Tag Archives: Edward Martin

The Incident – 3 Stars

The Incident

Canada Water Theatre

Reviewed – 17th October 2018

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“charmingly explores the joys and trials of these relationships, but was lacking that zip needed to really lift it”

 

Next time you’re on the Jubilee line, stop off at the library next to Canada Water station. There, along with a good collection of books and a cute cafΓ©, you can go into a fantastic theatre space. Both large and comfortable, and properly rigged for lighting, Canada Water Theatre is an excellent space to put on a show, a sentiment which Two Gents Productions clearly share. Their production of β€˜The Incident’ is playing here, and it is a relationship drama about Jan and Monica. Both teach at the same school, both live in Sweden and both are seemingly in love with each other. The big difference: Jan is Swedish and Monica is from Zimbabwe. The play tackles the couples’ struggles to communicate and understand each other, as well as wider social issues concerning racial politics in Sweden and indeed globally.

The two actors both held their own in this two-hander; however it was Cassandra Hercules playing the part of Monica who really shone. She had the difficult task of articulating racial struggle in a way that wasn’t clichΓ© or too bleak. She was successful, as her whole performance was rich with physical energy and clear connection to her thoughts. David Weiss’ Jan was a much more stuck up and stiff character than Monica, however there were moments where I felt his character came across as particularly cold and cruel, especially when β€˜consoling’ Monica when she was upset over past racial prejudices she had experienced.

In terms of the writing, there seemed to be a lot of significance weighted onto lines with clear messages, and not as much attention on the subtext and moments in between. Joakim Daun’s award-winning script has a few of these moments of unnecessary exposition, filling the audience in on information that we can get simply through good direction and use of the space. The scene where Jan informs Monica of her suspension from work was an excellent example of using distance between the actors and fast pace to create energy and plenty of subtext. It would have been fantastic if this quality was present throughout the piece.

The play is an international one, and has been performed all over the world. In the lobby before the show I was able to witness a wonderful mixing of cultures, as Swedish and African audience members were meeting and discussing the upcoming show. The piece charmingly explores the joys and trials of these relationships, but was lacking that zip needed to really lift it.

 

Reviewed by Edward Martin

Photography by Joakim Daun

 


The Incident

Canada Water Theatre until 19th October

 

 

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Sex Magick – 3 Stars

Magick

Β Sex Magick

Barons Court Theatre

Reviewed – 16th October 2018

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“Whilst many of the scenes had humour and dramatic significance, it was the transitions between the worlds that felt most amateur”

 

This week, Barons Court Theatre is playing home to β€˜Sex Magick’, an original piece byΒ Natasha Zierhofer following Amelia, a young woman who hopelessly navigates the world of modern dating and sex. At her side for the journey are her promiscuous flat mate, her Jeff Goldblum lookalike crush, and a swindling vagina therapist who Amelia hopes will clear her β€œbad vagina energy”.

The creepy underground space which the Barons Court Theatre possesses perfectly suited a sex therapy shop, and indeed the scenes which took place here between Amelia and her sex therapist really brought out the comedic desperation that Amelia was living with. Common anxieties on dating and communication with the opposite sex were humourously turned into spiritual curses that could only be lifted through the ceremonious waving of a dildo!

Outside of the shop, the play moves from Amelia’s flat, to a coffee shop and a busy street corner. Whilst many of the scenes had humour and dramatic significance, it was the transitions between the worlds that felt most amateur. When the lights went down between scenes, you could really feel that we were stuck in an underground theatre, rather than moving from place to place with the characters. This could have been aided with a clearer change in lighting, or by transition music. The few scenes with transition music provided lovely moments of comedy and clarity as to where the story was heading.

The piece consisted of a strong ensemble, with all of the actors showing moments of good listening and comedic timing. It was a light hearted piece which, without trying to be polemic, was a clever allegory of modern dating. I would recommend for an enjoyable night in West London.

 

Reviewed by Edward Martin

 


Β Sex Magick

Barons Court Theatre until 20th October

 

Previously reviewed at this venue:
The Big Things | β˜…β˜…Β½ | April 2018
Owls | β˜…β˜…β˜… | July 2018

 

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