Tag Archives: Laura Elmes Productions

Algorithms

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Pleasance Courtyard

Algorithms

Pleasance Courtyard

Reviewed – 31st July 2019

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“a bold and exciting work that holds an important message of self-acceptance”

 

β€˜Algorithms’, both written and performed by Sadie Clark and directed by Madelaine Moore, is a one woman show following Brooke, a newly single, bisexual woman as she approaches her thirtieth birthday.

The play covers a variety of events during the weeks nearing Brooke’s birthday. It becomes clear that things are not going the way she wants them to when her girlfriend doesn’t return home from drinks at the local pub. When she does return, Brooke is brutally told that the relationship simply does not work, and she is brokenhearted. As the story goes on, she signs up for the dating website that she works for to meet new people so as to distract both from the breakup and the dreaded party her mother is throwing for her birthday.

There’s an impressive change in Brooke from the beginning of the play to the end, as she comes to terms with herself and begins to accept that she isn’t always the problem in relationships and work environments. An important moment shared between Brooke and her mother at the end of the play sets alight a new aspiration in the young woman – β€˜you be you’. Sadie Clark portrays her beautifully, with her emotions being so sincere when Brooke is at her lowest points, giving a realistic view on how many women deal with such events. She has the audience roaring with laughter as she prances and screams, but also has them drawn in and emotional as she dressed herself in a ball gown.

The stage design is perfect for the performance, and every little detail is superb. There was golden boxes that matched the golden shoes Brooke wears throughout the play, and there were balloons in purple, pink and blue, which describe her sexuality to a very fine detail. At the back of the stage is a clothes hanger with a dress bag hanging on it, which hides a beautiful gown until it was time for Brooke to wear it. However, there was very little use of these objects throughout the play, which allowed all attention to be on the actress.

Music was used for comic purposes as Brooke danced across the stage to songs that had lyrics explaining her situation perfectly. Sadie had the audience participating and clapping along with the music as they exited the venue.

β€˜Algorithms’ is a bold and exciting work that holds an important message of self-acceptance, especially for older women who believe they are not achieving what they should be at their age and emphasises the importance of accepting yourself and others around you in your daily lives.

 

Reviewed by Sara McPhail

Photography by Ali Wright

 


Algorithms

Pleasance Courtyard until 26th August as part of Edinburgh Festival Fringe 2019

 

 

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Review of Beauty & The Beast – 5 Stars

Beast

Beauty & The Beast (A Musical Parody)

King’s Head Theatre

Reviewed – 13th December 2017

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“a hilariously funny little show with a message at its heart”

 

From the very moment the show begins it’s easy to tell that this parody is not going to fall flat. It’s essentially a retelling of the classic Beauty and the Beast story but with almost every part being gender swapped. Not only does this allow for countless laughs, it also manages to make a number of points about feminism and traditional gender roles.Β 

The company is small; with only five people to play many roles. Allie Munro performs the two main characters, which at one pointΒ are both onstage at the same conversing together. Aaron Dart plays a seemingly endless list of parts including the villagers, Mr Spout, Frank and the Mirror. The limitation in cast size does not compromise any of the humour as they all have such brilliant comic timing and delivery.

The cast are boosted from strength to strength by the cleverly written music (James Ringer-Beck), book (Robyn Grant) and lyrics (Robyn Grant & Daniel Elliot). β€˜Have A Brunch’ is a particularly hilarious criticism of millennials’ phrases and obsessions. β€˜Chevonne’ comes from the all too often unspoken fact that not all women are good; goodness has nothing to do with femininity. Their version of β€˜Beauty and the Beast’ is one of the funniest moments in the entire show. Structurally the show works so well because every song is a carefully constructed parody by itself.

Another element that adds to the success of this piece is the way in which characters are created. All of the animated objects from the castle are played by normally dressed people holding items – for example, Mr Spout is just a teapot on a stick. The Villagers are woven sacks with googly eyes glued on them. It’s all just brilliantly funny when added in to the mix.

At its heart, the show is about highlighting the ridiculousness of gender norms and how we still don’t question them enough in today’s society. In the theatre I laughed from start to finish. Afterwards I sat realising how many subtle points they had made about stereotypes, and chuckled to myself at how funny some of those jokes were.

This is a hilariously funny little show with a message at its heart. It’s definitely not to be missed.

 

Reviewed by Katie Douglas

Photography by Nick Rutter

 

 

Beauty & The Beast

is at the King’s Head Theatre until 6th January 2018

 

 

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