Tag Archives: King’s Head Theatre

The Six Wives on Henry VIII

★★★

King’s Head Theatre

The Six Wives on Henry VIII

The Six Wives on Henry VIII

King’s Head Theatre

Reviewed – 13th February 2020

★★★

 

“has a lot of spirit and is sure to have the audience laughing with its self-referential and anachronistic humour”

 

The Six Wives of Henry VIII is the very first show from theatre group Living Spit, consisting of comic actors Howard Coggins and Stu McLoughlin. First premiering in 2012, Coggins and McLoughlin have since written and performed a further fourteen shows, and the pair’s most recent run of The Six Wives of Henry VIII (directed by Craig Edwards) at the iconic King’s Head Theatre marks their first London tour.

Coggins and McLoughlin admit early on that their show is in fact a rather elaborate response to a devastatingly harsh one-star review criticising the duo’s lack of commitment to historical accuracy. It helps, of course, that Coggins also looks remarkedly like the infamous Tudor monarch Henry VIII who he plays for most of the performance. McLoughlin, on the other hand, plays pretty much every other character from all six of Henry’s ill-fated wives to the Archbishop of Canterbury Thomas Cranmer as well as many more.

With admittedly very little research informing the script, the audience is taken on a whistle stop tour of Henry’s life, meeting his unfortunate queens along the way. Musical interludes and reality TV show parodies abound, this rather silly play demonstrates just how fun (and funny) history can be if you just fill in the blanks.

The performance takes a little while to get going but about halfway through, the actors seem to find their feet and the play whips by at a much more engaging rate. This is then unfortunately punctuated by a scene in which Coggins and McLoughlin pretend to have a massive falling out which leaves the former to act out Henry’s conversation with his final wife Catherine Parr alone. There is a playful rivalry established in the duo’s dynamic early on, but this faux argument goes frustratingly too far in upsetting the action on stage.

One does have to admire how much Coggins and McLoughlin attempt to do in a show that is little over an hour. The songs are not particularly memorable, but they are a fun addition to the performance and split up the scenes nicely. The strongest song is performed by Anne of Cleves and Henry VIII in which the two dance robotically as colourful lights flash around them as if they are in a techno nightclub.

The stage (Fiona Trim) consists of a sofa (which doubles as a bed in some scenes), a throne and a small area for the musical performances where two guitars and a ukulele hang on stands. There is some amusing prop work which demonstrates the pair’s wit. Particularly notable is the decision to have Anne Boleyn being originally played by a Barbie doll which Coggins passionately kisses, and a homemade lie detector fashioned from a bicycle helmet and pliers used on Catherine Howard to prove her adulterous ways.

The lighting (Octavia Penes) is fairly tight. For example, in a dream sequence with Henry VII’s ghost, the whole stage is lit up in red at the exact moment McLoughlin clicks his fingers. The costumes are pretty basic – a new character most often signalled by a different hat – but this is understandable considering the amount of changes McLoughlin has to make in quick succession.

The Six Wives of Henry VIII has a lot of spirit and is sure to have the audience laughing with its self-referential and anachronistic humour. However, some more focus on Henry’s fascinating love life rather than the fake drama between McLoughlin and Coggins will no doubt help to better engage the audience with the farcical world of Tudor Britain and its iconic King.

 

Reviewed by Flora Doble

Photography by Farrows Creative

 


The Six Wives on Henry VIII

King’s Head Theatre until 7th March

 

Last ten shows reviewed at this venue:
How We Begin | ★★★★ | August 2019
World’s End | ★★★★ | August 2019
Stripped | ★★★★ | September 2019
The Elixir Of Love | ★★★★★ | September 2019
Tickle | ★★★★ | October 2019
Don’t Frighten The Straights | ★★★ | November 2019
The Nativity Panto | ★★★★ | December 2019
Candy | ★★★★ | January 2020
Falling in Love Again | ★★ | January 2020
Happily Ever Poofter | ★★★★ | January 2020

 

Click here to see our most recent reviews

 

Happily Ever Poofter

★★★★

King’s Head Theatre

Happily Ever

Happily Ever Poofter

King’s Head Theatre

Reviewed – 23rd January 2020

★★★★

 

“Loud, brash and camp as hell, but not without a sprinkling of heart, tenderness and passion”

 

January is a dreary old month. The frivolities of Christmas and New Year are a long distant memory. The cold and drizzly rain is disheartening. The short wintry days are a-dragging. But Happily Ever Poofter is here to put some sparkle, sass and serious fierceness into your life. Panto season may just be over, but this foul-mouthed, fairytale/Disney mash up is a delightfully dirty alternative.

Prince Henry comes from a magical kingdom Far Far Away. His main job is to find true love with a beautiful princess, get married, blah, blah, blah, we know the rest. But something the kingdom doesn’t know, is that their handsome prince is in fact… gay (gasp!). Henry is miserable keeping his secret locked in tight, he hates that there’s no one like him around. He wants to go somewhere he can fit in. With the help of his Fairy Godfather, his wish is granted and finds himself transported to the mystical ‘gay scene’. With men after men, parties galore, and the odd “sniff, puff, drink,” Henry seems to be living his gay dream. But not all is what it seems. Finding a happy ever after still proves difficult, and so, Henry’s quest for true love becomes an even tougher challenge, but he’s determined to find answers.

Rich Watkins is highly enjoyable to watch in this one-man show. He makes audience participation a comfortable and somewhat pleasurable experience, even when he’s giving a certain audience member shade. Rich makes the budget set and props a running gag, with his visible costume/character changes hammed up for what it is. He is highly energetic, taking command of the small space. Sweat is literally dripping off of Rich by the end as he vogues and struts around in his thigh-high PVC boots.

With a catalogue of reworked Disney songs, interspersing the performance, this is where a lot of the comedy gold lies. Rich has cleverly rewritten the classic cartoon songs to fit this story, some racier than others. Particular stand outs include Someday My Prince Will Cum, and High Ho(e).

A pleasant surprise is the more serious message the last quarter of the show focuses on, giving the performance a deeper, more layered subtext. Rich quite rightly points out that Disney is still yet to include an openly homosexual character or gay love story in any of their films, proving there is still some glass ceilings (or slippers) yet to smash with making LGBTQ+ a fully normalised and accepted part of society.

Loud, brash and camp as hell, but not without a sprinkling of heart, tenderness and passion. Happily Ever Poofter proves it has more to say than just boys, bars and bondage. And so, remember the Fairy Godfather’s words: we do believe in fairies.

 

Reviewed by Phoebe Cole

 

Happily Ever

Happily Ever Poofter

King’s Head Theatre until 8th February

 

Last ten shows reviewed at this venue:
Mating In Captivity | ★★★★ | July 2019
Oddball | ★★★½ | July 2019
How We Begin | ★★★★ | August 2019
World’s End | ★★★★ | August 2019
Stripped | ★★★★ | September 2019
The Elixir Of Love | ★★★★★ | September 2019
Tickle | ★★★★ | October 2019
Don’t Frighten The Straights | ★★★ | November 2019
The Nativity Panto | ★★★★ | December 2019
Falling in Love Again | ★★ | January 2020

 

Click here to see our most recent reviews