Tag Archives: King’s Head Theatre

Momma Golda – 3 Stars

Momma Golda

Momma Golda

King’s Head Theatre

Reviewed – 4th November 2018

★★★

“Thelma Ruby is a pleasure to watch, and there is scope for this to be a topical and engaging revival”

 

Golda Meir is fighting to “make a new world” in Palestine for her people, the Jewish people. This is a conflict we know well, that still rages today, so this is certainly a topical play that has a clear place in our modern-day political conversation. Adapted from William Gibson’s play ‘Golda’, ‘Momma Golda’ tells the story of Golda Meir, Israel’s first and only female Prime Minister, popularly referred to by many as “the grandmother of the Jewish people”.We follow her as she must make the decisions that begin and shape a new nation.

It is a slow start, a blow by blow exposition of the political climate documented through phone calls and monologue. However as the human element of the story is found, the show warms towards something that is both humorous and moving. Playing Golda Meir, is the remarkable 93 year old Thelma Ruby, who co-wrote the show with her late husband Peter Frye, and toured it internationally with him between the years 1980 and 1988. She is a power house onstage, warm and witty, playful and poignant in her portrayal.

Sean Baker plays opposite her, morphing between the different people in her life, her husband, generals, politicians and so on. It is certainly a challenge to take on and he struggles in the role. He doesn’t seem to be comfortable enough with the text to lend much naturalness or flow to his lines. However hopefully this is something he will settle into as the run progresses because the moments that are convincing work really well, and he lends a lovely vocal tone to his speeches.

The set is simple, a desk, a table, each illuminated in turn (Clancy Flynn), as we move between spaces and years. This is a weak production in many ways, but Thelma Ruby is a pleasure to watch, and there is scope for this to be a topical and engaging revival.

 

Reviewed by Amelia Brown

 

kings head theatre

Momma Golda

King’s Head Theatre until 12th November

 

 

 

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Beauty and the Beast: A Musical Parody

Beauty and the Beast

Beauty and the Beast: A Musical Parody

King’s Head Theatre

Reviewed – 2nd November 2018

★★★★★

“when it comes to great musical theatre it’s better to say “I’ll know it when I see it” and with Beauty and The Beast you’re looking at it”

 

Beauty and The Beast at the King’s Head Theatre stands as a testament that when theatre is funny, rehearsed and joyous not much else matters. Robyn Grant (writer and The Beast) and Daniel Elliot (writer) leave one the most generous pub theatres in London feeling selfish as the show bursts at the seams with energy, comedy and wit. Beauty and The Beast is billed as a trendy gender-swapped version of the classic fairy tale but immediately it throws off these constraints and shows itself as a brilliant musical satire of the Islington set with some unmatched comic performances.

At the centre of the show is a knowing, contemporary book and lyrics from Grant and Elliot and obviously supplemented by devising work from the whole cast. Jamie Mawson (Beau) plays the male Belle as a bourgeois North London son of a painter woman; foppish, innocent and vulnerable as he and his mother (played by the brilliant Allie Munro) are the perfect send-ups of the artist class. These performances paired with songs like “Have a Brunch” instead of “Be our Guest” are an insightful and playful tease of many in the audience, without being cruel.

The set, costume and props sit where they are supposed to, in service of the production. Puppetry, costume and lighting help tell the story as they speak but don’t shout. While not a high-value production, the team made the effort where it counts and the beast’s costume added bucketsful to Robyn Grant’s performance.

With strong and stable music and roundly good singing, the production stepped deftly over the pitfalls littered for smaller musicals. Our audience was in good hands with these young actors performing both technically and artistically. Without the pressure of musically complex songs, singers were able to relax and focus on the comedy and physicality of the songs.

At this late stage, it would be wrong not mention the stand out performances of Allie Munro (Le Fou Fou/Lumie/Maureen) and Katie Wells (Siobhan/Clockface) throughout. Despite not being in leading roles both gave generously from centre and side stage with performances that leave you sure you will see them again.

Overall, this show gave so much and yet we could feel that somehow it still had potential to grow. There will be much more to come from this show and there is no doubt that we will see it again, and likely in some grander setting. It’s easy to get theoretical about fairy tales with genders swapped but when it comes to great musical theatre it’s better to say “I’ll know it when I see it” and with Beauty and The Beast you’re looking at it.

Reviewed by William Nash

Photography by Nick Rutter

 

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Beauty and the Beast: A Musical Parody

King’s Head Theatre until 17th October

 

Previously reviewed at this venue:
East | ★★★★ | January 2018
Catherine and Anita | ★★★★ | February 2018
Mine | ★★★★ | March 2018
The Mikado | ★★★★★ | March 2018
Fishbowl | ★★★ | April 2018
Tumble Tuck | ★★★★ | April 2018
Baby Box | ★★★★ | May 2018
F*cking Men | ★★★ | May 2018
The Unbuilt City | ★★★ | June 2018
For Reasons That Remain Unclear | ★★ | July 2018
Glitterball | ★★★★★ | July 2018
Riot Act | ★★★★★ | July 2018
The Cluedo Club Killings | ★★★ | July 2018
And Tell Sad Stories of the Deaths of Queens | ★★★★ | August 2018
Hamilton (Lewis) | ★★★ | September 2018
Canoe | ★★★½ | October 2018
La Traviata | ★★★★ | October 2018
No Leaves on my Precious Self | ★★ | October 2018

 

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