Tag Archives: Joe Price

In My Lungs

In My Lungs The Ocean Swells

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VAULT Festival 2020

In My Lungs

In My Lungs The Ocean Swells

Cavern – The Vaults

Reviewed – 6th February 2020

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“there is also playful joy, real warmth, and two people who we immediately like”

 

This two hander is part tale of growing up, friendship and love, part lament for the fishing industry and part meditation on the sea. It is also wholly engaging and moving. Jenny Walser and Jack Brownridge-Kelly play friends since childhood who become something more. But what happens when one of you is embedded in a place, part of it, and the other needs to get away and build a different kind of life?

He comes from a long line of fishermen, men of the sea. He’s never wanted to do anything else. She wants more, something different, and moves to the city. But they are central to each other’s lives.

There is a mystical thread of ancient ocean running through the play, woven into the present day narrative; an underpinning of deep time carried by wave and storm. The plight of fishing communities in a time when fish stocks have shrunk dramatically, creating unemployment and despair is another thread, and there is also playful joy, real warmth, and two people who we immediately like.

Grace Venning’s simple and effective set is augmented by atmospheric lighting, designed by Joe Price and by Annie May Fletcher’s soundscape that somehow mixes with the noise of trains passing overhead to evoke the wash and rumble of the ocean. The Cornish coast comes alive in this setting, populated by a community we meet through the two character’s stories and memories, and their warm Cornish Accents. It’s a lovely piece of directing from Tash Hyman, using the traverse layout effectively and supporting her actors to create a believable world and tell a very human story.

 

Reviewed by Katre

Photography by Oliver Bryant

 

VAULT Festival 2020

 

 

Click here to see all our reviews from VAULT Festival 2020

 

Box Clever
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The Bunker

Box Clever

Box Clever

The Bunker

Reviewed – 28th March 2019

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“a realistic insight into an unpleasant world of abuse and despair”

 

Since opening in 2016 the Bunker Theatre has remained true to the initial objective of being home to exhilarating and contemporary theatre, representing the world in which we live. The current season, announced as revolutionary from new artistic director Chris Sonnex, features a double bill of one-woman shows – namely Killymuck and Box Clever.Β Whilst each show can be seen individually on separate dates, watching both the same day is recommended, as whilst very different, together they have a connection of putting female benefits-class and working-class voices forward.

Box Clever written by Monsay Whitney tells the story of Marnie a young single mother and highlights the problems of getting into a circle of abuse, homelessness and despair. Using the same Minglu Wang set and production team as Killymuck (less the centre soil), Box Clever takes the viewer through a diverse set of emotions as Marnie’sΒ life spirals downwards over a ten year period. It begins as extremely funny and yet as the play progresses it becomes heartbreakingly sad.

Marnie is brilliantly portrayed by Redd Lily Roche who enters the stage in white jeans and t-shirt stained with blood. She has a violent off stage boyfriend, Liam – the blood likely being from his violent behaviour towards her. Other males in her life are unpleasant towards her too.

When Marnie is telling the stories of her boyfriends and others she comes in contact with, the dialogue is exceptionally funny. One could almost imagine the character and stories being picked up by a TV producer and being a successful late evening show. Her interaction with boyfriends, her key worker and mum are all very cleverly written and fun to watch.

However as the play progresses and she goes to live at a Women’s Refuge the text becomes darker and more sinister. It is clear that she is not in the safe place she expected. Her four year old daughter is represented by a white balloon that Roche brings to life with her caring attitude to do the best for her. Her interactions with her daughter are totally believable.

The direction from Stef O’Driscoll is perfect, Joe Price’s lighting supports the drama and Benjamin Grant’s sound design underlines the tension. This piece more than anything else I have seen this year had an immediate and profound effect on me. I left the theatre inspired by the performance from Redd Lily Roche who gave a realistic insight into an unpleasant world of abuse and despair. It is an unmissable show – well done to W14 Productions and The Bunker for bringing it to a London audience.

 

Reviewed by Steve Sparrow

Photography by Craig Sugden

 


Box Clever

The Bunker until 13th April

 

Last ten shows reviewed at this venue:
Breathe | β˜…β˜…β˜…β˜… | August 2018
Eris | β˜…β˜…β˜…β˜… | September 2018
Reboot: Shorts 2 | β˜…β˜…β˜…β˜… | October 2018
Semites | β˜…β˜…β˜… | October 2018
Chutney | β˜…β˜…β˜… | November 2018
The Interpretation of Dreams | β˜…β˜…β˜… | November 2018
Sam, The Good Person | β˜…β˜…β˜… | January 2019
Welcome To The UK | β˜…β˜… | January 2019
Boots | β˜…β˜…β˜…β˜… | February 2019
My White Best Friend | β˜…β˜…β˜…β˜…β˜… | March 2019

 

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