Lisa Palfry (Big Mama), Hayley Squires (Mae) and Brian Gleeson (Gooper) with Richard Hansel (Doctor) and Michael J Shannon (Reverend) join the previously announced Sienna Miller (Maggie), Jack O’Connell (Brick) and Colm Meaney (Big Daddy) for the Young Vic production of Cat On A Hot Tin Roof directed by Benedict Andrews. The younger members of the Company will be announced at a later date.
The twelve-week run in the West End at the Apollo Theatre begins previews on 13 July 2017 with press night on 24 July. The last performance is 7 October 2017. Set designs are by Magda Willi with costume designs by Alice Babidge, lighting by Jon Clark and sound design by Gareth Fry. Music is by award-wining composer and musician Jed Kurzel.
The truth hurts. On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy’s birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real – and which will win out?
Lisa Palfrey’s theatre credits include Junkyard for Headlong, Much Ado About Nothing for Theatre Clwyd, The Seagull for Regent’s Park Open Air Theatre, The Kitchen Sink for the Bush Theatre, Red Bud, Ingredient X and Under The Blue Sky all for the Royal Court Theatre, Festen and The Iceman Cometh both for the Almeida Theatre and Cardiff East and Under Milk Wood both for the National Theatre. Her film credits include Pride, The Englishman Who Went Up a Hill But Came Down a Mountain, House of America, Under Milk Wood and Guest House Paradiso. Her television credits include Hinterland, The Line of Duty, Green Hollow, Casualty, and Family Tree.
Hayley Squires’ theatre credits include The Pitchfork Disney at Shoreditch Town Hall and As Good a Time as Any at The Print Room. For the role of Katie in Ken Loach’s Palme d’Or winning I, Daniel Blake she won the British Independent Film Award for Most Promising Newcomer, the Evening Standard British Film award for Best Supporting Actress and also received a BAFTA nomination for Best Supporting Actress. Her other credits include Giantland, Away, Polar Bear, A Royal Night Out and Blood Cells. Her television credits include The Miniaturist, Collateral, Philip K. Dick’s Electric Dreams, The Commuter, Murder, Southcliffe, Complicit and Call The Midwife.
Brian Gleeson was most recently seen on stage in The Weir at the Lyceum Theatre, Edinburgh. His other theatre credits include The Walworth Farce at the Olympia Theatre, Dublin and the Donmar Warehouse production of The Night Alive, which also ran at the Atlantic Theatre in New York. His film credits include Assassin’s Creed, The Flag, Tiger Raid, History’s Future, Standby, Darkness on the Edge of Town, Stay, Snow White and The Huntsman. His television work includes the lead role of Jimmy Mahon in the RTÉ series Rebellion, Quirke and Stonemouth. His film work due for release this year includes Steven Soderbergh’s feature film Logan Lucky, Darren Aronofsky’s Mother!, and Paul Thomas Anderson’s Phantom Thread.
Richard Hansell’s more recent theatre credits include Lazarus at the King’s Cross Theatre, the Young Vic’s production of A View From the Bridge which transferred to the West End and then to Broadway and Macbeth at the Trafalgar Studios. His other theatre credits include Tonight at 8.30 for Chichester Festival Theatre, The Madness of King George III at the Apollo Theatre, The Bridge Project at the Old Vic and the Brooklyn Academy of Music, Troilus and Cressida for Shakespeare’s Globe, Rosencrantz and Guildenstern Are Dead, School for Scandal and Hamlet all for English Touring Theatre and A Patriot For Me and Two Gentlemen of Verona for the Royal Shakespeare Company. His television credits include And Then There Were None, Downton Abbey, Spooks, The Royal, Miracle Landing on The Hudson and E=MC2, and on film his credits include Shine, The Wolfman and Hamlet.
Michael J Shannon’s theatre credits include The Dining Room and The Glass Menagerie, both at Greenwich Theatre, Artichoke for the Tricycle Theatre, Totally Foxed at the Theatre Royal Bath, The Price at the Leicester Haymarket, The End of the World at Nuffield, Southampton, A Thousand Clowns at the Palace, Watford and A Delicate Balance at the Nottingham Playhouse. His television credits include We’ll Meet Again, Boston Legal and Brothers & Sisters.
CAT ON A HOT TIN ROOF
13 July – 7 October 2017
Apollo Theatre
31 Shaftesbury Avenue, London W1D 7ES
Performances: Monday – Saturday at 7.30pm, Wednesday and Saturday matinees at 2.30pm
Final casting is revealed today for Iris Theatre’s 10th anniversary immersive production of Macbeth, joining the previously announced David Hywel Baynes, who has returned from the US to star as Macbeth following his Best Actor Offie Award-nominated tour-de-force as King Richard in Richard III, also for Iris Theatre.
Macbeth by William Shakespeare, directed by Daniel Winder, will run Wednesday 21 June – Saturday 29 July.
Macbeth cast
David Hywel Baynes (Macbeth/Rebel Soldier). Previous theatre includes: Caliban in The Tempest (Ophelia Theatre Group); The Dauphin, Henry V (Globe); Bolt, Pericles (Savannah Music Festival); Richard, Richard III (Offie nomination for Best Actor), Queen of Hearts and March Hare, Alice in Wonderland, Brutus, Julius Caesar, Puck, A Midsummer Night’s Dream, and Chief Weasel, The Wind in the Willows (Iris Theatre at St Paul’s Church). David is also founder and artistic director for the recently formed New York Shakespeare Company.
Stephan Boyce (Duncan & Seyton/Porter & Padock & Apparitions). Theatre includes: Romeo & Juliet (Reading Between The Lines Theatre Company, Salisbury Playhouse); Titus Andronicus (The Malachite Theatre Company); Thirst (Brightlights
Production Company).
Jenny Horsthuis (Malcolm & Lady Macduff & Second Witch) Theatre includes: Mr Kolpert, Olga, Othello, The Cherry Orchard, The Taming of The Shrew, Pressure Drop, Summer Brave,The Baden-Baden Lesson on Consent, The Permanent Way (East 15).
Nick Howard-Brown (Banquo & Captain & Apparitions). Theatre includes: Much Ado About Nothing, Treasure Island, Twelfth Night, Pinocchio, Julius Caesar, Richard III, Alice in Wonderland, Alice Through the Looking Glass (Iris); The Merchant of Venice (The Globe); Hamlet (Tivoli Theatre).
Linford Johnson (Ross/1st Witch). Theatre includes: Show Boat (New London); War Horse (UK, Ireland, South Africa tour); Hair (Hope Mill Theatre); Alice’s Adventures Underground (Waterloo Vaults).
Mogali Masuku (Lady Macbeth & Macduff’s Son & Captain’s Son & Fleance & Third Witch). This is Mogali’s professional debut.
Matt Stubbs (Macduff & Murderer & Harpier & Apparitions). Theatre includes: A Midsummer Night’s Dream (Stafford Castle); Much Ado About Nothing, A Midsummer Night’s Dream, Romeo and Juliet, Macbeth (Page2Stage Productions); Love In The Wood (Theatre Royal Haymarket).
Macbeth Creative Team: Director Daniel Winder. Set Designer Alice Channon. Costume Designer Anna Sances. Fight Director Roger Bartlett. Lighting Designer Benjamin Polya. Sound Designer and Composer Filipe Gomes. Movement Elissa Aravidou. Witches Choreographer Lina Johansson.
Artistic director Daniel Winder opens the 2017 season by directing Shakespeare’s Macbeth, a terrifying journey into the mind of a murderer. This production will weave its way around the grounds of St Paul’s Church; reflecting the play’s journey into the twisted mental landscape of Macbeth as he rises to be king.
Returning to Iris Theatre after three years, David Hywel Baynes takes on the title role, following his critically-acclaimed and Offie-nominated performance in the Iris production of Richard III. David said:
“Getting the chance to come back and work on my favourite play with the Iris family was a no-brainer. The environment surrounding Iris during the summer season is like no other. And it’s truly an honour to be back in London with them as they celebrate their 10th anniversary. May there be many more to come!”
Celebrating its 10th anniversary this year, Iris is a dynamic theatre company based at the world-famous St. Paul’s Church in Covent Garden. The company, established in 2007 by Artistic Director Daniel Winder, has a reputation for producing vibrant and accessible site-specic and outdoor theatre, alongside a growing new musical theatre strand. Iris gained full charity status in 2009 with a mission to support the development of the next generation of professional theatre practitioners. This year Iris will also produce The Odyssey, directed by Phil Wilmott, for Gods and Monsters Theatre at The Scoop on the South Bank.
MACBETH
by William Shakespeare
21 June – 29 July
St Paul’s Church
Bedford St,
Covent Garden
London WC2E 9ED
