Tag Archives: Bill Kenwright

Love Letters

Love Letters

β˜…β˜…β˜…β˜…

Theatre Royal Windsor

Love Letters

Love Letters

Theatre Royal Windsor

Reviewed – 13th October 2020

β˜…β˜…β˜…β˜…

 

“Martin Shaw and Jenny Seagrove are perfectly cast for this agreeably wry game of theatrical tennis”

 

Windsor’s Theatre Royal successfully re-opened last night with A.R. Gurney’s gentle hit β€˜Love Letters’ starring Martin Shaw and Jenny Seagrove. The affection in which this lovely old theatre is held locally was evident in the warm reception given to Producer Bill Kenwright as he paid tribute to the team behind the show and welcomed the audience back. He also announced β€˜Windsor on Air’ – a new season of radio style one week runs which includes hits like β€˜The Lady in the Van’ and Tom Conti and Felicity Kendal in β€˜Lloyd George Knew my Father’. A comprehensive set of measures ensure audience safety, including serving drinks to your seat.

β€˜Love Letters’ began in 1988 as an epistolatory novel, but it soon became a big Broadway hit. It’s a play which β€˜needs no theatre, no special set, no memorization of lines’. The two characters sit at desks at 60 degrees to each other and read letters and cards which chart a half century of hectic and privileged East Coast American living. A glittering roster of past performers has included the likes of Elizabeth Taylor, Charlton Heston, Ali MacGraw – and even Larry Hagman.

At its soft heart the play is about maintaining togetherness through separation, as childhood sweethearts stay close by correspondence, as their lives dramatically diverge. Only in the last, poignant moments does one character finally look at the other.

Martin Shaw (β€˜Judge John Deed’ and many others) and Jenny Seagrove (β€˜Peak Practice’, β€˜Judge John Deed’, the film β€˜A Chorus of Disapproval’ and much more) are perfectly cast for this agreeably wry game of theatrical tennis. The writing is excellent, particularly in the second half, when the pair of elementary students grow into adults. She is a β€˜lascivious old dame’ and he a β€˜shifty [but very successful] bastard’. His dogged defence of the power of letter-writing gets gently patted back by her one-liners and aching silences.

Roy Marsden directs this bittersweet and delightful Pulitzer-listed comedy with a light touch.

 

 

Reviewed by David Woodward

Photography Simon Vail

 


Love Letters

Theatre Royal Windsor until 17th October

 

Previously reviewed by David:
Assassins | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | September 2019
The Mousetrap | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | October 2019
The Nutcracker | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | November 2019
What’s In A Name? | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | November 2019
Ten Times Table | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | January 2020
Buddy: The Buddy Holly Story | β˜…β˜…β˜…β˜… | Theatre Royal Windsor | February 2020
The Last Temptation Of Boris Johnson | β˜…β˜…β˜…Β½ | Theatre Royal Windsor | February 2020
The Black Veil | β˜…β˜…β˜… | Theatre Royal Windsor | March 2020
The Wicker Husband | β˜…β˜…β˜…β˜…β˜… | Watermill Theatre Newbury | March 2020
The Strange Case Of Dr Jekyll & Mr Hyde | β˜…β˜…β˜…β˜…β˜… | Wilde Theatre | September 2020

 

Click here to see our most recent reviews

 

Torch Song

Torch Song

β˜…β˜…β˜…β˜…β˜…

Turbine Theatre

Torch Song

Torch Song

Β Turbine Theatre

Reviewed – 6th September 2019

β˜…β˜…β˜…β˜…β˜…

 

“McOnie does a spectacular job of adapting Torch Song for the contemporary stage”

 

The Turbine Theatre is a brand-new venue set beneath the railway arches south of Battersea Power Station. Exposed brickwork, modern furnishings and large windows reflects the theatre’s desire to create productions with a β€˜new energy’ for β€˜contemporary audiences’.

What better way then to open the inaugural season with a revival of Harvey Fierstein’s seminal work, Torch Song. Directed by Drew McOnie it tells the story of drag queen Arnold Beckoff (Matthew Needham) and his quest for true love in 1970s Manhattan. He first falls for a confused bisexual man named Ed (Dino Fetscher) who dithers between him and girl-next-door Laurel (Daisy Boulton). Fed up with Ed’s lack of commitment, he starts dating young model Alan (Rish Shah) before tragedy strikes. Years later, he adopts a gay teenager named David (Jay Lycurgo) and attempts to rebuild his relationship with Ed. All the while, longs for the approval of his Ma (Bernice Stegers).

Needham has fantastic chemistry with all his co-stars. Needham and Ferscher are thoroughly convincing in the role of agonised and confused lovers, and Needham’s witty back and forth with Lycurgo is enchanting to watch. Lycurgo brings a great energy to the stage, and Stegers switches effortlessly between the comic stereotype of the overbearing Jewish mother and the wallowing widow. Stegers and Needham’s arguments about love and loss will have the audience on tenterhooks.

The set (Ryan Dawson Laight) is amazingly adaptable. A neon sign hangs above the stage indicating each of the parts in Fierstein’s trilogyΒ  – ‘International Stud’, ‘Fugue in a Nursery’ and ‘Widows and Children First!’. In the first act we see just Arnold’s makeup dresser and two phones. The second act – one bed, though the way in which the actors interact with the space creates the illusion of two separate rooms and beds. The set becomes marvellously elaborate in the third act as the audience is transported to Arnold’s new home. The dΓ©cor is gaudy and thoroughly 1970s. Bright green counters at the back and a working oven are used by Ed to make an unappealing breakfast of eggs, onions and kippers on stage.

The apartment set is dismantled seamlessly to transform into the street outside. Low blue light and cold air pumped into the audience tells us it is night. The lighting (James Whiteside) is used well elsewhere too, notably, to create the dingy surroundings of a nightclub’s β€˜backroom’ where men engage in anonymous sex.

Torch Song is both touching and raucously funny. The characters are flawed but entirely relatable due to this, and the script is excellent. The play’s issues of love, loss and acceptance are still relevant today making Fierstein’s work a timeless insight into the human condition. McOnie does a spectacular job of adapting Torch Song for the contemporary stage and this is definitely a production worth shouting about.

 

 

Reviewed by Flora Doble

Photography by Mark Senior

 


Torch Song

Turbine Theatre until 13th October

 

Previous shows covered by this reviewer:
The Knot | β˜…β˜…β˜…β˜… | Old Red Lion Theatre | June 2019
Vulvarine | β˜…β˜…β˜…β˜…β˜… | King’s Head Theatre | June 2019
50 Years Of LGBT/Pride Panel And Discussion | β˜…β˜…β˜…β˜… | h Club | July 2019
Have I Told You I’m Writing a Play About my Vagina? | β˜…β˜…β˜…β˜… | The Bunker | July 2019
The Falcon’s Malteser | β˜…β˜…β˜…β˜…β˜… | The Vaults | July 2019
Type On Paper | β˜…β˜…β˜…β˜… | Tabard Theatre | July 2019
Camp | β˜…β˜…β˜… | Lion & Unicorn Theatre | August 2019
Towards Zero | β˜…β˜…β˜…β˜…β˜… | The Mill at Sonning | August 2019

 

Click here to see our most recent reviews