Tag Archives: Camden People’s Theatre

Did it Hurt? – 3 Stars

Did

Did it Hurt?

Camden People’s Theatre

Reviewed – 6th August 2018

★★★

“a rebalancing and proportioning of the content would heighten the clarity and impact of the message”

 

Written and performed by Michael Faulkner and Joshua Poole, alias ‘Seventy30’, ‘Did It Hurt?’ addresses the issues of male mental health, suicide and the deep-rooted stigma around emotional expression, admission and reaching out. Two strangers find themselves locked in a dark room together. With nowhere to go and no one else to talk to they are forced to get to know each other and eventually reveal secrets and truths. Gradually the layers of suppression peel away and they discover the relief of communication.

This debut production has a well-structured storyline and a clever twist near the end, but a rebalancing and proportioning of the content would heighten the clarity and impact of the message. The first part emphasises the social backgrounds of the characters, but the conversation relies heavily on stereotypical references and differences and leans more towards a comment on class distinction. Listening to their stories, we begin to connect with Jean (Poole) and Paul (Faulkner) as they draw out each other’s pasts with mockery, humour and ocassionally aggression. Their lives have a certain poignancy but as individuals they come across as representatives of a social system rather than defined characters, which undermines our emotional reaction. Both actors give good if slightly underplayed performances, relying more on the script than interpretation to create their contrasting personalities.

Kathryn King, brings an added audio dimension to an otherwise simple approach to the direction. Music and sound (uncredited) spontaneously project inner thoughts and memories into the narrative, as an impulse for further discussions and confessions. We feel a few moments of tension as the situation develops but a more varied pace would intensify the dynamics of this claustrophobic situation. There is some thoughtful detail in the uncomplicated set, the significance of which becomes progressively apparent.

It is a challenge to choose such a sensitive subject and any initiative and creativity by young artists like this should be supported and encouraged. Although ‘Did It Hurt?’ does not fully succeed in offering the powerful or revelatory insight it proposes, as a piece of theatre it is original, well executed and engaging.

Reviewed by Joanna Hetherington

Photography courtesy 70:30 Theatre Company

 

Pigeon

Did it Hurt?

Camden People’s Theatre until 6th August

as part of The Camden Fringe Festival 2018

 

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

 

Ouroboros – 4 Stars

Ouroboros

Ouroboros

Camden People’s Theatre

Reviewed – 25th July 2018

★★★★

“Fox delivers a masterclass in physical performing”

 

An image recognised across the world, ouroboros is an age-old symbol depicting a dragon, or snake, eating its own tail. In her riotous one-woman show, Charlotte Fox contemporises the image: how far are we willing to go to maintain our image? Ouroboros is a witty and piercing critique of how we are made to view our bodies and the pains we endure in order to ‘look good’ for the damning and judgmental eyes of this materialistic world.

A struggling actor, Charlotte (as depicted in the show) is propelled by her agent onto a quest to get thin. Her journey incorporates the archetypical American self-help guru through to the verbally abusive fitness instructor-cum-DJ seen in gyms and park across the city pushing fitness freaks to their limits. Seeing this show just minutes after an aimless wander through a nearby Planet Organic exposes how manipulative and confusing current ‘health foods’ on offer can be. What should we eat to live healthy lives? And who’s methods, who’s diet, who’s message can we trust?

With just herself and a few props, Fox delivers a masterclass in physical performing. Easily contorting her body to become an array of crooked and crazy characters, she remains focused and totally committed to character and place throughout. The results are hilarious. She builds a strong relationship and rapport with the audience, asking us to take part and shape the show with her. Fox is a confident performer, and as this show moves to Edinburgh, ‘Ouroboros’ will undoubtedly be a hit.

If there’s a downside, it’s that the show stretches just a little too long and has a few repetitive moments, but even these work towards the shows central themes. Fad food diets, fitness regimes and social media are all traps, serpents eating their own tails. Approach with caution (or, at least, cynicism). Fox manages to satirise the trends of urban life without seeming exclusive or part of a ‘London elite’, which is increasingly rare with shows of this kind, and makes Ouroboros of even greater appeal. If you’re in Edinburgh this summer, please don’t miss this captivating and astonishing show.

 

Reviewed by Joseph Prestwich

Photography by Marc Abe

 

Ouroboros

Camden People’s Theatre

 

Ouroboros is at Cowgate, Edinburgh Festival Fringe from 2nd to 14th August

 

 

Click here to see more of our latest reviews on thespyinthestalls.com