Tag Archives: Annie-Lunnette Deakin-Foster

ROMEO AND JULIET

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Hackney Empire

ROMEO AND JULIET

Hackney Empire

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โ€œthrilling, raw, moving, and completely unforgettableโ€

If Shakespeare were here today, heโ€™d be proud โ€“ perhaps even moved โ€“ to see his timeless tragedy reimagined in such a vibrant, daring, and emotionally charged way. This co-production between Hackney Empire, Belgrade Theatre and Bristol Old Vic, directed by the talented Corey Campbell, brings Romeo and Juliet into a new era while preserving every beat of its emotional core.

From the moment the lights dim, itโ€™s clear this isnโ€™t just another retelling. The production is bold, fresh, and utterly magnetic โ€“ a true celebration of youthful energy and artistic innovation. The language has been masterfully reworked, blending Shakespeareโ€™s original lines with powerful additions of rap, R&B, and contemporary rhythms. Itโ€™s not just modernised โ€“ itโ€™s recharged.

Leading the cast are the outstanding Kyle Ndukuba as Romeo and Mia Khan as Juliet. Despite their young age, both performers bring a striking level of depth, charisma, and authenticity to their roles. Their chemistry is electric, their performances emotionally resonant, and their command of both classical and modern language is simply superb. They are, without a doubt, rising stars to watch.

But it doesnโ€™t stop there. This production is blessed with an exceptional ensemble, each member leaving their mark on the stage. Dillon Scott-Lewis, in the role of Mercutio and ensemble, is a standout. He fuses dance, rap, and acting into a single, seamless performance that demands attention. Andre Antonio in the role of Benvolio also brings incredible energy, captivating the audience from the very beginning with charisma and presence that lights up every scene heโ€™s in.

A particularly memorable performance comes from Lauren Moakes as Lady Capulet and Ensemble. Her presence on stage is powerful and versatile โ€“ seamlessly blending acting, singing, and dance. She brings emotional depth to her role, with vocals that resonate and movement that enhances the intensity of each scene.

Set against a contemporary backdrop (set and costume design by Simon Kenny), this Romeo and Juliet becomes not only a love story but a commentary on modern life, youth, community, and division. The story of the star-crossed lovers is no less heartbreaking, but it feels more urgent and relevant than ever.

The live music is another key player in this productionโ€™s success. The band โ€“ Elijah Aduu (ERA) on guitar, Mark Holder on drums, Dโ€™evante Seepaul-Craig on keyboard, Chris Jones on bass, Aaron Blake (Keys 1), and Samuel Cummins (Keys 2) โ€“ delivers a phenomenal soundtrack that pulses through the performance. Their music does more than support the actors โ€“ it lifts, drives, and elevates the emotional journey of the play. Itโ€™s the kind of soundtrack youโ€™ll wish was available on Spotify the moment the curtain falls.

This Romeo and Juliet is not just a performance โ€“ itโ€™s an experience. Itโ€™s an extraordinary fusion of classic literature and contemporary culture, brought to life by a fiercely talented cast and creative team. Itโ€™s thrilling, raw, moving, and completely unforgettable.

Whether youโ€™re a lifelong Shakespeare fan or discovering the story for the first time, this production is a must-see. Bold in vision and rich in execution, itโ€™s a beautiful reminder that great stories never die, they simply evolve.



ROMEO AND JULIET

Hackney Empire

Reviewed on 24th April 2025

by Beatrice Morandi

Photography by Nicola Young

 

 


 

 

 

Previously reviewed at this venue:

DICK WHITTINGTON AND HIS CAT | โ˜…โ˜…โ˜…โ˜… | December 2024
ALADDIN | โ˜…โ˜…โ˜…โ˜… | November 2023

 

 

ROMEO AND JULIET

ROMEO AND JULIET

ROMEO AND JULIET

Beautiful Thing

Beautiful Thing

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Theatre Royal Stratford East

BEAUTIFUL THING at the Theatre Royal Stratford East

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Beautiful Thing

โ€œThe pair have an enchanting chemistry โ€“ they perfectly capture the awkward nervousness of young loveโ€

Jonathan Harveyโ€™s coming-out and coming-of-age story Beautiful Thing was first performed at the Bush Theatre in 1993. Now, 30 years on, a revival โ€“ directed by Anthony Simpson-Pike โ€“ has graced the stage of Londonโ€™s Theatre Royal Stratford East. Strikingly relevant to today and beautifully told, we follow 16-year-old neighbours Jamie (Rilwan Abiola Owokoniran) and Ste (Raphael Akuwudike) as their gentle love story unfolds within the tightknit working-class community of Thamesmead. Jamie clashes with his no-nonsense mother Sandra (Shvorne Marks) and her middle-class boyfriend Tony (Trieve Blackwood-Cambridge) whilst Ste struggles against his abusive, alcoholic father. School drop-out Leah (Scarlett Rayner) and her absent mother complete the trio of houses on which the play focuses.

Owokoniran, a last-minute replacement for Joshua Asarรฉ who dropped out due to personal circumstances, shines in the lead role. He is best when leaning into his young characterโ€™s sweetness โ€“ parading around in the glasses that Ste likes is a particular highlight โ€“ and when wittily sparring with Sandra. Akuwudike does an excellent job at rendering Steโ€™s cheery disposition as well as his hesitancy and frustration at his family circumstances. The pair have an enchanting chemistry โ€“ they perfectly capture the awkward nervousness of young love and are totally believable in it.

Sandra evolves throughout the show and Marks brings a great empathy to her. A self-reliant single mother with a string of younger lovers, she is hurting and craves her sonโ€™s affection. Blackwood-Cambridge is hilarious as Tony. His overly sexual movement and mannerisms โ€“ directed by Annie-Lunette Deakin-Foster โ€“ are excellent. He fully embraces the absurdity of his ill-placed character. He does, however, also deliver real tenderness in his final scenes, elevating his character beyond the clown with great skill.

โ€œIt is funny, uplifting and has real heart.โ€

Rayner provides a great brashness to the proceedings and does great in the playโ€™s climax when her character has a bad trip. She is an effective foil for the other characters โ€“ her need to interfere and ask difficult questions drives much of the plot.

Rosie Elnile has designed a gorgeous set. We see the cream concrete exterior of our protagonistsโ€™ respective flats. Jamieโ€™s โ€“ at the centre โ€“ is a rose between two thorns, a basket of flowers and a freshly painted door brighten up the otherwise nondescript faรงade. Characters enter via the flats or the right-hand side of the stage. The only interior to which we are privy is Jamieโ€™s bedroom โ€“ a single bed that juts out from the exterior wall of his flat towards the audience.

Excellent lighting (Elliot Griggs) works wonders to enhance the set. Between scenes, colourful filters coat the set as characters dance and move rhythmically around highlighting the emotion or dynamic(s) of the previous scene. In addition, the lighting is used to grow and reduce the space, most obviously when we are in Jamieโ€™s bedroom, his bed spotlighted, the rest of the stage dimmed to hone our attention onto the single room.

The sound design (Xana) is also thoroughly distinctive โ€“ funky, almost Seinfeld-esque beats play to transition us from one scene to the next. The musical stylings of Mama Cass also feature heavily. Her music drifts out from super fan Leahโ€™s flat and her song โ€˜Dream A Little Dream Of Meโ€™ is an anthem for Jamie and Steโ€™s acceptance of their sexuality.

Beautiful Thing is a thoroughly touching story of queer joy. It is funny, uplifting and has real heart. The cast bring strong and nuanced performances to their respective characters and the script is brilliantly quick. Time flies whilst watching this play and your cheeks will hurt from smiling at the charming tale. I could not recommend it enough.


BEAUTIFUL THING at the Theatre Royal Stratford East

Reviewed on 22nd September 2023

by Flora Doble

Photography by The Other Richard


 

 

Previously reviewed at this venue:

 

CAFร‰ SOCIETY SWING   โ˜…โ˜…โ˜…โ˜…โ˜…  June 2018

PYAR ACTUALLY   โ˜…โ˜…โ˜…โ˜…  May 2018

SUMMER IN LONDON  โ˜…โ˜…โ˜…โ˜…โ˜…  July 2017

TOMMY  โ˜…โ˜…โ˜…โ˜…  June 2017

Beautiful Thing

Beautiful Thing

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