Tag Archives: Charlie Ives

HOLD ON TO YOUR BUTTS

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Arcola Theatre

HOLD ON TO YOUR BUTTS

Arcola Theatre

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“Although lacking the traditional sleigh bells and Santa, it does have sufficient nostalgia, silliness and giggles to fill a panto-shaped hole”

In case you’re wondering, β€œHold on to your butts” is a line from Samuel L Jackson as he is about to reboot the computer systems of Jurassic Park in the 1993 ground-breaking monster flick.

It’s a terrible title for a fun evening but, I suppose, theatre company Recent Cutbacks can’t stick β€œJurassic Park” anywhere near the poster for legal reasons.

But the copyright holders need not fear for their intellectual property. It’s in safe hands. This madcap shot-for-shot re-creation of the mega-dinosaur smash is made by people who adore the movie. And love movie-making.

It’s 10 years since this slick whistlestop tribute opened in New York City, later wowing crowds at the Edinburgh Fringe and now setting up at the Arcola under the direction of Kristin McCarthy Parker. Although lacking the traditional sleigh bells and Santa, it does have sufficient nostalgia, silliness and giggles to fill a panto-shaped hole.

This production takes you back. Not just to Steven Spielberg’s genius film, but to your garage, or garden, or park. Where on a rainy Sunday, with nothing else to do and the wifi down, you and your mates stumble upon a cardboard box from Tesco which once held pineapples. The box becomes everything – castle, racing car, majestic pirate ship scything the seven seas…

Here, two performers and a sound artist perform a similar feat of ingenuity and imagination in this lo-fi, charming and very funny evocation of the original.

What’s that you say? A herd of serene brachiosaurus sweeping across the plains of Isla Nublar? Here you go. A mosquito trapped in a piece of amber? A barley sugar will suffice, no?

Performers Jack Baldwin and Laurence Pears tread the fine line between slavish adoration of the original and good-natured fanboy parody. On the sidelines, but equally a star, is foley artist Charlie Ives recreating T-Rex roars, rainstorms, computer beeps, creaking branches and everything else that helps make the fun funnier.

The humour is often of the Airplane! variety – aforementioned (pre-Pulp Fiction) Samuel L Jackson’s growing smoking habit an example – and much of the joy is in the anticipation, figuring out how two men and some props retrieved from a trash can are going to make a car fall through a tree, or create the tension of a raptor hunt. And there’s much humour to be mined in the script too – such as Jeff Goldblum’s wry β€œchaotician” delivering his memorable brow-knitted cod-philosophies studded with Pinteresque β€˜umms’ and pauses. Or that perky and patronising strand of DNA explaining how cloning works.

It helps to know something about the film because the sheer challenge of miniaturisation does lend itself to some confusion, but the iconic scenes are all there as anchors – the ripples on the cup of water, T-Rex going to town on a toilet-bound Donald Gennaro, probing a big pile of dino-poop, sweaty Wayne Knight, girlie Laura Dern…

This is the perfect night for anyone who’s ever seen a stack of cone party hats and thought – three of them, artfully placed – there’s my triceratops!



HOLD ON TO YOUR BUTTS

Arcola Theatre

Reviewed on 13th December 2024

by Giles Broadbent

Photography by Mark Senior

 

 

 


 

 

 

 

Previously reviewed at this venue:

DISTANT MEMORIES OF THE NEAR FUTURE | β˜…β˜…β˜… | November 2024
THE BAND BACK TOGETHER | β˜…β˜…β˜…β˜… | September 2024
MR PUNCH AT THE OPERA | β˜…β˜…β˜… | August 2024
FABULOUS CREATURES | β˜…β˜…β˜… | May 2024
THE BOOK OF GRACE | β˜…β˜…β˜…β˜…β˜… | May 2024
LIFE WITH OSCAR | β˜…β˜…β˜… | April 2024
WHEN YOU PASS OVER MY TOMB | β˜…β˜…β˜…β˜…β˜… | February 2024
SPUTNIK SWEETHEART | β˜…β˜…β˜… | October 2023
GENTLEMEN | β˜…β˜…β˜…β˜… | October 2023
THE BRIEF LIFE & MYSTERIOUS DEATH OF BORIS III, KING OF BULGARIA | β˜…β˜…β˜…β˜…β˜… | September 2023
THE WETSUITMAN | β˜…β˜…β˜… | August 2023
UNION | β˜…β˜…β˜… | July 2023

HOLD ON TO YOUR BUTTS

HOLD ON TO YOUR BUTTS

HOLD ON TO YOUR BUTTS

 

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LAUGHING BOY

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Jermyn Street Theatre

LAUGHING BOY at Jermyn Street Theatre

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“Whilst moving, the piece lacks dramatic elements and at times feels more like a lecture more than a theatrical work”

Laughing Boy is a piece of Political Protest Theatre, which is theatre that arises from injustice and makes it clear it is protesting against it. It tells the true story of Connor or β€˜LB’, a learning disabled young man with epilepsy who died as a result of negligence and systemic faults in his care in 2013. His family campaigned and gave testimony as part of a lengthy legal battle. Written and Directed by Stephen Urwin, Laughing Boy is an adaptation of Sara Ryan’s book β€˜Justice for Laughing Boy’. The play uses video projection (Matt Powell) to display real reports and quotes from the legal case along with family footage .

Connor’s story is told by his family, primarily his mother Sara (Janie Dee), an Oxford academic who delivers details of Connor’s death and the parties involved with fury and wit. Her love for Connor burns through the play as she unapologetically rips into the architects of the family’s tragedy. In supporting roles are husband and father Rich (Forbes Masson), brothers Owen (Lee Braithwaite), Will, (Charlie Ives), Tom (Daniel Rainford) and sister (Molly Osborne). Connor (Alfie Friedman) sits expectantly, asking his mother what happened to him as his family chip in to parody the various uncaring faces. The cast portray a loving family who undergo gaslighting, victim-blaming and bureaucracy in the search of answers. We fall in love with Connor and as the family affectionately discuss him. I found myself thinking of the countless people and their families in my life who rely on services that failed Connor and felt their pain.

 

 

As far as stories go, Laughing Boy is a nightmare of devasting grief brought to life. It is told with the factual precision of an Oxford academic with tweets, reports and blog posts dissecting the events and circumstances of Connor’s death. As compelling as the story is, narratively it is anti-climactic and leans into telling us what happened instead of showing. It is mainly from Sara’s perspective despite Connor and other family remaining on stage throughout. Sara explains her actions, including how the online campaign negatively affected the court case, leaving no room for any conjecture or doubt. Nurses, social workers, support staff, defence lawyers and headteachers are painted as bleak, sarcastic and one-dimensional by the supporting cast, with some humour injected in their caricatured portrayal. At points it felt like a Panorama documentary interspersed with heart-breaking input from Connor as he questions where he is from beyond the grave. The play itself is referenced, as Sara remarks at how far the campaign has come.

The set (Simon Higlett) is simple and plain; four wooden chairs and a white curved cyclorama, evoking the austere environment of Slade House and also allowing the stage to be used for detailed projections . The use of the cast reflects this simplicity, miming props and setting, always returning to the base of family as they comfort each other in between impersonating other characters. Whilst moving, the piece lacks dramatic elements and at times feels more like a lecture more than a theatrical work. It serves its purpose at being informative and celebrating Connor as well as the success of the family’s campaign for justice. Laughing Boy calls to action on behalf of all who suffer as a result of underfunded disability services.

 


LAUGHING BOY at Jermyn Street Theatre

Reviewed on 1st May 2024

by Jessica Potts

Photography by Alex Brenner

 

 

 

Previously reviewed at this venue:

THE LONELY LONDONERS | β˜…β˜…β˜…β˜… | March 2024
TWO ROUNDS | β˜…β˜…β˜… | February 2024
THE BEAUTIFUL FUTURE IS COMING | β˜…β˜…β˜…β˜… | January 2024
OWNERS | β˜…β˜…β˜…Β½ | October 2023
INFAMOUS | β˜…β˜…β˜…β˜… | September 2023
SPIRAL | β˜…β˜… | August 2023
FARM HALL | β˜…β˜…β˜…β˜… | March 2023
LOVE ALL | β˜…β˜…β˜…β˜… | September 2022
CANCELLING SOCRATES | β˜…β˜…β˜…β˜… | June 2022
ORLANDO | β˜…β˜…β˜…β˜… | May 2022

LAUGHING BOY

LAUGHING BOY

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