Tag Archives: BestofVAULT

SOMETHING AWFUL

★★★★★

VAULT Festival 2020

ReviewsBestofVAULT, Bethany Pratt, Flux Theatre, Holly Ellis, Lidia Crisafulli, Lucy Jane Atkinson, Melissa Parker, Monica Anne, Natalya Martin, Sam Glossop, Something Awful, Tatty Hennessy, The Vaults, VAULT Festival 2020thespyinthestalls

Something Awful

Cavern – The Vaults

Reviewed – 29th January 2020

★★★★★

“a fantastic production which is sure to have even the most hardened horror fan on the edge of their seat”

In 2014, two twelve-year-old girls from Wisconsin stabbed their supposed best friend 19 times in an attempt to appease the fictional internet creation Slender Man. Fortunately, the victim survived, having crawled to a road where she was found, and the two girls were subsequently found not guilty by mental disease or defect. Something Awful, the new play from award-winning Flux Theatre written by Tatty Hennessy and directed by Lucy Jane Atkinson, takes inspiration from this gruesome tale and the horrors that lurk on online forums.

Soph (Natalya Martin) and her best friend Jel (Monica Anne) love reading scary stories on websites such as Creepypasta, that is, until new girl Ellie (Melissa Parker) turns up with her own horror story of a mysterious figure with an axe in the nearby forest. The line between fiction and reality slowly begins to blur with disastrous consequences.

Something Awful takes a fascinating premise and addresses issues becoming increasingly relevant in our society. The ease in which children can access grotesque and inappropriate content on the internet is an obvious concern for parents, and the real-life case which the play is based on demonstrates the possible terrifying results of such exposure. A scene in which Soph gets her first period at a sleepover reminds us just how young these characters are despite the media they are consuming, and the quick installation of a VPN on their mobile devices shows just how quickly young people can get around the barriers in place for their protection.

All three women are fantastically convincing in their roles, and have excellent chemistry. The play’s pacing is good for the most part though the morbid conclusion to the tale is perhaps a bit rushed. Some more build up to the girls’ decision would be appreciated though this does also make the ending all the more dramatic in its suddenness.

The set (Bethany Pratt) is very simple. Two tables are moved around the stage for different scenes, in some, they are desks, in another a bed and, in the performance’s final moments, either side of a forest path. Props are also minimal. The cast carry school backpacks from which appear, amongst other things, a laptop, a takeaway container and some scissors.

The lighting (Holly Ellis) is slick and perfectly reflective of the mood on stage. When Soph reads out a terrifying tale, the stage slowly darkens until only she is left in the spotlight. Green hues are also used frequently to give a thoroughly creepy feel to the show. There is potential for certain moments to be creepier – for example, the opening story about a disfigured woman would pack more punch if Parker was to wear a mask – but this had no real impact on the show’s overall affect.

Overall, Something Awful is a fantastic production which is sure to have even the most hardened horror fan on the edge of their seat.

Reviewed by Flora Doble

Photography by Lidia Crisafulli

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LITTLE BOXES

★★★★★

VAULT Festival 2020

ReviewsAlphamum Productions Ltd, BestofVAULT, Daniel Brennan, Joann Condon, Katre, Leonie Rachel, Ria Samalti, The Vaults, VAULT Festival 2020thespyinthestalls

Little Boxes

Pit – The Vaults

Reviewed – 28th January 2020

★★★★★

“There is no hint of sentimentality, self pity or schmaltz. Just one woman’s humanity. And a lot of fun”

This one woman show is a delight. By turns hilarious, moving, sad and uplifting; it takes the audience on a journey through Joann Condon’s life and memories, dreams and sorrows. The stories are intensely personal, but also universal and immensely relatable. The publicity promises to make the audience laugh and cry, and it is true to that promise.

The moment Condon arrived on stage she had us with her. She is naturally engaging, and sometimes brutally honest, as she begins to talk about her childhood and the revelation that she, a ‘fat cockney girl,’ wanted to be an actress. The little boxes of the title are the boxes we all are put into, or choose for ourselves. At school were you the clever one? The naughty one? The popular one? And later, are you the good parent, the weird one, or maybe the one who works too hard? We unconsciously accept these boxes and are complicit in their construction. Condon lets the audience into her life, opening her boxes and examining the contents. She has a lovely comic touch, cheeky and beguiling, and there are plenty of laughs, many provoked by identification with the situation she is talking about. It’s a special thing, as an actor, to have the courage to be open and emotionally honest with your audience, and Condon’s connectedness when talking about difficult times provided the promised tears. When she dances like a diva the audience whooped and yelled in encouragement of her joy. There is no hint of sentimentality, self pity or schmaltz. Just one woman’s humanity. And a lot of fun.

It’s a lovely show, written by Condon and developed in collaboration with producer Leonie Rachel from a five minute stand up piece, and performed in a simple set full of piles of cardboard boxes. Supported by Ria Samalti’s lighting and sound, and directed with sensitivity and a playful authenticity by Daniel Brennan, this is one not to miss. I hope it will have a life after the Vaults Festival, so that more people will be able to see it.

Reviewed by Katre

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