Tag Archives: Arcola Theatre

The Rape of Lucretia – 4 Stars

Lucretia

The Rape of Lucretia

Arcola Theatre

Reviewed – 25th July 2018

★★★★

“Julia Burbach’s production sheds an interesting new light on the narrative, the characters and, in this case, the audience too”

 

You know you’re not going to expect an easy night of it when the central theme of a show is rape. Benjamin Britten’s chamber opera premiered in 1946 and has sometimes provoked furious protest. So, it is interesting to see how it fares in the wake of the ‘Me Too’ movement. As one of the centrepieces of the ‘Grimeborn’ festival at the Arcola Theatre, Julia Burbach’s production of “The Rape of Lucretia” sheds an interesting new light on the narrative, the characters and, in this case, the audience too.

It is an intense piece, to say the least, but one that is ideal for the intimacy of the staging at the Arcola. The complexities of the structure are more clear-cut when witnessed close up. The male and female chorus hold the narrative together and they very much involve the audience; shaping the emotional response as they uncover the events. It’s almost as if the chorus are discovering it all for the first time themselves.

Natasha Jouhl and Rob Murray, as female and male chorus respectively, explain the situation in Rome. The city has sunk into depravity while fighting off a Greek invasion and Tarquinius (Benjamin Lewis), Collatinus (Andrew Tipple) and Junius (James Corrigan) are drinking together. While out fighting they have been sexually betrayed by their wives, with the exception of Collatinus whose wife, Lucretia (Bethan Langford), has remained faithful. Junius goads Tauquinius into testing Lucretia’s chastity. To cut a fairly short story shorter, Tarquinius rises to the bait, seeks out Lucretia, and in a bumbled attempt at seduction rapes her.

What is clever in Burbach’s production is the way she makes the audience feel complicit. When Langford circles the space after the rape scene, she stalks the audience with accusing eyes, and we feel that we are voyeuristic accomplices to the rape. We have watched, yet did nothing to intervene. There is a real nobility in Langford’s performance that empowers her character despite the tragic consequences of her violation.

Britten’s score is an acquired taste, but the twelve strong orchestra under Peter Selwyn’s Musical Direction make it immediately accessible. From its mixture of rich tension and sparse atmosphere the cast are able to wring out the emotion. It is beautifully acted and sung, particularly Jouhl and Murray whose articulation leaves no stone unturned as they uncover the action.

It is easy to see why Britten’s opera is perceived as a story of despair and moral emptiness, and often the final message of redemption and Christian suffering seems shoehorned onto the narrative. In Burbach’s intimate production, though, the final poignant notes, rather than resounding with empty absolution, leave us wanting to dig deeper into the subtext and think more about the characters’ motivations. And how we feel about them. It’s not a comfortable piece. But thoroughly engaging.

 

Reviewed by Jonathan Evans

Photography by Robert Workman

 


The Rape of Lucretia

Arcola Theatre until 4th August

 

 

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The Secret Lives of Baba Segi’s Wives – 5 Stars

Baba

The Secret Lives of Baba Segi’s Wives

Arcola Theatre

Reviewed – 12th June 2018

★★★★★

“there is a sense of joy and playfulness to the whole production”

 

When Teacher tells a young Baba Segi that “two women at home are better than ten in a bush”, Baba Segi knows what he has to do. Now, Baba Segi is a wealthy man with four wives and seven children by his first three wives. But when his fourth wife, university educated Bolanle, refuses to take herbal remedies to cure her barrenness, he is forced to take her to the hospital, a visit which uncovers the secret underpinning his household. Based on Lola Shoneyin’s debut novel and adapted by Rotimi Babatunde, this is a colourful, joyful and moving story directed by Femi Elufowoju Jr, set amidst the sexual and family politics of contemporary Nigeria.

Patrice Naiambana as Baba Segi is charismatic and likeable, a dominating patriarch but one characterised by an infectious warmth that ensures his downfall is touching, rather than laughable. His four wives played by Marcy Dolapo, Layo-Christina Akinlude, Christina Oshunniyi and Jumoké Fashola are fantastic, each individually characterised, collective and unique in their performances. Diana Yekinni’s performance is also standout, deftly funny and highly effective. This is all round a strong cast, both individually and as an ensemble.

Wonderful moments of visual comedy have me nearly laughing out of my seat, and there is a sense of joy and playfulness to the whole production. Sex is discussed bluntly and brazenly with fantastic comic effect. The piece touches on some very serious issues too – abortion and rape are discussed in tandem in an intensely moving moment of the play. The hierarchy of wives within a household is also examined with disastrous consequences. The music and dancing that punctuate the evening make the piece come alive and create a fantastic energy throughout the theatre.

This is an incredibly enjoyable piece of theatre that also has vital things to say about contemporary polygamy in Nigeria, and a woman’s role within the household. It is well-crafted, well-executed by a strong cast, and not to be missed.

 

Reviewed by Amelia Brown

Photography by Idil Sukan

 

The Secret Lives of Baba Segi’s Wives

Arcola Theatre until 21st July

 

Related
Previously reviewed at this venue
Heretic Voices | ★★★★ | January 2018
Fine & Dandy | ★★★★★ | February 2018
The Daughter-in-Law | ★★★★ | May 2018

 

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