Curves | ★★★★★ | Toulouse Lautrec | July 2022

Hungry | ★★★★★ | Soho Theatre | July 2022

Pennyroyal | ★★★★ | Finborough Theatre | July 2022

Shit-Faced Shakespeare: Romeo & Juliet | ★★★★ | Leicester Square Theatre | July 2022

 

Click here to see our most recent reviews

 

 

Working

Southwark Playhouse

Opening Night – 7 June 2017

 

⭐️⭐️⭐️⭐️

 

A fun musical buzzing with great stories, music and dance

 

 

Anything with a link to Lin-Manuel Miranda is bound to attract attention and for this alone there will be many Miranda followers who will buy a ticket to see Working which features some of his music. For a wider audience anyone lucky enough to attend this show will leave with a spring in their step and a smile on their face.

Working is the European Premiere of an extraordinary musical from Grammy and Academy Award-winner Stephen Schwartz (Wicked, Godspell) based on Studs Terkel’s 1974 best-selling book of interviews with the American workforce. It provides a portrait of the American workday told from the perspective of those so often overlooked, be it a schoolteacher, millworker, housewife care worker, nanny or waitress, amongst many.

[Best_Wordpress_Gallery id=”5″ gal_title=”Working Musical”]

Production Photography by Robert Workman

The Southwark Playhouse has gained a reputation for staging remarkable musicals and Working should be added to the list of current must see shows. There is much to admire of this production. The set and costumes reflect a grimy industrial background, the music is expertly performed and there is an outstanding cast of twelve that exudes enthusiasm and obvious love for the show.

Taking the main parts are experienced stage actors Gillian Bevan, Dean Chisnall, Krysten Cummings, Siubhan Harrison, Peter Polycarpou and Liam Tamne. They play several different characters during the show.

 

LtoR Nicola Espallardo, Huon Mackley, Izuka Hoyle, Patrick Coulter, Luke Latchman & Kerri Norville. Photo by Darren Bell.

A further six carefully selected theatre graduates support the action and those making their professional debut are Patrick Coulter, Nicola Espallardo, Izuka Hoyle, Luke Latchman, Huon Mackley and Kerri Norville. On this showing they have a great future ahead.

The show bursts into life from the very first minute with Fabian Aloise’s thrilling choreography grabbing the audience’s attention and over the next 90 minutes there is so much to enjoy. It is high energy production that rarely stops to breathe. The lighting and sound enhances the overall experience.

A talented cast performs each of the stories expertly throughout though standout songs are James Taylor’s Millwork expertly portrayed by Siubhan Harrison; Peter Polycarpou brings a tear to the eye with Fathers and Sons and Krysten Cummings hits the spot with Just a Housewife, an anthem for a job the importance of which is often overlooked. There is a character for everyone to identify with and at the end the show we get to understand that everyone’s job is as important as everyone else’s, different though they may be.

 

Working is playing for a strictly limited season at the Southwark Playhouse, 77-85 Newington Causeway, London SE1 6BD ending 8 July 2017.

 

 

www.SouthwarkPlayhouse.co.uk