Tag Archives: Katy Owen

Bipolar Me

★★★

Etcetera Theatre

Bipolar Me

Bipolar Me

Etcetera Theatre

Reviewed – 2nd October 2019

★★★

 

“it needs to evolve from simply shining the light, into interrogating and addressing the motives behind doing so”

 

Bipolar Me, written by Ceri Ashe and co-directed with Liam Reilly, showcases main character Katie’s journey to discover and come to terms with her diagnosis of Type 2 Bipolar, symptomatic of cycles of severe depression and hypomania. There is plenty in Bipolar Me that those struggling with mental health issues, not even just Type 2 Bipolar, can relate to. The waiting times for appointments, for example, as even with a good doctor who takes Katie’s issues seriously it still takes a year to be seen by a specialist. And between the personal lens of Katie’s story and the specialist’s medically accurate – if somewhat creatively uninspired – explanations of Type 2 Bipolar, we get an in-depth breakdown of the condition.

Ashe’s performance is a standout. From a frantic interrogation of the audience in Katie’s hypomanic state to days in bed during depressive episodes, she takes them convincingly through the highs and lows of someone struggling with the condition. The set design strengthens this portrayal, as all the action is either based in or performed from Katie’s bedroom and shows the lonely, claustrophobic nature of mental health.

Unfortunately the play fails to explore the more complex questions it raises. The main dilemma for Katie, whether to go on the recommended drugs for her condition, is thoroughly debated. She wonders whether her Bipolar defines who she is, whether the hypomanic highs aid her creativity and success in songwriting. The opportunity to interrogate these ideas is lost, as the play ends the moment she makes her decision.

Other characters in the piece also feel flat and superficial compared to Katie herself. The core relationship in the piece, between Katie and her boyfriend Mark (Matthew Betteridge), ends with an expositional line from a secondary character. Although set up as one of the key plot points of the piece, the reasons for the break up are never spoken of in detail. Beyond Mark being from Essex and, for a while at least, in love with Katie, we know very little at all about him. Then there is Gabe (Andrew Armitage), Katie’s gay best friend, who serves up about all the stereotypes you’d expect with no character development whatsoever.

By placing a little-talked about issue centre stage, Bipolar Me is definitely a step in the right direction when it comes to mental health issues being raised in theatre, but it falls short of the potential it sets up for itself. Self described as a play that “shines a light on a still much stigmatised subject,” it needs to evolve from simply shining the light, into interrogating and addressing the motives behind doing so.

 

Reviewed by Katy Owen

Photography by Hannah Sorrell

 


Bipolar Me

Etcetera Theatre until 6th October

 

Last ten shows reviewed at this venue:
Safety Net | ★½ | April 2019
The Wasp | ★★★½ | June 2019
Past Perfect | ★★★★ | July 2019
Vice | ★★½ | July 2019
Before I Am Lost | ★★ | August 2019
Belamour | ★★★★ | August 2019
Puttana | ★★★ | August 2019
The Parentheticals: Improdyssey | ★★★★ | August 2019
Unlovable | ★★★ | August 2019
Women On The Edge | ★★★ | August 2019

 

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The Swell Mob

The Swell Mob
★★★

COLAB Factory

The Swell Mob

The Swell Mob

COLAB Factory

Reviewed – 9th May 2019

★★★

 

“Although there is clear potential to this show, it needs some improvement before it really hits the mark”

 

As we stepped into COLAB Factory we were plunged into the mid 19th century, and cast and crew of The Swell Mob urged us to the bar. The ensemble cast’s conviction to their varied and fascinating parts is one of the main strengths of this production. Detailed and rich characters occupy nooks and crannies and wander around, interacting with the audience and telling their stories of how they came to be in the power of the mysterious Master who rules this peculiar place. Large portions of the show are improvised conversations with these characters, although there are moments of more cohesive scripting including an impressively choreographed boxing match.

Flabbergast Theatre’s aesthetic style of the show is in-depth and really does put the ‘immersive’ into ‘immersive theatre’. From the detailed costumes to the even more detailed set, with rooms full of papers and objects to be explored, each audience member gets a different experience depending on where they go and what they do. Who you talk to also makes a big difference, and the cast’s quick thinking and responses to the most unexpected input is to be commended.

Unfortunately the plot of The Swell Mob falls flat, due to its failure to take care of its audience. A tricky element of any immersive theatre in which audience members can wander free is in laying out the rules of the performance in such a way that we can still understand a story from what we have discovered. In this performance the rules were unclear; we were given a bag of coins on entry, but with no sense of how spending them might limit our options later in the show. Even just a more thorough introduction would have been an easy fix, but without it we were left unsure how exactly to proceed.

Crowding is also an issue. In some ways it felt there were not enough actors for audience and several times I came across others at a loss for what to do. Whilst it may be fun to join forces and engage with completely new people, seeking out the entertainment of The Swell Mob is hard, and not always rewarding, work. Although there is clear potential to this show, it needs some improvement before it really hits the mark.

Reviewed by Katy Owen

Photography by Jordan Chandler

 


The Swell Mob

COLAB Factory until 25th August

 

Previously reviewed at this venue:
Hidden Figures: WW2 | ★★★★★ | March 2018
For King & Country | ★★★★ | April 2018
Illicit Secrets: Bletchley | ★★★★ | August 2018

 

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