Tag Archives: Arcola Theatre

Heretic Voices – 4 Stars

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Heretic

Heretic Voices

Arcola Theatre

Reviewed – 10th January 2018

★★★★

“Heretic Productions should be warmly congratulated for giving an opportunity to three relatively new women’s voices that may well otherwise have remained unheard”

 

Last year Heretic Productions announced a rare opportunity for writers from all backgrounds to see their work published and fully produced on the main stage at the Arcola Theatre in Dalston. The rules were specific in that the work must not have previously been performed professionally, have a running time of between 15 and 45 minutes, be a monologue and be performed in English.

A nationwide search opened in May 2017 which received over one thousand submissions. A shortlist of nine was then given to a panel and from these, three works were chosen to be produced. Those are now presented collectively as Heretic Voices and are Woman Caught Unaware by Annie Fox, Dean McBride by Sonya Hale and A Hundred Words for Snow by Tatty Hennessy.

This was my first visit to The Arcola Theatre which is housed in a converted paint factory and I was impressed with the design and feel of this vibrant venue. On entering the main theatre there is a basic set of a white square on the floor and each of the plays makes full advantage of the minimalist design. Seating is on three sides and the audience close to the action. The evening begins with all three actors entering before two depart to leave only seasoned actor Amanda Boxer on stage and we are about to experience Woman Caught Unaware.

This is about Mary, a sixty something professor that many graduates will identify with, who discovers there is a photograph of her that has gone online. It is the story of an older woman being photographed without her permission, her being naked in a changing room. The image is shared and she is mocked online. The monologue allows her to tell her side of the story without interruption during which we learn more about body shaming and the emotions that kind of humiliation brings.

It is a challenging role for an older woman which, in the main, Boxer takes in her stride. There are a couple of moments of slight hesitation in her delivery but given this was only the second performance it didn’t detract from the overall enjoyment of the performance. It is funny, moving and thought provoking.

Next on was Ted Reilly, many will know him as Johnny Carter from Eastenders, who plays Boy in Dean McBride. This is a story of a boy growing up on a Croydon council estate and sees part of his life from his 10 and 16 year old points of view. It is a vivid story of loss, deprivation, suffering and redemption through love. He struggles through life before finding his way back to happiness.

Reilly uses the stage floor well and has a strong physicality about his performance. Some of the language is both ‘strong’ and ‘street’ and the writing takes the audience on a journey to a place many would not want to go. Disappointingly Reilly had to refer to the printed script in the last few minutes and hopefully this will not be the case in future.

Following a short break it was the turn of Lauren Samuels who gave an outstanding performance in A Hundred Words for Snow. Brilliantly written and expertly acted it is a story of a teenage girl who runs away from home with her father’s ashes to visit the North Pole. It looks at the complexities, joys and difficulties of being a teenage girl. Samuels appears fresh from her run in Romantics Anonymous at The Globe, which finished on Saturday. She is a consummate professional and was quite incredible as Rory. The audience reaction at the end was a fitting tribute to her 5 star performance.

In conclusion each performance is well performed and directed with effective yet minimal set, lighting and sound support. Heretic Productions should be warmly congratulated for giving an opportunity to three relatively new women’s voices that may well otherwise have remained unheard.

 

Reviewed by Steve Sparrow

Photography by Robert Workman

 

Arcola Theatre

Heretic Voices

Arcola Theatre until 20th January

 

 

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Review of Insignificance – 5 Stars

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Insignificance

Insignificance

Arcola Theatre

Reviewed – 28th October 2017

⭐️⭐️⭐️⭐️⭐️

 

“Johnson embodies Marilyn’s vivacity, fragility and bravery in a way that is delightful and ultimately heartbreaking”

 

This production of Terry Johnson’s play is beautifully suited to the intimacy of the Arcola. The action takes place in a hotel room during the course of one night. The four characters are unnamed, they are the Professor, the Actress, the Ball Player and the Senator but we know who they are, as they are iconic; Einstein, Marilyn Monroe, Joe DiMaggio and Senator Joe McCarthy. I wish the conversations between Einstein and Monroe had really taken place but, although they almost certainly did not, can we be sure of that?

The plausibility of the events and their unlikelihood combine in a delicious uncertainty that is mirrored in conversations about relativity, Heisenberg and Schrödinger’s cat. If this all sounds a bit heavy please don’t be put off, this is a very funny play. If you can imagine Marilyn Monroe explaining relativity to Einstein, using a toy car, some torches and two toy trains, you can see the wonderful absurd genius of Johnson’s work. Both Monroe, played by Alice Bailey Johnson and and Simon Rouse’s Einstein are magnificent. Johnson embodies Marilyn’s vivacity, fragility and bravery in a way that is delightful and ultimately heartbreaking. Rouse’s Einstein is like a much loved and very clever uncle, who takes the extraordinary night in his stride. The relationship that develops between the two is touching and believable. The real Marilyn was widely read, and certainly not a dumb blond. Her notebooks include musings about many topics, including the renaissance and recipes for stuffing mix. Marilyn was an invention and here we see glimpses of what the real woman may have been like. I would love her to have chatted to Einstein but, despite rumours that they had an affair, they probably did not even meet.

Marilyn is not the first visitor to Einstein’s Manhattan hotel room that night. That is Senator McCarthy, played with menace and increasing vitriol by Tom Mannion. He wants to ensure Einstein’s attendance at the Un-American Affairs Committee in the morning, but Einstein is not to be bullied. The next visitor is Marilyn, coming straight from filming the famous skirt over the hot air vent scene from ‘The Seven Year Itch.’ And then her husband, Joe DiMaggio, arrives. He is full of jealousy and suspicion, furious about the scene Marilyn has just filmed, which was watched by thousands of men. He has no idea how to handle his clever, damaged wife. Oliver Hembrough’s gum chewing DiMaggio gets affirmation from finding his picture on baseball cards, and blusters and postures in a way that is both infuriating yet somehow touching in his inability to understand.

This is a play about fame and politics, about surviving and making choices. There is sadness and doubt in everyone but especially McCarthy, who grows more brutish as the night wears on. Marilyn says that she has ‘more than I dreamed of and nothing I want,’ her fragility is haunting. Einstein is shadowed with guilt because of the contribution his work made to the development of the atom bomb. DiMaggio truly loves his wife but has no idea how to keep her. There is no neat resolution here, but the themes of the play have relevance to current political concerns in the States and the treatment of women in Hollywood today. This is a timely revival of Johnson’s play and well worth seeing.

 

Reviewed by Katre

Photography by Alex Brenner

 

 

 

INSIGNIFICANCE

is at The Arcola Theatre until 18th November

 

 

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