“the cast float around each other with well choreographed ease”
I spent my teenage years with my nose in a classic book, or two, or three, (or four), but I have to admit I never really enjoyed the writing of Wilkie Collins. In latter years I’ve enjoyed adaptations for stage and screen far more than the novels. They brought to life some of his complex characters and amazing plots. Maybe it was the lawyer in him that made his attention to detail so precise, and my teenage attention span that struggled with his prose.
Written in the mid nineteenth century, the book felt like a detective novel, yet that was a genre that barely existed at the time. Having not seen the original production, I was a little wary of how a classic mystery, complete with Victorian ghosts, could be adapted as a musical, even with a score from the capable hands of Andrew Lloyd Webber.
Explaining this plot involves untangling deliberate deception, sinister marriages, and questionable morals. It encompasses several journeys, an asylum, a marriage, and an impossible love affair, not to mention mistaken identities, two huge ‘secrets’ and a potential murder/kidnap to juggle! The cast have the unenviable task of ensuring the audience follows the twists and turns of five intertwined, unfurling lives, through David Zippel’s lyrics.
Charing Cross theatre is not a large venue, but Morgan Large’s adaptable set effortlessly glides to separate centre stage to direct your attention left or right, as well as framing action at the back to effectively shield dramatic entrances. The effect is very atmospheric and spacious, I frequently felt I was part of the journey around the stage throughout the story.
The score has been revised for this new production and is performed to perfection by the live orchestra conducted by Simon Holt. The acoustics of this old Music Hall aid the wonderful voices of the cast who float around each other with well choreographed ease. As an ensemble their voices harmonise beautifully, and the lyrics afford some humour to the tale.
The story has many protagonists pivotal to the plot, each presence on stage needs to command attention – and does. There is more than one leading lady and more than one villain at work. And the hero of the piece may just be a heroine. Carolyn Maitland, Anna O’Byrne and Sophie Reeves (Mariam, Laura and Anne) have equally stunning voices. Each sings with the other at some point throughout the show to great effect. Different songs leave you feeling each has out-sung the other until the next number and the dynamic shifts.
Ashley Stillburn, Chris Peluso and Greg Castiglioni work wonderfully as Walter, Glyde and Count Fosco – the latter turning in an amazing comic cameo in the middle of the second act to much applause.
The show has lightened the tone from the original novel without losing the mystery – and with a twist at the end that remains a surprise. The Woman in White with its accomplished cast and tremendous score should be one of everyone’s Christmas shows to see.
Reviewed by Joanna Hinson
Photography by Darren Bell
The Woman in White
is at the Charing Cross Theatre until 10th February
Andrew Lloyd Webber and Alan Ayckbourn’s light-hearted, fun musical BY JEEVES will be the highlight of the Old Laundry Theatre’s 25th Anniversary Season 2017, opening on Friday 6 October – Saturday 4 November 2017. A rare opportunity to see Alan Ayckbourn’s first revival in over 20 years of this jocular musical – from Broadway to Bowness!
BY JEEVES will bring back together the original creative team from 1996 including: Olivier and Tony winning Alan Ayckbourn who will direct; set designer Roger Glossop (also owner of the Old Laundry Theatre), designs a new set for the intimate 200 seat theatre and choreographer Sheila Carter. Joining the production team is musical director Steven Edis, costumes Caroline Hughes and lighting Jason Taylor.
The Old Laundry Theatre’s Directors, Roger and his theatre producer wife Charlotte Scott say:
“We are really delighted to be putting on this revival of By Jeeves to be directed by Alan Ayckbourn. The original show, which re-opened the Stephen Joseph Theatre in 1996, transferred to the West End and moved across the waters to Washington, Los Angeles, Pittsburgh and Broadway was such a fulfilling theatrical enterprise for all the creative team, cast and crew that the idea we can re-visit this piece, with its wit, pace and beautiful songs and present a large scale production at the Old Laundry Theatre (10 in the cast + a six-piece live band) is a fitting celebration for our 25th.”
Set in the 1920s and keeping the dottiness of the original PJ Wodehouse stories, BY JEEVES brings to life a cast of colourful characters, who continually and hilariously swap identities as they battle to salvage love and cover up embarrassing errors, causing confusion and mayhem galore! The iconic Wodehouse characters include loveable chump Bertie Wooster with his unquenchable optimism and his wonderfully supercilious butler Jeeves, renowned for his deadpan digs.
Alan Ayckbourn, a man of, literally, many words with 81 plays and musicals to his name says:
“By Jeeves is a party. It’s a celebration of theatre, so is perfect for the Old Laundry’s 25th. I was always attracted by the innocence in Wodehouse and love the simplicity and characters, which I still find so refreshing.”
