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THE LAST INCEL

★★★

Pleasance Theatre

THE LAST INCEL Pleasance Theatre ★★★ “ultimately never reaches the heights that it could” Inceldom — it’s a topic that deserves to be addressed in media more regularly. If we have any hope of dispelling the narrative that is being sold to young men — that most women hate them,

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DIAGNOSIS

★★★½

Finborough Theatre

DIAGNOSIS Finborough Theatre ★★★½ “an original and interesting show led by two excellent performances” The 16th of May 2035. 3:37am. A woman has been arrested and brought in for questioning regarding an assault on a man in a bar on Villiers Street in central London, but it is very quickly

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1536

★★★★

Almeida Theatre

1536 Almeida Theatre ★★★★ “Max Jones’ excellent design, complemented by an arresting use of lighting is striking” 1536 is definitely innovative: it uses the backdrop of Anne Boleyn’s defamation and execution to demonstrate the impossibility of existing as a woman and the power imbalance exploited by men. Ava Pickett’s debut

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THE COMEDY ABOUT SPIES

★★★★

Noël Coward Theatre

THE COMEDY ABOUT SPIES Noël Coward Theatre ★★★★ “another all-conquering crowd-pleasing triumph” There’s a reliable joy to a Mischief Company production – a blend of manic precision, cheerful chaos, and the comforting sense that, whatever happens – or doesn’t – you’re in safe hands. The writing team of Henry Lewis

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HOUSE OF GAMES

★★★

Hampstead Theatre

HOUSE OF GAMES Hampstead Theatre ★★★ “diverting, packed with plot, character and incident” Writer Richard Bean’s stage version of House of Games, directed by Jonathan Kent, is a theatrical sleight-of-hand that both honours and undercuts its source. Adapted from David Mamet’s 1987 film and story, the play tries to pull

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DOGS ON THE METRO

★★★★★

Live Theatre

DOGS ON THE METRO Live Theatre ★★★★★ “a clever, meaningful, and essential piece of theatre” ‘Dogs on the Metro’ at the Live Theatre is a precise and important reflection on adolescence, friendship, and consent. Masterfully written by Emilie Robson and directed by Maria Crocker, this personal two-hander is a force

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SPECKY CLARK

★★★

Sadler’s Wells Theatre

SPECKY CLARK Sadler’s Wells Theatre ★★★ “Oona Doherty’s script is amusing and poignant” At the centre point of the performance, ten-year-old Specky Clark, played by Faith Prendergast, walks across the stage to a radio in the rear corner and turns it on to a dance tune by David Holmes. The

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REMYTHED

★★★★

King’s Head Theatre

REMYTHED King’s Head Theatre ★★★★ “the cast cycle through characters with impressive dynamism” The memes are everywhere, making casual jokes about historical figures whose same-sex relationships were definitely just that of “close friends”. We’ve long known that recordings of myth and legend do not favour the LGBTQIA+ — even when

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MARIE AND ROSETTA

★★★★★

Rose Theatre

MARIE AND ROSETTA Rose Theatre ★★★★★ “soul-stirring, celebratory and foot-tappingly uplifting” It is sometimes extraordinary how a figure can fade into the back pages of history. Sister Rosetta Tharpe was a huge star in the 1930s and 40s, who struck a chord with a white electric guitar slung around her

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EINKVAN

★★★★★

Coronet Theatre

EINKVAN Coronet Theatre ★★★★★ “Fosse’s sparse poetic script strips life down to its essentials, matching the images on the screens” Einkvan is a rare opportunity to see the work of Nobel prize winning playwright Jon Fosse in London. It’s also a chance to see it at the Coronet Theatre in

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FRAT

★★

Old Red Lion Theatre

FRAT Old Red Lion Theatre ★★ “With some rewrites, this is a show that could easily shine.” “He said/she said” is a conundrum that many have attempted, with varying success. And with the rise in right-wing rhetoric about traditional versus modern masculinity, these narratives have never been more fraught. Newcomer

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THE GANG OF THREE

★★★★

King’s Head Theatre

THE GANG OF THREE King’s Head Theatre ★★★★ “At the centre of director Kirsty Patrick Ward’s bitchy and erudite psychodrama are three rounded and convincing performances” The occasional soundtrack behind this formidable political drama tells of a nation undergoing change, from the raucous rock of the early ’70s to the

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FAYGELE

★★★★★

Marylebone Theatre

FAYGELE Marylebone Theatre ★★★★★ “allows us into a world that may be unfamiliar, and makes space for connection, truth, and healing” Faygele is a powerful and moving theatrical piece written by Shimmy Braun and directed with sensitivity by Hannah Chissick. It’s a work that gives voice to those so often

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CONVERSATIONS AFTER SEX

★★★

Park Theatre

CONVERSATIONS AFTER SEX Park Theatre ★★★ “a play that focuses more on glimpses of intimacy and character variety rather than any tangible plot with a clear ending” Desire, grief, family, sexually transmitted diseases and much more can be found in this production of Conversations After Sex. Written by Mark O’Halloran,

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BLOOD WEDDING

★★★★

Omnibus Theatre

BLOOD WEDDING Omnibus Theatre ★★★★ “The dynamics are beautifully conveyed by the actors in wonderfully genuine performances” One of the most telling lines in Barney Norris’ adaptation of Lorca’s “Blood Wedding” is when the young bride, Georgie proclaims ‘I can’t remember what’s good about me’. The mix of fear and

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THE GOVERNMENT INSPECTOR

★★★★

Chichester Festival Theatre

THE GOVERNMENT INSPECTOR Chichester Festival Theatre ★★★★ “brims with swearing, colloquialisms, double entendres, and joyful absurdity” Nikolai Gogol’s razor-sharp satire The Government Inspector gets a bawdy and riotous reimagining in this new adaptation by Phil Porter, directed with pantomimic glee by Gregory Doran in his Chichester debut. Fuelled by farcical

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MY MASTER BUILDER

★★★

Wyndham’s Theatre

MY MASTER BUILDER Wyndham’s Theatre ★★★ “Director Michael Grandage moves the action swiftly along, although there are no real obstacles in the script that is fast flowing and fresh” Lila Raicek’s “My Master Builder” is not a translation of Ibsen’s ‘The Master Builder’. Nor is it an adaptation. But it

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DEALER’S CHOICE

★★★

Donmar Warehouse

DEALER’S CHOICE Donmar Warehouse ★★★ “The cast is uniformly strong, bringing definition to Marber’s testosterone-fuelled ensemble” Three decades after its debut, Patrick Marber’s Dealer’s Choice returns to the London stage in a muscular revival at the Donmar Warehouse. Mostly set in the sweaty basement of a mediocre restaurant, this brutal

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