Tag Archives: Camden People’s Theatre

Invasion! An Alien Musical

Invasion! An Alien Musical

β˜…β˜…

Camden People’s Theatre

INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

β˜…β˜…

Invasion! An Alien Musical

“It is possible to see how, with more work, Invasion! can become something that audiences will enjoy”

 

If Edinburgh is beyond your budget this year, you should definitely visit the varied performances now being offered as part of the 2023 Camden Fringe Festival instead. You’re bound to find something appealing, and at bargain prices too. It’s great to find interesting theatre in your own backyard, and the number of shows on offer seems to grow every year. So feast your eyes on all the intriguing performances listed on the Camden Fringe website, and hurry to get your tickets before it’s too late.

This year I’m beginning with a visit to the latest musical from the Cambridge University Musical Theatre Society. This is the group that gave the West End its blockbuster musical hit SIX, about King Henry VIII’s unfortunate wives. The packed audience in the Camden People’s Theatre last night sounded eager to see if there’s another hit musical in the making. While there’s certainly conspicuous talent on display in Invasion! An Alien Musical, the show is a long way from the West End at the moment, figuratively speaking. This is mostly because Invasion! is a big budget musical put together on a shoestring. The money appears to have gone into boosting the sound of the keyboards at the expense of the singers. If you’re going to use amplification for the music, it seems only fair to give your singers a fighting chance by giving them an amplified sound as well.

But let’s backtrack a bit, and provide a sketch of the plot. With more than a little nod from classics such as the Little Shop of Horrors, the story behind Invasion! An Alien Musical is familiar enough. In brief, we meet exploited workers toiling away in a miserable theme park with not enough to live on, while an evil prime minister welcomes in sinister aliens disguised as plush toys. These aliens are, not surprisingly, here to take over the Earth. This would seem to be a pretty poor choice on the aliens’ part, given the current state of the Earth, but OK. The plush toys, called Larry Lotus’, that the aliens inhabit in order to mind meld with humans, are adorable, and of course, all the more threatening for that. If the plot had just stuck to the main story of Johnny Fox, exploited worker, trying to free himself and his fellow humans from alien plush toys (with the help of another alien called Sola) the audience could have reached the end of the show reasonably clear about what had happened. But there’s a ton of extra characters, some with mysterious American accents (take that how you will), and a lot of muddled rushing on and off the stage. There’s too much exposition to explain why these characters are on stage in the first place. The Rocky Horror Show, which also began as a musical on a shoestring, did this all very successfully, keeping the alien mayhem caught within a sinister mansion, rather than a theme park. And it brought all the extraneous events and characters into the mansion, while keeping Downing Street out of it. Keep it simple, folks.

It is possible to see how, with more work, Invasion! can become something that audiences will enjoy. Sci fi musicals have been successful in the pastβ€”even another low budget one like Return to the Forbidden Planet, which toured London parks in the Bubble Theatre’s inflatable yellow tent before transferring to the West End. It can be done, and the music and lyrics by the talented Lily Blundell deserve to reach a wider audience. But Jasper Cresdee-Hyde and Jonathan Powell, as writers and directors, are several drafts away from a workable book. The cast has some great singers, Kate South and Iona Rogan in particular. Gregory Miller is rather underused as a performer. But the leads, Jamie Ellis as Johnny Fox, Nathan Galpin as Brian Fox, and Freya Cowan as the alien Sola, are simply lost among the overpowered playing of Blundell on keyboards, and the acting and singing of the rest of the cast. The whole show needs to go for broke, and that includes the lighting, costumes and make up.

Hopefully this run at the Camden People’s Theatre won’t be the last we see of Invasion! An Alien Musical. If the cuddly plush toys go back to the drawing board and work on another draft, I, for one, would welcome the alien wannabe overlords back to the Camden Fringe next year. It would be cool to see how their plans for taking over the Earthβ€”or even the West Endβ€”are progressing


INVASION! AN ALIEN MUSICAL at the Camden People’s Theatre

Reviewed on 31st July 2023

by Dominica Plummer

Photography Charlotte DarganΒ 

 

 

 

 

 

Recently reviewed by Dominica:

 

Caligula And The Sea | β˜…β˜…Β½ | VAULT Festival 2023 | March 2023
Dance Of Death | β˜…β˜…β˜…β˜…β˜… | The Coronet Theatre | March 2023
Farm Hall | β˜…β˜…β˜…β˜… | Jermyn Street Theatre | March 2023
The Net Kill | β˜…β˜…β˜…β˜…β˜… | VAULT Festival 2023 | March 2023
666 Hell Lane | β˜…β˜…β˜…β˜…β˜… | The Vaults | February 2023
Dance Me | β˜…β˜…β˜…β˜…β˜… | Sadler’s Wells Theatre | February 2023
Oklahoma! | β˜…β˜…β˜…β˜… | Wyndham’s Theatre | February 2023
Police Cops: Badass Be Thy Name | β˜…β˜…β˜…β˜…β˜… | The Vaults | February 2023
Women, Beware The Devil | β˜…β˜…β˜…β˜… | Almeida Theatre | February 2023
Intruder | β˜…β˜…β˜…β˜… | VAULT Festival 2023 | January 2023
The Art of Illusion | β˜…β˜…β˜…β˜…β˜… | Hampstead Theatre | January 2023
The Ocean At The End Of The Lane | β˜…β˜…β˜…β˜… | New Victoria Theatre | January 2023

Invasion! An Alien Musical

Invasion! An Alien Musical

Click here to read all our latest reviews

 

Thank You and Goodnight

β˜…β˜…β˜…β˜…

Camden People’s Theatre

Thank You and Goodnight

Thank You and Goodnight

Camden People’s Theatre

Reviewed – 8th March 2020

β˜…β˜…β˜…β˜…

 

“a great performance from a brilliant performer”

 

β€œThank you for having me. I mean, not having me…At least not yet.” As Emilia Stawicki begins her show, making her way round the audience and hitting on anyone who maintains eye contact, she manages to be both wildly uncomfortable and unfathomably confident.

Armed with only an education in jazz hands and Sondheim, and some serious Catholic guilt, Emilia takes us on a (very relatable) journey to discover what she wants romantically and sexually, and, of course, to answer that ever popular, make-you-want-to-punch-people-in-the-face question, β€œSo why are you single?”

As with a lot of funny people, Emilia’s love life has been less with the wild sexy romances and more of a succession of gentle humiliations- dates ending in a firm handshake, or indeed a realisation that the other person is verifiably insane. It’s clear this is pretty much autobiographical, small measures of artistic licence aside, and being so vulnerable with an audience of strangers, there is, no doubt, a great capacity for humiliation. It’s lucky then that Emilia has such a talent for comic timing and story-telling, instead making the whole audience feel like her best buds on a night out with their funny friend.

With little by way of props or production, barring a flip chart with some key words spelled out nice and big, and a tiny crucifix hung on the back wall, Emilia carries the entire show with masterful physicality and delivery. In fact, her facial expressions are so descriptive, she could easily do the whole thing sat still in the middle of the stage, moving only her eyebrows.

As with all good comedy, there is a strand of sincerity which comes a little too suddenly, giving the audience no time to shake themselves out of the easy laughter generated over the past forty-five minutes. Regardless, we’re only really meditating on the serious for a moment or two before Stawicki swings back in to comedy at full force.

At only an hour, there isn’t really time for the mind to wonder, nonetheless the narrative could do with a little excess trimmed off. Even so, this is a great performance from a brilliant performer. I look forward to telling people I saw her when she was just starting out.

 

Reviewed by Miriam Sallon

 

Thank You and Goodnight

Camden People’s Theatre

 

Last ten shows reviewed at this venue:
Hot Flushes – The Musical | β˜…β˜…β˜… | June 2019
Form | β˜…β˜…β˜…β˜…β˜… | August 2019
Muse | β˜…β˜… | August 2019
Ophelia Rewound | β˜…β˜…β˜…β˜… | August 2019
The Indecent Musings Of Miss Doncaster 2007 | β˜…β˜…β˜…Β½ | August 2019
A Haunted Existence | β˜…β˜…β˜…β˜… | October 2019
Trigger Warning | β˜…β˜…β˜… | October 2019
I, Incel | β˜…β˜…β˜… | November 2019
Sh!t Actually | β˜…β˜…β˜…β˜… | December 2019
Made From Love | β˜…β˜…β˜…Β½ | January 2020

 

Click here to see our most recent reviews