In a world of adultery and vanity can a lazy idealist be forced to confront what he really feels? We lay bare our intimate private affairs and thoughts almost instantly to comparative strangers. Have we lost sight of our real emotions? Can we even remember who we want to be?
Edward Churt is living the London dream, a style setting emerging artist, a glamorous apartment, and beautiful wife with a vivid personality; he’s invited to every party and premiere in town. Yet he feels he’s become a shallow nonentity, a lazy idealist unsure how to behave. When his wife, Carol, embarks on a series of very public affairs, Edward greets her behaviour with his normal indifference. When his best friend, Evelyn, returns from the army, he’s determined to teach Carol a lesson and show them both what it really means to be a man.
NINETY YEAR WAIT FOR ITS WEST END DEBUT
Venture Wolf are proud to present the first ever West End production of Coward’s controversial masterpiece. Banned by the Lord Chamberlain in 1926, it was not performed in the UK professionally for over eighty years. The play’s exploration of love, marriage and the shallowness of modern society feels as poignant and relevant as ever. THIS WAS A MAN is Noël Coward at his sharpest, provocative best.
Not only one of the finest writers of comedy in the English language, Coward’s play is also a biting examination of morality, relationships and love. Though today the actions of his characters may seem less controversial, his intense and provocative examination of emotional repression and the contradictory needs to conform and feel free, remain as challenging and relevant as the day they were written. In a world of social media and blurred moral identity, the play’s core questions of what does it mean to be a man, and does the image we project to those around us actually reflect who we really are, have never felt more poignant.
At only £15 a ticket the production hopes to introduce Coward to a new generation of theatregoers and will be running an outreach programme alongside the production.
The production runs for three weeks in May 2017 at The Leicester Square Theatre. 11th to 28th May, Thursdays to Saturday 7pm, Saturdays and Sundays 2pm. Cast includes Paul Vitty, Daisy Porter, Thomas Pike, Bibi Lucile, Teddy Corbett, AW King, James Chadburn.
Disney’s hit new musical ALADDIN, which opened in the West End in June 2016 is pleased to announce its first dedicated Autism-Friendly Performance will take place on Tuesday 29 August 2017. Tickets are now on sale. It follows the success of previous such performances at The Lion King, whose upcoming Autism-Friendly Performance on 4 June 2017 has now sold out.
The Autism-Friendly Performance of ALADDIN is specially designed to make the West End production more accessible to autistic people. Disney Theatrical Productions will work closely with The National Autistic Society, the UK’s leading charity for autistic people and their families, to deliver the performance.
Autism is a lifelong developmental disability that affects how people perceive the world and interact with others. There are around 700,000 autistic people in the UK. Although everyone on the autism spectrum is different, people may be under or oversensitive to sounds, touch, tastes, smells, light or colours, which can make everyday life extremely challenging. They can also find social situations and unexpected changes a challenge, which can sometimes lead to extreme levels of anxiety.
Nancy Shakerley, Development and Education Manager for Disney Theatrical Group, said:
“We understand that Autism Friendly Performances can make theatregoing a more accessible and relaxed experience for people with autism as well as their family and friends.
Building on the success of the last three Autism Friendly Performances at The Lion King, we are thrilled to continue our partnership with the National Autistic Society in holding our first Autism Friendly Performance at Aladdin this summer, just one year after opening in the West End.”
Daniel Cadey, Autism Access Development Manager at the National Autistic Society, said:
“We were delighted to be offered the opportunity to work with Disney Theatrical Productions and the Prince Edward Theatre on this hugely successful show.
“There are around 700,000 autistic people in the UK, and many struggle to cope with unfamiliar places and everyday sights and sounds which others are able to filter out, such as artificial lighting, background music or traffic noise.
“Autistic people and their families tell us that they would love to visit the theatre, but because of sensory issues and anxiety in unfamiliar surroundings, they are prevented from doing so. Aladdin’s production team have taken great care in adapting the show, including having a ‘visual story’ online which can help autistic people prepare for their visit in advance. This means that for some of the audience on 29 August, this will be the very first time that they are able to experience the thrill of a live performance.”
These dedicated Autism-Friendly Performances of ALADDIN include modifications to the booking process, performance and the theatre environment, including:
The theatre’s foyer includes designated quiet and activity areas; staffed by experts in autism throughout the performance should anyone need to leave their seats.
Slight adjustments are made to the performance itself, including the reduction of jarring sounds or strobe lighting that face the audience.
The cast of ALADDIN along with Prince Edward Theatre box office and front of house staff have been given training to understand the needs of an audience made up of adults and children who are autistic.
A specific website has been set up for this performance, linking to a dedicated booking page. The website includes a downloadable ‘visual story’ to help people with autism understand the process of a visit to the theatre, thus aiding their comprehension of the experience and reducing anxiety by explaining each step from arriving in the foyer to the final curtain call.
Tickets are sold at a specially reduced rate and can be selected on a virtual map of the auditorium. Follow the link below:
