Fox Hunting
Courtyard Theatre
Reviewed – 3rd May 2018
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“What makes Aladeβs writing so good and the performance so powerful is the absence of prejudice, opinion or criticism”
Five boys gather at the funeral of a friend, the tragic victim of knife crime. As they recollect their experiences of growing up in South London they create an impression of the insecure lives they have grown to accept. In Fox Hunting, writer David Alade uses the verbatim technique, taking the testimonies of young people living through fear and self-preservation, each of whom has been involved in some way in the growing epidemic of knife crime. His exceptionally well-constructed script pieces these stories together on a colourful background of the subjectsβ everyday lives.
Their tales illustrate the trajectories of many young people, some managing to step out of their situations but most falling back. There are brilliant performances from all five actors, both as their main characters and the various additional roles they play. They slip from serious, to funny, to sad, sometimes startling the audience with an unnerving threat. Their chemistry goes beyond the rehearsed unity of a cast, creating a sense of that close kinship between friends and the importance it holds.
Within a few seconds of their first appearance on stage, through a glance and a gait the personalities are defined. Terrel, (Chris J Gordon) with initial assurance in his stance, struggles to overcome the disappointment which snubs his aspirations and ultimately changes his life. He portrays a youth blighted by a blank future as he seethes with frustration and impotence. Searching for meaning and purpose, the look in Lawrenceβs eyes (Devante Mavour) hints at the unexpected lingering inside which shapes his reactions as he gives up on his faith, dismissive and angry at its injustice. Jakeβs bemused expression (Joshua Lewis) tells how the naivetΓ© of his youth is overpowered by irrational social forces. He is crushed by his terror of those who threaten him and of his anxiety when offered help. Arriving with harmless bounce, Darral (Quinton Ariga) is wrapped up in a college life of simple pleasures, but he hides the security and protection he finds from carrying a knife, unaware of the consequences. Joshua (David Alade himself) is the picture of lost innocence, the inevitable prey that he compares to the fox in the road. Inoffensive, blameless and unprepared, he is caught off guard and pays the price.
The unostentatious lighting makes a bold statement in this unpretentious production. Moments of music fit aptly into the narrative while the unadorned set adapts to a variety of scenarios. Simple and powerful, this unvarnished style is true to nature of the Theatre of Fact, whose strength is that it voices the unheard truth.
We are familiar with the reports and statistics of knife crime but rarely have we encountered first-hand accounts. Fox Hunting gives us perspective and nuance. What makes Aladeβs writing so good and the performance so powerful is the absence of prejudice, opinion or criticism. With insightful details, it touchingly describes where these boys come from, how they think and spend their time, their families and friends. Itβs the underlying harmony to the discordant sense of fear which grips so many in society who suffer for the undeniable lack of support and education. But Fox Hunting also holds a precious stash of talent to be enjoyed now and nurtured for the future.
Reviewed by Joanna Hetherington
Photography by David Alade
Fox Hunting
Courtyard Theatre until 19th May
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