“It is enough just to be swept along with its energy and its silliness”
Thirty years ago Baz Luhrmann’s stage play, “Strictly Ballroom”, enjoyed a successful enough run in Sydney to be picked up and transformed into the film that helped make his name and shape his career. Although Luhrmann is still at the helm of the current stage incarnation that pretty much replicates the movie, he has stood back to let it be reinterpreted for the new audience. In the hands of director and choreographer Drew McOnie, some new trimmings are added to the otherwise faithful version of the original. And there’s the rub: this stage production inevitably cannot escape the comparisons (of which there have already been many) to the original film. But that is not the point.
Set in the cut-throat world of small town amateur ballroom dancing, the story focuses on Scott Hastings and his struggle to establish his personal style of dance on his way to win the Pan-Pacific Grand Prix Dancing Championship. His steps are not “strictly ballroom”, and in his refusal to follow convention the surmounting obstacles threaten to crush his ambition. Cue ugly duckling, Fran, who is the only one who shares his passion. Totally predictable, it is nevertheless a gloriously magical show, full of the glitz and glamour you expect, but also a complete send up of that exact same glitz and glamour. Being a satire of itself you can forgive the sometimes over-the-top camp delivery and off-target humour.
Overall it is slightly off balance. There are a few too many lows between the highs, and some meaningless musical asides that steer the narrative off course. But these do not phase the cast who are uniformly strong. McOnie’s choreography is second to none which the entire company effortlessly pull off with their impeccable dance skills. Everything about the design is a delight, from Catherine Martin’s colourful and flamboyant costumes to Howard Hudson’s lighting, which make the show a real spectacle. It is a shame, though, that so few of the leads are given the opportunity to sing. Instead, star attraction Will Young monopolises the soundtrack of pop classics as he takes on the role of emcee – a curious device for this show, albeit a crowd pleasing one.
But what truly makes this production are the two leads. Jonny Labey, as Scott Hastings, moves like a panther yet can mix in the camp comedy with ease, and his charisma outshines the sequins on his jacket. Then there is Zizi Strallen who constantly lights up the entire stage. A compelling performer with a natural stage presence, she displays an outstanding talent for dancing and acting. The West End will surely be seeing a lot more of her.
The pair’s onstage chemistry undoubtedly gets you to engage in a production that is otherwise a touch hit and miss. But that may be because it defies categorisation. It is not exactly (deliberate avoidance of the synonym ‘strictly’ there) a musical, yet with plenty of electrifying routines and the powerfully tight sound of the onstage band, we are drawn in and we end up rooting for the characters. Whether or not you have seen the original film, the outcome is plainly obvious. But, as I said, that is not the point. It is enough just to be swept along with its energy and its silliness. Like Scott Hastings’ dance steps, this show flies against convention and should be applauded for that.
Rehearsals are well under way for Jesus Christ Superstar which returns to the Regent’s Park Open Air Theatre from Friday 11th August until Saturday 23rd September.
Following its overwhelming sell-out success in 2016, Jesus Christ Superstar returns this summer, giving audiences one final chance to see the production in its original home. With direction by Timothy Sheader, design by Tom Scutt, choreography by Drew McOnie and musical supervision by Tom Deering, the production won the BBC Radio 2 Audience Award for Best Musical in the Evening Standard Theatre Awards and has received 3 nominations in the WhatsOnStage Awards, including Best Musical Revival.
Declan Bennett will return to the role of Jesus in the Open Air Theatre production. Also returning this summer are Tyrone Huntley with his award-winning performance as Judas, and David Thaxton and Peter Caulfield as Pilate and Herod.
