Tag Archives: Battersea Arts Centre

Dressed
★★★★★

Battersea Arts Centre

dressed

Dressed

Battersea Arts Centre

Reviewed – 26th February 2019

★★★★★

 

“It is rare to see performers as joyous and free as these four women are”

 

Lydia Higginson didn’t really know where dressed. would fit amongst the thousands of shows at the Edinburgh Fringe. She didn’t know what reviewers would say. She didn’t know what she wanted them to say, either, and so what they said didn’t feel right.

Now dressed. has won a Fringe First Award, transferred to Battersea Arts Centre, and is about to go on tour. But these accolades don’t make the reviewer’s job any easier. The fact remains that this is a unique show that defies categorisation, and that basic words like ‘hilarious’ or ‘heart-warming’, can’t hope to describe.

So, what is the show about? On the surface, it is about the power of creativity as a means of overcoming trauma. After being stripped at gunpoint, Lydia moves back home, locks herself in her room, and learns to sew. The first four garments she makes are costumes; by January 2017, she has made her entire wardrobe and given all her shop-bought clothes away. In dressing herself, Lydia is able to reclaim herself, to take back the body that was wrenched out of her control.

On its own, Lydia’s story is arresting and, dare I say it, inspiring. But the thing that makes it so special is the way in which it is told. Lydia performs alongside three of her friends – Josie, Olivia, and Nobahar – who dance with her, sing with her, and wear her costumes. But, most importantly, they enjoy themselves. In spite of the dark subject matter, dressed. is overwhelmed by a sense of joy. It feels as though they made this show purely because they wanted to make it: not out of vanity, but because they felt that this story deserved to be told. No it’s not polished, and yes the microphone wires keep getting caught on bits of the set – but who cares? It is rare to see performers as joyous and free as these four women are.

The roughness of the show should not be mistaken for a lack of professionalism: it is beautifully executed. All four performers are energetic and charismatic, each contributing something unique. Olivia Norris is a mesmerising dancer; Nobahar Mahdavi is a captivating singer. Josie Dale-Jones’ subtle humour brings comic relief, whilst Lydia herself is unflinchingly honest and direct. Lucy Adams’ lighting design matches and enhances the changes in tone, whilst the relatively bare stage is perfect for both dance numbers and quiet moments of sewing.

If I had to choose one word to describe dressed., it would be “celebratory”. It is a celebration, not only of creativity, reclamation, and Lydia herself, but of friendship. It is the story of four girls who met at a dance class when they were ten years old, and who now, as women, exemplify the beauty and power of friendship during dark times. Their love, for each other and for what they have created, is a reminder that theatre cannot be made without it.

 

Reviewed by Harriet Corke

Photography by  Camilla Greenwell

 


Dressed

Battersea Arts Centre until 2nd March

 

Previously reviewed at this venue:
How to Survive a Post-Truth Apocalypse | ★★★ | May 2018
Rendezvous in Bratislava | ★★★★★ | November 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Rendezvous in Bratislava – 5 Stars

Rendezvous in Bratislava

Rendezvous in Bratislava

Battersea Arts Centre

Reviewed – 13th November 2018

★★★★★

“a living archive that celebrates not only the life of a remarkable man but those who loved him as well”

 

Miriam Sherwood never got to meet her grandfather, and yet, in spite of this, she has managed to write a cabaret with him. Rendezvous in Bratislava chronicles the life of Jan ‘Laco’ Kalina, a prolific writer of cabarets and jokes, of plays and no less than five autobiographies. But, sifting through her grandfather’s writings and photographs, Sherwood has found a way of telling her grandfather’s story and her own. What emerges is a cabaret, a personal history and a living archive that celebrates not only the life of a remarkable man but those who loved him as well.

Set in a cosy living room, complete with period furniture and a piano, Rendezvous in Bratislava, is extraordinarily intimate. As the audience sits at cabaret tables, the boundaries between them and stage are blurred from the start. We are invited in as guests on Sherwood’s journey. Perhaps because we are so involved, we are able to see the details of Laco’s life, and the way which details do not necessarily have to add up because life, for better and for worse, can be messy.

The narrative that unfolds is both personal and political. Born in 1913, in Czechoslovakia, Laco’s life traces turbulent times as he escaped persecution during the Nazi occupation only to be later deemed a threat by the ensuing communist regime. But Laco’s work seems to have been devoted to laughter, and the show is peppered with his dark jokes translated from Slovakian by Sherwood.

Accompanying this is some brilliant original music, composed and performed by Thom Andrewes and Will Gardner who capture the playfulness of cabaret. From radio transmissions and cassette recordings to live renditions, the songs and performances are weaved into the story through an innovative medley of mediums. There are a few numbers which combine folk tunes and classical cabaret with a modern twist. With the help of a band of top musicians (František Holčík, Martin Jeriga and Maria Rehakova), the songs of Rendezvous in Bratislava bring to life a period of cabaret which nurtured laughter and entertainment in the darkest of times.

At the core of this piece is Miriam Sherwood’s sensitive storytelling. There is an honest fascination with her grandfather that marks each moment. As she reads extracts of Laco’s work, it is as if her voice is in conversation with his. There are several layers of very careful translation going on; from Slovak to English, from text to stage and from the personal to the performative. It is in this dialogue and these movements of translation that the real drama resides.

Rendezvous in Bratislava is a unique and unusual piece of theatre, the only one that I have seen that incorporates music and dance with readings from extracts and even a slideshow. It is funny, warm and heart-wrenching. “The success of a cabaret revue,” writes Laco, “depends on whether we are able to make a programme of artistic and ideological impact from a mosaic of small moments”. Rendezvous in Bratislava indeed does just that, it is a mosaic of some beautiful and strange, small moments.

 

Reviewed by Tatjana Damjanovic

Photography by Lara Taylor

 


Rendezvous in Bratislava

Battersea Arts Centre until 24th November

 

Previously reviewed at this venue:
How to Survive a Post-Truth Apocalypse | ★★★ | May 2018

 

Click here to see more of our latest reviews on thespyinthestalls.com