This fantastic production of a modern retelling of Peter Pan was a marvel in every way. I spent the entire production smiling at the live music, onstage action and physicalisation, and adept story telling.
Talent shone from every actor as they all sang, moved, and played multiple instruments with ease. The instruments never got in the way of the piece and always added to the character; for example in an excellently choreographed fight scene a cello and bow became swords.
The acting was superb, and of note Thomas Parrish’s embodiment of Michael which was believable and heart-warming. It was also great to see the boundaries of stereotypes being pushed in the camp, love seeking Hook (Wesley Lineham).
The live music, with covers of songs spanning from The Beatles right up to present day, gave this updated version of J M Barrie’s work a modern twist. The interaction between actor and instrument was impeccable and added to the slickness of the piece. Scenes, costumes and props were all changed fluidly and the company worked together seamlessly. For a tricky ensemble piece, clear direction (Alexandra Spencer-Jones) and choreography has resulted in a slick and flawless performance.
There were clever nods to 2017 throughout, with the use of current and popular music, the obligatory mention of Brexit, and the naming of ‘Red Indian’ as no longer a PC term. All these brought this story relevance to our modern day. The set was simple, and had a focus on multiple uses for items such as boxes as drums and hooks as decoration and costume hangers. It was a busy set with lots of lights and string and instruments but did not feel over crowded or in the way.
These multitalented actors were a joy to watch and this theatrically faultless fun retelling of the Lost Boy is perfect for any age group.
Reviewed by Lucy Marsh
Photography by The Other Richard
The Lost Boy Peter Pan
is at the Pleasance Theatre until 7th January 2018
