Tag Archives: Alessandro Onorato

Confused Chronicles Of Aleppo

Confused Chronicles Of Aleppo

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Camden People’s Theatre

CONFUSED CHRONICLES OF ALEPPO at the Camden People’s Theatre

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Confused Chronicles Of Aleppo

“The end result is indeed confused, and sad to say, lacking in drama”

 

Confused Chronicles of Aleppo sounds promising from the description on the Camden People’s Theatre’s website, but the actual performance turns out to be something rather different. It’s a fifty minute, two man production. Underluminal, the novel on which Confused Chronicles of Aleppo is based, presents the story of two photo journalists who travel the world in search of images that will make them famous. It’s a tale told in flashbacks, ending eventually in the war torn city of Aleppo. We know from the beginning that the Syrian assignment will have tragic consequences for both Gerard and Becky.

Confused Chronicles of Aleppo is well named, though perhaps a touch ironic, because there is much in the narrative that is opaque and difficult to follow. Performer Alessandro Onorato reads from a pile of pages on stage, accompanied by the steady beat of musician NicolΓ² Bodini of the band La Scapigliatura. As he finishes a page, he lets go, and it flutters to the floor. Truth be told, there’s not much about Aleppo in this meandering tale of two photo journalists who meet on a beach in Vietnam, and become colleagues, as well as lovers.

Onorato has any number of opportunities to connect with the audience and give a tangible sense of the main characters in Confused Chronicles of Aleppo. But it’s difficult for the audience to see these moments when Onorato’s eyes are glued to the pages he is reading. The beat from Bodini, while pleasant to listen to, also has the unfortunate effect of muting much of what Onorato is saying. The end result is indeed confused, and sad to say, lacking in drama. Despite the promising title.

Onorato and Bodini have the germ of something interesting in Confused Chronicles of Aleppo. There is an eye catching backdrop on stage for the piece, with rough textured textiles on which pages of script have been attached. Despite that, there are still missed opportunities to create a set that is more evocative of the locations that are described in the show. Most importantly, Onorato needs to ditch his script, and simply connect with the audience. There’s a great story waiting to be revealed in Confused Chronicles of Aleppo, but it needs more work before it’s ready for its next appearance in the theatre.

 


CONFUSED CHRONICLES OF ALEPPO at the Camden People’s Theatre

Reviewed on 25th August 2023

by Dominica Plummer


 

 

 

More reviews from Camden Fringe 2023:

 

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This Girl: The Cynthia Lennon Story | β˜…β˜… | Upstairs at the Gatehouse | July 2023
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Maybe I Do? | β˜…β˜…β˜…β˜… | Hen & Chickens Theatre | July 2023
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All That Glitters | β˜…β˜…Β½ | Rosemary Branch Theatre | August 2023
Dead Souls | β˜…β˜…Β½ | Etcetera Theatre | August 2023
Kate-Lois Elliott: Gentrif*cked | β˜…β˜…β˜… | Museum of Comedy | August 2023
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Ashley Barnhill: Texas Titanium | β˜…β˜…β˜…β˜… | Museum of Comedy | August 2023
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Improv Death Match | β˜…β˜…β˜…β˜… | Aces and Eights | August 2023
Theatresports | β˜…β˜…β˜…β˜… | Museum of Comedy | August 2023
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Confused Chronicles Of Aleppo

Confused Chronicles Of Aleppo

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