“This year’s Pride was a celebration of love, but we still have a long way to go to encompass and support the entire community”
Due to a mix of scheduling errors and general anxiety over my place within the community, over my three years in London I have never been to the Pride in London celebrations. So this year, invited by some wonderful friends from the Arcola to march in the parade with Hackney Council, I decided to finally brave the crowds and show my support by representing and the LGBTQIA+ community in the creative industries – and I can genuinely say that it was one of the best days of my life.
“following my newly-found dream of being a queer version of Helena Bonham Carter”
In the creative industries, the subject of politics has to be very carefully navigated; whether its a funding application or the sexist undertones of the casting process, being a queer feminist doesn’t always go down well, and it is often necessary to ‘quieten the queer’ in order to earn more mainstream and traditional castings. However, over the last year I have had the fortune of becoming involved with the Arcola Queer Collective, a performance collective dedicated to exploring queer identity and its theatrical representations; a place where I am lucky enough to be encouraged and inspired by strong queer performers, as I attempt to figure out my own identity, searching for my place within the community and following my newly-found dream of being a queer version of Helena Bonham Carter.
Pride plays an incredibly important role in bringing queer stories to the mainstream through a huge variety of art forms; the National Theatre’s ‘Queer Theatre’ programme brings LGBTQIA+ stories to the forefront of the national stage, the DIVA sponsored women’s stage features female acts that have long been relegated, due to the lack of sponsorship and closing of endless queer female spaces. But there is still so much work to be done. This year’s Pride was a celebration of love, of course, but with corporate sponsorship permeating the parade and issues surrounding the representation of the LGBTQIA+ community in their marketing campaigns, many of us recognise that Pride in London still has much further to go.
Walking alongside my friends and colleagues, queer activists and artists, in the Pride parade was one of the most wonderful moments of my time in London. it is the first time that I have genuinely felt comfortable, celebrated, welcomed and supported as a Queer Artist, and I can’t help but hope that the warmth of that security that I was so lucky to feel, my pride in both my politics and myself, can extend to encompass and support the entire community, in all it’s complexity and beauty, equally, fairly and proudly.
● Neil Bartlett to direct his new adaptation of Albert Camus’ modern classic, THE PLAGUE
● RSC Associate Artist Greg Hicks to play the title role in William Shakespeare’s RICHARD III, directed by Artistic Director Mehmet Ergen
● Amy Draper to direct THESE TREES ARE MADE OF BLOOD, blending cabaret and original music to tell a vital story from Argentina’s Dirty War
● Lourdes Faberes to play TAMBURLAINE in Yellow Earth’s radical retelling of Christopher Marlowe’s classic, adapted and directed by Ng Choon Ping
● Helena Bell, Artistic Director of Kali Theatre, to direct the world premiere of READY OR NOT by Naylah Ahmed, as part of a UK tour
● Award-winning new play THE PULVERISED by Alexandra Badea to receive its UK premiere in a co-production by Arcola, Changing Face & York Theatre Royal
Artistic Director Mehmet Ergen said:
“Arcola’s new season confronts tyranny – the tyranny of people by rulers (Richard III, Tamburlaine, These Trees), states of emergency (The Plague, Ready Or Not) and work in the global economy (The Pulverised). At a time when the world order is under strain – but also when ordinary people are feeling the strain of that change – these plays offer a chance to reflect on our afflictions, and on ways we might resist the worst excesses of power. In-keeping with Arcola’s commitment to diverse theatre, the season features new productions from leading BAMER companies Yellow Earth and Kali Theatre. Half of the shows are directed by women, including two original works by female playwrights.”
Studio 1
Studio 1 is now a fully producing house.
Arcola Theatre presents three productions this season:
5 April – 6 May 2017 Arcola Theatre presents
THE PLAGUE
based on La Peste by Albert Camus
Adapted and directed by Neil Bartlett
“April 29th; lunchtime. Found Mr Michel in the street outside the apartment. Walk unsteady. Eyes unnaturally bright.”
Dr Rieux is noticing things. A rat on the stairs, where it has no right to be. A sore throat becoming a fever. The first signs of panic. It all amounts to a troubling diagnosis… so what’s the cure?
The Plague is Albert Camus’ electrifying story about living through a time of crisis and fighting back against despair.
Written in the aftermath of the Nazis’ march across Europe, it struck a powerful chord with millions struggling to understand the fascist ‘plague’ that had just overwhelmed them.
Now, seventy years later, multi-award-winning director Neil Bartlett (Or You Could Kiss Me, National Theatre; Stella, LIFT) retells Camus’ classic for our own dangerous times. His frank and gripping new stage adaptation puts chaos under the microscope, and plants the germ of hope in the power of our common humanity.
Cast:
Joseph Alessi, Burt Caesar, Billy Postlethwaite, Sara Powell, Martin Turner
Lighting Design: Jack Weir
Sound Design: Dinah Mullen
Monday-Saturday at 7.30pm
Wednesday and Saturday matinees at 3pm
Tickets £12-£22 (previews £10-£17)
11 May – 10 June 2017 Arcola Theatre presents
RICHARD III
by William Shakespeare
Directed by Mehmet Ergen
Cast includes Greg Hicks
King Edward is on the throne, and England is at peace. But don’t worry – it won’t be that way for long.
Gripping and outrageous, Shakespeare’s Richard III is the tale of a ruthless, power-crazed misogynist who lies and cheats his way to the highest seat in the land.
Following his celebrated performances as Macbeth, Julius Caesar, Coriolanus and King Lear for the Royal Shakespeare Company, Greg Hicks takes on the role of the tyrant king Richard in this startling new production, directed by Arcola’s Artistic Director Mehmet Ergen.
“I’ll have this crown of mine cut from my shoulders before I’ll see the crown so foul misplaced.”
Further casting to be announced
Design: Anthony Lamble Lighting Design: David Howe
Photo by Alex Brenner
Monday-Saturday at 7.30pm
Wednesday and Saturday matinees at 3pm
Tickets £12-£22 (previews £10-£17)
14 June – 15 July 2017 Arcola Theatre presents
THESE TREES ARE MADE OF BLOOD
Book by Paul Jenkins
Music and Lyrics by Darren Clark
Directed by Amy Draper
Original story by Amy Draper, Paul Jenkins and Darren Clark
“And for our next act … The Magical Military Junta … Will make 30,000 people disappear before your very eyes.”
1970s Argentina. A violent, right-wing dictatorship. Thousands of citizens, seized by the authorities, have “disappeared”.
Inside the country’s most disreputable club, a mother is about to risk everything to find her missing daughter.
Spectacular, arresting and totally unique, These Trees are Made of Blood blends cabaret and original live music to tell a vital, human story from Argentina’s Dirty War.
Step into Buenos Aires for this immersive theatrical experience, which pulls back the curtain on a secretive state, and shines the spotlight on a powerful act of resistance. Following a sold-out premiere in 2015, the cabaret coup reignites at Arcola for four weeks only.
Monday-Saturday at 7.30pm
Wednesday and Saturday matinees at 3pm
Tickets £12-£22 (previews £10-£17)
Originally produced by Jim Croxford for Theatre Bench at Southwark Playhouse
Studio 2
15 March – 8 April 2017 Yellow Earth presents
TAMBURLAINE
by Christopher Marlowe Adapted and directed by Ng Choon Ping
A lowly shepherd rises to power – and conquers half the known world.
Tamburlaine is a breathtaking interrogation of power, masculinity and the limits of violence.
In his new adaptation for Yellow Earth theatre company, Ng Choon Ping directs a startling production with a British East Asian cast and live taiko drumming. Lourdes Faberes makes her Arcola debut as Tamburlaine.
As ‘strongman’ leaders exert their influence, and new power from the East asserts its growing dominance, Christopher Marlowe’s classic tale takes on a new urgency and relevance for our time.
“I mean to be a terror to the world”
Cast:
Melody Brown, Lourdes Faberes, Fiona Hampton, Susan Hingley, Amanda Maud, Leo Wan
Live taiko drumming by Joji Hirota
Design: Moi Tran Video Design: Gillian Tan Lighting Design: Neill Brinkworth Movement: Rose Ryan Dramaturgy: Stewart Melton Creative Producer: Kumiko Mendl
Photo by Suki Mok
Monday-Saturday at 8pm
Saturday matinees at 3.30pm
Tickets £17 / £14 concessions (previews £12)
Tamburlaine is supported by the Cockayne Foundation and the Foyle Foundation.
11 – 29 April 2017 Kali Theatre presents
READY OR NOT
by Naylah Ahmed Directed by Helena Bell
Why would an ordinary retired teacher take a young Muslim man hostage in her living room?
In this timely political thriller from Naylah Ahmed (winner of the Royal National Theatre Playwrights Award), an innocent encounter soon develops into a dangerous game of hide and seek with the truth.
In a world of 24-hour news, is there any escape from fear? And how can we detect the real enemy at our gates?
Kali Theatre has been presenting groundbreaking new theatre by South Asian women for over 20 years. New Artistic Director Helena Bell directs this sharp, thought-provoking world premiere, arriving in London as part of a UK tour.
Cast:
Joan Blackham, Naeem Hayat, Natasha Rickman
Design: Rajha Shakiry Lighting Design: Katharine Williams Video Design: Daniel Denton Sound Design: Chris Drohan
Monday-Saturday at 8pm
Saturday matinees at 3.30pm
Tickets £17 / £14 concessions (previews £12)
2 – 27 May 2017 Arcola Theatre, Changing Face and York Theatre Royal present
THE PULVERISED
by Alexandra Badea, translated by Lucy Phelps Directed by Andy Sava
“Stop the rat race. Stop time. Stop the money. Stop the anxiety. Stop everything that has made human beings so bitter.”
A quality assurance officer from France, a call centre manager from Senegal, a factory worker from China, and an engineer from Romania. Each leads a life apart, but all work round-the-clock for the same multinational corporation.
When work has no borders, what’s the cost? Alexandra Badea’s captivating drama is a powerful and disturbing portrait of globalisation and its far-reaching effects on our lives.
Following an explosive premiere at the National Theatre of Strasbourg, where it won the prestigious Grand Prix de la Littérature, The Pulverised arrives in the UK with a new English translation.
Cast:
Rebecca Boey, Richard Corgan, Solomon Israel, Kate Miles
Set and Costume Design: Nicolai Hart-Hansen Sound and Video Design: Ashley Ogden Lighting Design: Tom Smith Movement Director: Lanre Malaolu
Monday-Saturday at 8pm
Saturday matinees at 3.30pm
Tickets £17 / £14 concessions (previews £12)
All productions are bookable directly with the Arcola Theatre:
