Tag Archives: Cecilia Trono

The Incident – 3 Stars

The Incident

Canada Water Theatre

Reviewed – 17th October 2018

★★★

“charmingly explores the joys and trials of these relationships, but was lacking that zip needed to really lift it”

 

Next time you’re on the Jubilee line, stop off at the library next to Canada Water station. There, along with a good collection of books and a cute café, you can go into a fantastic theatre space. Both large and comfortable, and properly rigged for lighting, Canada Water Theatre is an excellent space to put on a show, a sentiment which Two Gents Productions clearly share. Their production of ‘The Incident’ is playing here, and it is a relationship drama about Jan and Monica. Both teach at the same school, both live in Sweden and both are seemingly in love with each other. The big difference: Jan is Swedish and Monica is from Zimbabwe. The play tackles the couples’ struggles to communicate and understand each other, as well as wider social issues concerning racial politics in Sweden and indeed globally.

The two actors both held their own in this two-hander; however it was Cassandra Hercules playing the part of Monica who really shone. She had the difficult task of articulating racial struggle in a way that wasn’t cliché or too bleak. She was successful, as her whole performance was rich with physical energy and clear connection to her thoughts. David Weiss’ Jan was a much more stuck up and stiff character than Monica, however there were moments where I felt his character came across as particularly cold and cruel, especially when ‘consoling’ Monica when she was upset over past racial prejudices she had experienced.

In terms of the writing, there seemed to be a lot of significance weighted onto lines with clear messages, and not as much attention on the subtext and moments in between. Joakim Daun’s award-winning script has a few of these moments of unnecessary exposition, filling the audience in on information that we can get simply through good direction and use of the space. The scene where Jan informs Monica of her suspension from work was an excellent example of using distance between the actors and fast pace to create energy and plenty of subtext. It would have been fantastic if this quality was present throughout the piece.

The play is an international one, and has been performed all over the world. In the lobby before the show I was able to witness a wonderful mixing of cultures, as Swedish and African audience members were meeting and discussing the upcoming show. The piece charmingly explores the joys and trials of these relationships, but was lacking that zip needed to really lift it.

 

Reviewed by Edward Martin

Photography by Joakim Daun

 


The Incident

Canada Water Theatre until 19th October

 

 

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The Yellow Wallpaper – 4 Stars

Wallpaper

The Yellow Wallpaper

Omnibus Theatre

Reviewed – 12th June 2018

★★★★

“Gemma Yates-Round beautifully encapsulates the challenging role of Alice”

 

“I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over”

Another Soup return to Clapham’s Omnibus Theatre to headline the ‘Whispers from the Walls’ season with their poignant interpretation of The Yellow Wallpaper.

The production is based on Charlotte Perkins Gilman’s classic short story about a woman suffering with postpartum psychosis, as she struggles to receive the correct treatment to enable her recovery. Although the original story takes place in the late 1800s, the key themes within the text are incredibly relevant today. Whilst we have improved our attitudes towards mental illness since the Victorian era, Another Soup’s refreshing take on the story reveals how much of the stigmatisation still prevails deeply within society today.

Gemma Yates-Round beautifully encapsulates the challenging role of Alice, and from her first moments on stage brings the audience emotionally towards her character. This intimate connection with the audience whenever she breaks the fourth wall establishes the way in which the director has cleverly chosen to stage what is originally a first-person narrative written by an author who had the same experiences.

This particular interpretation of the text did not seem to be set in any particular era, and in many ways is yet another directorial decision from Dave Spencer to stay true to the dystopian setting of Gilman’s work. As well as this, the set design by Mayou Trikerioti and Cecilia Trono, further helped establish this unsettling atmosphere in addition to encapsulating the shifting consciousness of Alice’s mind.

Whilst this story sheds light on the dated attitudes many still harbour towards mental illness, particularly when suffered by women, it also draws attention to wrong ways in which we can treat mental illness. In The Yellow Wallpaper, Alice is taken away from other people, and is strictly forbidden to engage in any creative activity and, as a result, this worsens her suffering. Perhaps in some ways this particular production alludes to the ways in which art can potentially assist in treatment for mental illness, as well as playing a role in further educating audiences on the journey of someone with postpartum psychosis.

 

Reviewed by Claire Minnitt

Photography by Lidia Crisafulli

 

Omnibus Theatre

The Yellow Wallpaper

Omnibus Theatre until 24th June

 

Related
Also by Another Soup theatre company
Window | ★★★ | Bread & Roses Theatre | September 2017
 The Soul of Wittgenstein | ★★★ | Omnibus Theatre | February 2018

 

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