Tag Archives: Tim Gibson

The Importance of Being Earnest
★★★★

Tabard Theatre

Importance of Being Earnest

The Importance of Being Earnest

Tabard Theatre

Reviewed – 9th June 2019

★★★★

 

“it is ultimately the cast’s joyful delivery that decorates this production with festoons of colour”

 

Despite the initial success of Oscar Wilde’s “The Importance of Being Earnest”, its opening coincidentally marked his fall from grace at the height of his career. Wilde would write no further comic or dramatic work and his notoriety caused the West End premiere to be pulled. Even the ensuing Broadway run closed after just sixteen performances. It is a sad paradox that mirrors those firmly embedded in his writing but, fortunately for theatre audiences worldwide, the play survived and has stood the test of time; to become what has been described as “the second most known and quoted play in English after Hamlet”.

This familiarity can be a curse as well as a blessing for directors. David Phipps-Davis’ production at the Tabard Theatre, however, certainly falls into the latter with its lovingly faithful and light-hearted joyride through the lives and double lives of these mischievous characters. Yes, we may be on very safe ground, but the cast of eight keep us on high alert throughout with their expertly subtle handling of the text. Nothing seems overplayed, which allows space for the nonsense and illogicality to leap out of the dialogue.

The bizarre plot ridicules Victorian sensibilities, but here, set three decades later in the twenties, it loses none of the punch. It is the story of two bachelors, John ‘Jack’ Worthington and Algernon ‘Algy’ Moncrieff, who create alter egos named Ernest to escape their tiresome lives. Attempting to win the hearts of two women, the pair struggle to keep up with their own stories and become tangled in a tale of deception, disguise and misadventure.

Samuel Oakes as ‘Algy’ and Tim Gibson as ‘Jack’ have a natural onstage chemistry, bouncing off each other while pitching the dialogue with the ease of a juggler. Throwing their lines into the air, they never let any of them drop. Lady Bracknell is similarly natural, played with a welcome understatement by Non Vaughan-O’Hagan who neatly highlights the snobbery and materialism without resorting to caricature. Melissa Knighton captures the curt crispness of Gwendolen’s unassailable pretension in a strong professional debut performance. Kirsty Jackson occasionally slips into jarring histrionics as the hopeless romantic, Cecily, but otherwise endears us to her mad-as-a-hatter waywardness. Jo Ashe sparkles as her governess, Miss Prism, refreshingly unveiling a softer side with flirtatious asides that belie the prudish veneer. The apple of her eye is Canon Chasuble, played by Dean Harris who never fails to put a smile on your face when he wanders, bumbling, onto the stage. And to cap it all Paul Foulds gives a star turn as the valet, the butler, the gardener, the chauffeur and Mr Gribsby – the solicitor who turns up to arrest Algernon for unpaid hotel bills – a ‘lost’ character reinstated by Phipps-Davis from an early draft of the script.

Lacking the darker undertones of Wilde’s earlier work, this interpretation is playful and stylised but measured out strictly within the confines of respectability. While Leah Sams’ costumes are as colourful as the language, the inbuilt irreverence sometimes appears monochrome. But it is ultimately the cast’s joyful delivery that decorates this production with festoons of colour.

 

Reviewed by Jonathan Evans

Photography by Andreas Grieger

 


The Importance of Being Earnest

Tabard Theatre until 23rd June

 

Previously reviewed at this venue:
The Lady With a Dog | ★★★★ | March 2018
Sophie, Ben, and Other Problems | ★★★★ | April 2018
Sirens of the Silver Screen | ★★★ | June 2018
Sexy Laundry | ★★★ | November 2018
Carl’s Story | ★★★★ | March 2019
Harper Regan | ★★★★ | May 2019

 

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Cyril’s Success – 3 Stars

Cyril's

 Cyril’s Success

Finborough Theatre

Reviewed – 5th February 2018

★★★

“the production could benefit from the addition of perhaps some small details to better signify a location change”

 

Finborough Theatre marks its building’s 150th anniversary with a selection of the best plays from 1868. The first of these is Henry J Byron’s Cyril’s Success, presented by Marooned Theatre and directed by Hannah Boland Moore. In this Victorian comedy drama we see playwright, Cyril Cuthbert, at the start of what appears to be a thriving career. However, it soon becomes apparent that his marriage may suffer as a result and his wife, Catherine, is not best pleased to learn he has not only forgotten their wedding anniversary, but that his heart may, in fact, have wandered astray.

There are some laugh out loud moments scattered throughout the production and, overall, the humour appears to be relevant for a modern audience. Much of this comes from Miss Grannet (Susan Tracy), the schoolteacher whose day-long marriage twenty two years earlier has left her bitter and with a loathing for husbands. Cyril’s friends Mr. Pincher and Titeboy, played by Stephen Rashbrook and Lewis Hart, prove an entertaining duo, with Hart’s jittery Titeboy producing numerous laughs. Isabella Marshall captures Cyril’s wife’s dismay in the face of her marriage predicaments well and gives an engaging performance throughout the play.

The intimate performance space above the Finborough Arms pub is used relatively well, with furniture and props in keeping with the Victorian era. The action of the play takes place in four locations, but there is nothing used to mark the changes of location within the set. The space is undeniably too small for numerous set changes, but the production could benefit from the addition of perhaps some small details to better signify a location change. In this way, the set has a lot of potential and it would be interesting to see what could be done in a larger space.

Last performed to London audiences 127 years ago, Cyril’s Success is a humorous play that may lead you to wonder what other period pieces are waiting to be rediscovered.

 

Reviewed for thespyinthestalls.com

Photography by Scott Rylander

 

Cyril's

Cyril’s Success

Finborough Theatre until 20th February

 

 

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