Tag Archives: Edinburgh Festival Fringe 2019

Unfortunate: The Untold Story Of Ursula The Sea Witch

β˜…β˜…β˜…β˜…β˜…

Underbelly Bristo Square

Unfortunate: The Untold Story Of Ursula The Sea Witch

Unfortunate: The Untold Story Of Ursula The Sea Witch

Underbelly Bristo Square

Reviewed – 3rd August 2019

β˜…β˜…β˜…β˜…β˜…

 

“Grant and Foxx continue to prove themselves one of the most talented writing duos off West End”

 

Fans of Disney’s The Little Mermaid will recall the villain Ursula being sent to her watery grave at the end of the film, defeated by the righteous Prince Eric and Ariel. But what if things weren’t what they seemed? What if we don’t know the whole story, or even the half of it?

Fat Rascal Theatre propose the following version of events instead: One – Ursula is not evil. Prejudice against plus-sized, outspoken octo-women in Atlantica, and a serious misunderstanding involving a sea cucumber, lead to her banishment. Two – twenty years later, a desperate King Triton comes to her for help with his wayward daughter Ariel. All she thinks about is boys! She even has a crush on a human one now! If Ursula can help teach her a lesson, Triton will lift her banishment. Three – Ursula’s plan is to teach Ariel strength and independence by allowing her to discover that her voice is more important than any boy.

Unfortunate is big, purple, fabulous, and perfect. Written by Robyn Grant and Daniel Foxx, and devised by the company, this musical parody is a glorious, shimmery bid for the vindication of Ursula the Sea Witch in a celebration of feminism and body positivity. The songs are brilliant (Grant, Foxx, and Tim Gilvin): β€œHow Unfortunate” is a banger, β€œAsk Her First” is genius, and Prince Eric’s flute song will wring tears of laughter from you.

Grant is grandiose, slick, and badass as the empowered octo-woman. Steffan Rizzi is winsome as the earnest King Triton. Katie Wells (Ariel) and Jamie Mawson (Prince Eric) are hilarious as the β€œbraindead lovers”, and Allie Munro is an endearing Irish Sebastian. High-energy performances and excellent multi-roling across the board. All of the vocals are top-notch (Wells even nails singing dreadfully off-key as a tone-deaf Ariel). Abby Clarke’s puppets are delightfully funny (Max in particular steals the show).

Having worked together on multiple previous hits, Grant and Foxx continue to prove themselves one of the most talented writing duos off West End. Ursula’s backstory is ingenious regarding how well it explains the events of the film. There’s a natural comparison to Wicked in Unfortunate’s appeal to redeem a famous villain. Having seen both I’m somewhat surprised to say I find Unfortunate’s story more convincing. It’s a more logical, organic fit to the original work’s content. And not only have Grant and Foxx credibly overhauled the plot of The Little Mermaid, they’ve remedied all of the misogyny in the original film. It’s a mic-drop achievement. For what may sound like just a silly spoof, the level of craft and sophistication behind the book and lyrics of this show is seriously impressive.

Unfortunate is seventy minutes of non-stop fun and hilarity. Book early. This will undoubtedly be one of the top shows in Edinburgh this year.

 

Reviewed by Addison Waite

Photography by Matt Cawrey

 


Unfortunate: The Untold Story Of Ursula The Sea Witch

Underbelly Bristo Square until 26th August as part of Edinburgh Festival Fringe 2019

 

 

Click here to see more of our latest reviews on thespyinthestalls.com

 

Monsoon Season

β˜…β˜…β˜…β˜…

Underbelly Cowgate

Monsoon Season

Monsoon Season

Underbelly Cowgate

Reviewed – 3rd August 2019

β˜…β˜…β˜…β˜…

 

“Insanity is right at the heels of the characters, and there’s a captivating sense of having no idea what will happen next”

 

It’s monsoon season in Phoenix, Arizona. Danny’s recent divorce has landed him in a sad flat with a view of a strip club’s flashing neon sign. During the day he works as tech support in a call centre. At night he drives an Uber to make ends meet. He doesn’t sleep.

Julia kept the house and the kid in the divorce, but she has her own problems. As a struggling makeup artist, it’s not easy to support a four-year-old and an Adderall addiction. Not to mention the giant bird she keeps seeing in the backyard. As the rain increases, Danny and Julia slide further toward madness.

Lizzie Vieh’s thriller-comedy is a rich, compelling, outrageous look at two people pushed past their limits. Vieh has a delightfully wicked sense of humour. She never loses sight of the comedy even as the story descends into the darkest places. Director Kristin McCarthy Parker, along with the design team (You-Shin Chen, Sarah Johnston, and Emma Wilk), has crafted an eerie, strange, enticing tension that spirals to a frenzied pitch. Insanity is right at the heels of the characters, and there’s a captivating sense of having no idea what will happen next.

The play opens on Danny (Richard Thieriot). With nuance and wonderful comedic timing, Thieriot pulls us into Danny’s world as he struggles to cope in the aftermath of the divorce. Vieh’s monologue is frequently very funny (Danny’s attempt to buy his daughter a pet is one of the best), while also touching and insightful about how difficult it is to make human connections.

For anyone who feels frustrated hearing men talk at length about having been wronged by a woman, with no voice given to the woman in question, Vieh has your back. About halfway through the show Thieriot exits. Therese Plaehn (Julia) enters, and we get her side of the story. The Julia we’ve heard about for the first half of the show transforms from an off-stage, shallow concept (villainous ex-wife), to a three-dimensional, vibrant character in her own right. Plaehn is refreshing, vicious, and devastating as the pill-popping beauty vlogger Julia. Her tutorial videos are hilarious.

Despite a slightly awkward set change between the two acts, the switch in perspective is an excellent choice that’s hugely effective. In addition to giving us a fuller, richer version of the story, it ensures the time we spend with either character never feels long. Vieh has masterfully created two wholly distinct, vivid monologues for two strong, deeply flawed characters. They complement each other perfectly.

Monsoon Season is a wild, unexpected, sixty-minute whirlwind that will leave you buzzing from the ride. Add it to your Edinburgh Fringe list and you won’t be disappointed. This one’s a gem.

 

Reviewed by Addison Waite

 


Monsoon Season

Underbelly Cowgate until 25th August as part of Edinburgh Festival Fringe 2019

 

 

Click here to see more of our latest reviews on thespyinthestalls.com