Tag Archives: Addison Waite

You Stupid Darkness!

★★★

Southwark Playhouse

You Stupid Darkness!

You Stupid Darkness!

Southwark Playhouse

Reviewed – 20th January 2020

★★★

 

“There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow”

 

In a time of political chaos, social turmoil, and environmental catastrophe, it’s easy to feel like the end of the world is right around the corner. It’s no surprise apocalypse stories feel particularly relevant right now.

Sam Steiner’s play, directed by James Grieve, is set in a future, disintegrating Britain. People are more-or-less keeping calm and carrying on despite toxic air, power outages, bridges collapsing, and buildings crumbling. The disaster is never specified – we don’t know whether this is the aftermath of WWIII, the effects of unchecked climate change, or both – but we do know trees are falling and the sea has turned viscous.

Four volunteers meet in a dilapidated call centre one night a week to run an emotional support helpline. Their job is to provide reassurance, although they’re barely holding it together themselves. On top of the world falling apart, Frances (Jenni Maitland) is heavily pregnant at a time when pregnancy is considered misguided or radically optimistic. Jon (Andy Rush) is going through a rough patch in his marriage. Angie (Lydia Larson) makes the best of her difficult upbringing. Joey (Andrew Finnigan), seventeen years old, is facing what feels like a pointless question of applying for university.

It may sound bleak, but Steiner handles the dark subject matter with a refreshingly light touch. While the apocalypse rages outside, the Brightline volunteers do their best to simply get on with the day. They hang up their gas masks when they arrive, attempt to make coffee without a working kettle, deal with perverts on the phones, and reluctantly participate in Frances’ positivity exercises.

The play is a series of small moments. Steiner gives us little window-like scenes through which we see the characters try to make connections with the people on the phones and each other, conversations hinting at personal lives and troubles beyond the office walls. There’s a lot to like in the gentleness of Steiner’s script, but it’s a slow burn that’s really too slow. Without much in the way of story, the two-hour runtime feels very long. Steiner’s scenes may be delicate and perceptive, but they lack momentum. And while the characters are strong, and well-performed by a talented cast, the show needs the backbone of a plot to help support its length.

Amy Jane Cook’s astute design presents the call centre as a little haven from the desolation outside, held together purely by blind optimism and denial. Everywhere signs of deterioration are refusing to be acknowledged. Gaping holes in the walls are covered up by motivational posters. Frances stubbornly tacks them back up each time they fall down. A whiteboard enthusiastically displays the word of the week (‘Communication’ ‘Optimism’). Intense storm winds blowing snow-like debris occasionally blast open the door. When the call centre floods, the stage fills with water. But when Frances fills the space with candles, the scene conveys a powerful sense of hope. The message of perseverance, resilience, and hope, no matter how irrational, will undoubtedly resonate with anyone feeling overwhelmed by the world today.

You Stupid Darkness! is a show full of heart and humour about the end of the world. A distinctive, insightful script with something to say – it’s a shame it’s missing a trick.

 

Reviewed by Addison Waite

Photography by Ali Wright

 


You Stupid Darkness!

Southwark Playhouse until 22nd February

 

Last ten shows reviewed at this venue:
The Curious Case Of Benjamin Button | ★★★★★ | May 2019
Afterglow | ★★★½ | June 2019
Fiver | ★★★★ | July 2019
Dogfight | ★★★★ | August 2019
Once On This Island | ★★★ | August 2019
Preludes | ★★★★ | September 2019
Islander | ★★★★★ | October 2019
Superstar | ★★★★ | November 2019
Potted Panto | ★★★★ | December 2019
Cops | ★★★★★ | January 2020

 

Click here to see our most recent reviews

 

Sh!t Actually

★★★★

Camden People’s Theatre

Sh!t Actually

Sh!t Actually

Camden People’s Theatre

Reviewed – 5th December 2019

★★★★

 

“A bit mad, a bit radical, wholly enjoyable, Sh!t Actually is a welcome antidote to all of the sugary holiday fluff”

 

In 2003, Britain’s smash holiday hit Love Actually rocketed onto the list of the world’s favourite Christmas films, landing among big hitters such as The Muppet Christmas Carol, Home Alone, and How the Grinch Stole Christmas. As the most recent of these classic films, it’s surprising to watch how poorly the starry, treacle-sweet Love Actually has aged. In the last few years, the film has been called out repeatedly for the blatant sexism that defines almost every storyline: from Colin Firth’s character falling in love with his Portuguese maid who can’t talk to him, to Hugh Grant’s “chubby” but nevertheless sexy secretary, whose weight is a running gag. In the post-MeToo era, Love Actually has become problematic, if not downright cringe, viewing.

Sh!t Theatre, who’ve had recent success at Edinburgh and the Soho Theatre with their 2019 show Sh!t Theatre Drink Rum with Expats, are back this holiday season to roast the nation’s well-loved Christmas classic. If you’ve been to a Sh!t Theatre show before, you’ll know the pair of performance artists, Rebecca Biscuit and Louise Mothersole, combine a variety of theatrical elements in their distinct comedy style, including video, singing, dancing, silly costumes, and alcohol for the audience.

Biscuit and Mothersole are very funny in this scorching satire. In just fifty-five minutes, they recap the film, highlighting the creepy, the bad, and the worse in Love Actually’s love stories. How romantic is it, actually, when we discover the man who’s always rude to Keira Knightley’s character is secretly obsessed with her, and films her without her knowledge? Is it really romantic to chase a girl you’ve never spoken to through the airport? Although many of the points in the show, and even a fair few of the jokes, aren’t original – much of the content seems to draw quite heavily from a 2013 Jezebel article written by Lindy West – the framing of it as performance art is uniquely entertaining, and Biscuit and Mothersole add their own attacks.

From the number of ‘true love’ stories involving two people who’ve never talked to each other, to the relentless roll-neck jumpers, no element of Love Actually is left unscathed. Biscuit and Mothersole make excellent use of video, playing clips from the film with alternate subtitles, alternate music, and interspersed with external clips: Alan Rickman as Snape makes a particularly hilarious appearance. One warning, however: there are several clips of graphic porn, which may make Sh!t Actually one of the least family-friendly Christmas shows in London this year.

There’s also brief nudity during Biscuit and Mothersole’s costume changes. The nudity, as well as the nude bodysuits the two wear, is an apt feminist statement. In opposition to Love Actually, which objectifies, fetishises, and ridicules its female bodies, Biscuit and Mothersole make a visual argument for body positivity. In the background, scenes from the film play, while in the foreground we see real women’s bodies, displayed deliberately and autonomously in dissent. Biscuit and Mothersole rebel against the toxic ideology on the screen using their bodies and voices – loud singing, dancing, and energetic physical comedy – to protest the misogynist fantasy of quiet, highly-sexualised women Love Actually exemplifies.

A bit mad, a bit radical, wholly enjoyable, Sh!t Actually is a welcome antidote to all of the sugary holiday fluff, and the insidious sexism seeping through ‘heart-warming’ Christmas films. There should be no room in 2019 for a film that argues love means winning sexy women, with whom you’ve never had a real conversation, by grand ‘romantic’ (predatory) gestures. Isn’t it time to acknowledge that Love Actually is shit, actually?

 

Reviewed by Addison Waite

Photography by Jen Smethurst

 


Sh!t Actually

Camden People’s Theatre until 21st December

 

Last ten shows reviewed at this venue:
Mojave | ★★★ | April 2019
Human Jam | ★★★★ | May 2019
Hot Flushes – The Musical | ★★★ | June 2019
Form | ★★★★★ | August 2019
Muse | ★★ | August 2019
Ophelia Rewound | ★★★★ | August 2019
The Indecent Musings Of Miss Doncaster 2007 | ★★★½ | August 2019
A Haunted Existence | ★★★★ | October 2019
Trigger Warning | ★★★ | October 2019
I, Incel | ★★★ | November 2019

 

Click here to see our most recent reviews