Tag Archives: Debbie Rich

THE ENORMOUS CROCODILE

★★★★

Regent’s Park Open Air Theatre

THE ENORMOUS CROCODILE at Regent’s Park Open Air Theatre

★★★★

“a fun and happy atmosphere in the perfect surroundings of the Open Air Theatre”

Even with continual rain – and a short stop mid show, as eight top notch stage crew mopped up the flooded stage for safety; The Enormous Crocodile is a snappy tuneful wonder.

This new musical based on the classic Roald Dahl picture book, on the whole stays close to the original story; taking the audience from the muddy shores of the Nile and through the treacherous jungle, as the dastardly enormous crocodile goes in search of a nice juicy little child for lunch!

As the audience arrives, there are bubble machines and recorded jungle noises, and animal roars and trumpeting, creating a fun and happy atmosphere in the perfect surroundings of the Open Air Theatre.

The cast appear in stunning headdresses whilst wearing smile inducing chest high fishing waders and wellington boots, as they jump into the river Nile with their firefly puppets. The colourful tropical jungle comes to vibrant life.

All the much-loved characters are played by the five excellent cast members, creating delightful puppetry with the fantastic puppets designed by Toby Olié, which often integrate into Fly Davis’ super clever set and costume designs.

Malinda Parris, in the titular role, stays as the crocodile throughout – with quick changes to the extended long tail. Starting with the full cast creating the tail, it then morphs into a fast moving long tailed go-cart with the actor upfront as she gyrates the croc’s humungous head and toothy mouth, belting out crocodile songs!

The enormous crocodile meets the farty, soon to be mud loving, Humpy-Rumpy Hippopotamus, played by the always brilliant Nuwan Hugh Perera. Onwards through the jungle the enormous crocodile meets Trunky the Elephant (Joanna Adaran); the cheeky monkey Muggle-Wump (Elise Zavou) and finally the comedic and delightful Audrey Brisson as the Roly-Poly Bird. The four jungle friends are disgusted that the enormous crocodile is wanting to eat a child – and decide they need to put a stop to him!

The arrival of the Jungle Juniors is a show highlight, as the silly teacher takes them on a jungle adventure. And in true Dahlian style the children “do what we are told not to do”, and once lost in the jungle sing a sweet brave song. The enormous crocodile tries to eat the children by pretending to be a coconut tree (genius set design), a seesaw, and after eating the teacher, the croc dons the teacher’s clothes in the awful reptile’s quest to eat the children!

A magical, if quirky, ending in space as the enormous crocodile explodes into the sun and sizzles up like a sausage – dead!

Maybe not quite as dark as Roald Dahl intended. Time for a celebration!

The tasty, if unmemorable, tunes come fast and furious, composed by Ahmed Abdullahi Gallab, book and lyrics by Suhayla El-Bushra, with additional music by Tom Brady, it’s a jam packed 55-minute show.

The Enormous Crocodile is directed by Emily Lim and co-directed by Toby Olié, with uncomplicated choreography by Vicki Igbokwe-Ozoagu. Musical director Máth Roberts on keyboard, is the only live musician on-stage, hidden in plain sight in a bird hide! The pre-recorded music band sounds great. Tom Gibbons sound design works seamlessly in the open air, and even though The Enormous Crocodile plays during the day Jessica Hung Han Yun’s lighting sparkles.

A croc of gold for younger audiences!


THE ENORMOUS CROCODILE at Regent’s Park Open Air Theatre

Reviewed on 22nd May 2024

by Debbie Rich

Photography by Johan Persson

 


 

 

Previously reviewed at this venue:

TWELFTH NIGHT | ★★★★★ | May 2024
LA CAGE AUX FOLLES | ★★★★★ | August 2023
ROBIN HOOD: THE LEGEND. RE-WRITTEN | ★★ | June 2023
ONCE ON THIS ISLAND | ★★★★ | May 2023
LEGALLY BLONDE | ★★★ | May 2022

THE ENORMOUS CROCODILE

THE ENORMOUS CROCODILE

Click here to see our Recommended Shows page

 

THE FAIRY QUEEN

★★★★

Jacksons Lane

THE FAIRY QUEEN at Jacksons Lane

★★★★

“the ensemble company of fourteen young opera singers work tirelessly well together, invested and focused throughout”

There was a lot to like about HGO’s production of The Fairy Queen, including the twelve piece on stage Baroque HGOAntiqua Orchestra led by Seb Gillot, playing Henry Purcell’s semi-opera beautifully.

The Fairy Queen is loosely based on Shakespeare’s A Midsummer’s Night Dream but in this production it is more a series of dream like Masques, without a through story line.

The five scenes are seen through the eyes’ of a photographer played by Hannah Jessop (a movement specialist, she is the only cast member who never gets to open her mouth to sing). It tells the story through her lens, her photographic fantasy of a classical Athens coming to life. Directed by Eloise Lally, the ensemble company of fourteen young opera singers work tirelessly well together, invested and focused throughout, creating lovely classical tableaux, with each performer getting their chance to shine and sing Purcell’s glorious songs.

There were some wonderful voices on show in this production and the majority of their diction exemplary, something that HGO is renowned for. Chris Murphy has a crisp base baritone and strong comedic timing; Allyn Wu has a rich voice as both Winter and Hymen; Brenhan Alleyne is a tenor to keep an eye on, as still an undergraduate; as is Daisy Livesey as Second Fairy who has a glorious soprano; and the countertenor Richard Decker sings One Charming Night with an exquisite tone – he just needs to find his light in the reflection of the stage mirror as he sings! It would be churlish not to name the whole company: Emily Gibson, Betty Makharinsky, Elspeth Piggott, Amy Kearsley, Garreth Romain, Guy Beynon, Jack Harberd, James Holt. Finally, Issy Bridgeman as Juno, gives a witty performance in act two’s wedding scene, which does get slightly out of hand in this production with a conga dance and a Baroque rendition of YMCA – which went on for too long; with several of the singers not singing out, clearly protecting their voices.

A lot of The Fairy Queen is instrumental and probably would have had a chorus line of many dancers in early productions. Here we have some lovely movement and choreography by Monica Nicolaides, who has drilled the company hard to create interesting almost Greek dancing. Few of the company can seriously dance, but that said, the choreography works very well, and is at its best with the full company up on their feet, as one. For me, dance/movement is something that truly does need to be taught early on in opera studies, so that this new generation of opera singers move better – opera stars do not just stand and sing anymore.

It was a joy to see such beautiful Baroque instruments being played by the HGOAntiqua Orchestra, particularly hearing the three long trumpets, recorders, bass violin, theorbo and harpsichord (so delicate it needed retuning during the interval). One of the highlights was the singer Betty Makharinsky singing If Love’s a Sweet Passion so majestically with oboist Katie Lewis following her round the stage, singer and oboe together – two very strong instruments on show.

To hear and see Henry Purcell’s unique seventeenth century English style in such a vibrant and, yes, charming production, just goes to show how accessible and current Purcell’s music can be.

 


THE FAIRY QUEEN at Jacksons Lane

Reviewed on 19th April 2024

by Debbie Rich

Photography by Laurent Compagnon

 

 

 

Previously reviewed at this venue:

THIS IS NOT A CIRCUS: 360 | ★★★★★ | October 2023

KeyPhrase

KeyPhrase

Click here to see our Recommended Shows page