Tag Archives: Amelia Brown

Fight Flight Freeze Fuck
★★★

Katzpace Studio Theatre

Fight. Flight. Freeze Fuck

Fight Flight Freeze Fuck

Katzpace Studio Theatre

Reviewed – 12 May 2019

★★★

 

“for a work in progress performance, it fairs rather well”

 

There’s a new queer and feminist theatre festival in town. Erase Erase Erupt, is a platform for artists to test out new work focusing on queerness, sexual assault, gender identity and more. The brainchild of Pink Freud Theatre Company, it is a free-spirited affair that’s inclusive to all. As well as being producers, Pink Freud also have their own work in progress show as part of the line up, ‘Fight Flight Freeze Fuck’.

Nine coloured envelopes hang on a washing line, each containing the personal account of an incident of sexual assault, rape, besmirched consent that has happened in the past to the actors Riz Davis and Amelia Brown. One by one each story is randomly chosen to be read with no details left out. As much as the piece highlights troubling behaviour and horrific codes of conduct, it also focuses on kindness, support, and the strength that comes from listening to one another.

Relaxed and inviting, this is a safe space for explicit and uncomfortable details to be voiced. Trigger warnings are mentioned before each story is read, and an open house policy for anyone who wants to leave if they feel the tale will bring up any past memories is also in place. Steps are constantly taken to assure nobody is affected or offended. This is less like traditional performance and instead, is an amalgamation of different art styles. Audience participation is done in a gentle form (handing bags filled with props to the actors) which never feels uncomfortable or evasive for those audience members who are terrified of being involved.

Inviting a male actor to read the stories, which have consciously been written from the perspective of the perpetrator, is a refreshing and far more impactful choice. With the two women not voicing their own stories directly, it actually magnifies the disgusting nature of the assaults. Particularly the blasé attitudes of the men who believe themselves innocent in all of the incidents. It also allows some distance for the actors from their incredibly personal material.

Davis and Brown find some original ways of interpreting the stories through performance art-like actions, which, done successfully, captures these two women’s inner feelings within each story. Sometimes this doesn’t always happen and the abstract moves lose their significance.

Some of the stories edge on being too similar, which makes you question whether it was really adding anything to the piece. Yes, these are all truthful, personal accounts experienced by the actors, but at the end of the day, this is a performance and not therapy. Perhaps a wider net of stories from a wider range of women would be the next step for progressing this show.

All in all, for a work in progress performance, it fairs rather well. Pink Freud certainly have some imaginative and engaging ways of making difficult and hard to swallow subject matters actually entertaining. It will be compelling to see what journey the show goes on from here on in.

 

Reviewed by Phoebe Cole

 

Katzpace

Fight Flight Freeze Fuck

Katzpace Studio Theatre

 

Previously reviewed at this venue:
Gaps | ★★★ | April 2018
What the… Feminist?! | ★★★★ | April 2018
Obsession | ★★★ | June 2018
Let’s Get Lost | ★★★ | July 2018
Serve Cold | ★★ | August 2018
Much Ado About Nothing | ★★★★ | October 2018
Motherhood or Madness | ★★★ | November 2018
Specky Ginger C*nt | ★★½ | November 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Status

Status
★★★½

Battersea Arts Centre

Status

Status

Battersea Arts Centre

Reviewed – 23rd April 2019

★★★½

 

“Thorpe is a gripping performer and writer who does not shy away from investigating the questions that shape our present”

 

“If you believe you are a citizen of the world, you are a citizen of nowhere.” This is the quote, a statement made by Theresa May, which emblazons the screen as we enter the theatre for Chris Thorpe’s one man show, ‘Status’. Also onstage is a red guitar which he tunes periodically as his audience arrives.

The piece begins with a trip to Serbia where Chris is going to meet a writer. At a bar, he witnesses an incident of police brutality. When he intervenes and is slammed against a wall, his friend steps in. “You can’t do that to him. He’s British.” These words let him go. Thorpe says that this is not a show about Brexit, but it is certainly a show about the questions Brexit throws up, about nationality and immigration and borders.

Thorpe performs with an emphatic engagedness, speaking in long sentences like the words refuse to end. As he, or a man called Chris who is not him, travels around the world with his two passports, the screen behind him showing snapshot postcards of his destinations (video design by Andrzej Goulding), Monument Valley and Singapore, he meets many people. A stateless man, a coyote who was once a person. There is a hallucinatory quality to much of his journey through the world.

Sometimes his words are accompanied by the guitar, which thrashes into the space, but it is a welcome break in texture. At times the endless sentences spoken always at pace, always so deliberately feel too repetitive, overly long, with little variation in tone. The performativity of the piece occasionally feels difficult to connect with. Perhaps this is also because whilst we are on a journey, it is a journey of pieces and so a coherent narrative drive flags as the piece progresses. Despite this, ‘Status’ is without a doubt a frightening or frightened investigation into what nationality means, globally. Surreal but also very real.

Directed by Rachel Chavkin this is an urgent production that explores privilege (particularly white privilege), nationhood and global uncertainty. Thorpe is a gripping performer and writer who does not shy away from investigating the questions that shape our present.

 

Reviewed by Amelia Brown

Photography by The Other Richard

 


Status

Battersea Arts Centre until 11th May then UK & European tour continues

 

Previously reviewed at this venue:
Dressed | ★★★★★ | February 2019
Frankenstein: How To Make A Monster | ★★★★★ | March 2019
How to Survive a Post-Truth Apocalypse | ★★★ | May 2018
Rendezvous in Bratislava | ★★★★★ | November 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com