Tag Archives: Edward Martin

Inside Voices

Inside Voices
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VAULT Festival

Inside Voices

Inside Voices

The Vaults

Reviewed – 23rd January 2019

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“The actors are confident and energetic, and the piece has wonderful moments of intrigue”

 

The 2019 VAULT Festival has officially begun! As I walked into the neon-lit labyrinth of The Vaults it was less grand opening, more business as usual: numerous theatre spaces and a packed schedule of shows. The space was The Pit, and the show was β€˜Inside Voices’. Labelled as a dark comedy, this piece follows three Southeast Asian women attempting to break free from the constraints imposed by their race, culture, religion and gender. It has been published by Nick Hern books as one of the top seven new plays at The Vaults this year, so I was excited and optimistic as I took my seat.

The play starts very simply: three women sitting around a food tray eating and talking. It was an early opportunity to show the audience what great chemistry these actresses had, and it was a pleasure to watch. Instantly we knew what the relationship was between these three women, who used each other’s company as a chance to escape the pressure of their normal lives. Suhaili Safari particularly shines as the young idealist Nisa, and had buckets of energy throughout the show. Indeed, the whole piece was peppered with these simple but effective moments, be it Fatimah tenderly rubbing Nisa’s belly when she feels sick or the characters constantly talking over each other, which anyone in a close friendship group will be all too familiar with. It was in these moments that the tragedy of the piece really stuck out, and we learned of the tough experiences that forged these women into who they are.

Sadly, these moments fell few and far between, and what started as an effective and subtle drama slowly became a more polemic comment on intersectionality and the #MeToo movement. In these moments, you could feel a shift in the audience mentality. Whereas in the start of the play we were being invited to watch and search for our own interpretations, here we were being told what to think. This is perhaps easier for an audience, but not nearly as enjoyable or rewarding. These moments did drag and left me craving for the more intimate, seemingly mundane but charged scenes between these interesting women.

This show has a strong identity to it, and its message of social oppression and the battle these women face will resonate with a modern audience. The actors are confident and energetic, and the piece has wonderful moments of intrigue. I only wish that I could have been kept intrigued for longer.

Reviewed by Edward Martin

Photography courtesyΒ Lazy Native

 

Vault Festival 2019

Inside Voices

Part of VAULT Festival 2019

 

 

 

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The Dead

The Dead
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Print Room at the Coronet

The Dead

The Dead

Print Room at the Coronet

Reviewed – 18th December 2018

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“a slow burner, with characters being introduced delicately and conversations packed with intricate descriptions”

 

β€˜Dead Poets Live’ is a highly original series of readings of famous poetry, read by actors and performers to a live audience. Previous performers include Jason Isaacs, Tom Hiddleston and Glenda Jackson, and performances are held at the wonderfully stylish and eerie Print Room at the Coronet. This week, James Joyce’s short story β€˜The Dead’, the final story of his famous Dubliners series, is being presented.

There is something magical about having a story read to you in a room full of strangers. You are at once provided with the intimacy of a bedtime story with the communal experience of a theatre show. Patrick Kennedy does a wonderful job of leading us through this dense short story, in which a group of eclectic Dubliners all meet up for a big Christmas meal. An array of characters is presented to us by Kennedy in a charming and comforting performance. We experience drunken anecdotes around the dinner table, as well as more poignant discussions on Irish identity, and a haunting conversation between a man and wife (read superbly by Annabel Mullion) on past lovers, mortality, and the ending of days. This charming and harrowing tale is complimented superbly by the set: a bare room with tattered windows, a writing desk and a lone bed that appears to have come straight out of a Sean O’Casey production.

β€˜The Dead’ is one of Joyce’s longest short stories (it is considered by many to be closer to a novella in length), and it therefore requires attention and concentration from an audience to keep up with the story. The piece does not have as much immediacy as a shorter poem does, or indeed an action packed play. It is a slow burner, with characters being introduced delicately and conversations packed with intricate descriptions and inner thoughts from the author. If you are able to keep up, however, you are rewarded with a truly unique performance piece that brings a whole new element to a marvellous piece of literature.

 

Reviewed by Edward Martin

 


The Dead

Print Room at the Coronet until 20th December

 

Previously reviewed at this venue:
The Open House | β˜…β˜…β˜…β˜… | January 2018
The Comet | β˜…β˜…β˜…β˜… | March 2018
How It Is (Part One) | β˜…β˜…Β½ | May 2018
Act & Terminal 3 | β˜…β˜…β˜…β˜… | June 2018
The Outsider | β˜…β˜…β˜…β˜…β˜… | September 2018
Love Lies Bleeding | β˜…β˜…β˜…β˜… | November 2018
A Christmas Carol | β˜…β˜…β˜…β˜… | December 2018

 

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