Tag Archives: Lee Curran

THIS IS MY FAMILY

★★½

Southwark Playhouse Elephant

THIS IS MY FAMILY

Southwark Playhouse Elephant

★★½

“The cast, across the board, is excellent, reaffirming their ability to shape and invigorate otherwise middling writing”

‘This is My Family’ is a refrain repeated with such alarming frequency in this show, I started to hope it might actually hint at a much darker piece, which used ‘happy families’ as a veil for a seedy Mafia tale of subterfuge, criminality, and intrigue, expressed via showtunes. Alas, it did not.

It was, in fact, about an unremarkable, nuclear family from somewhere unspecified in the North of England in which 13-year-old Nicky (Nancy Allsop) wins a competition that grants her and her family any holiday of her choosing. Except her ideal family, as described in her application, is not so ideal: her brother (Luke Lambert) has become some kind of satanic incarnation of a teenager; her grandmother (Gay Soper) has burgeoning dementia and an affliction for arson; and her mother (Gemma Whelan) and father (Michael Jibson), who have been together since they were 16, are steeped in mediocrity and have grown indifferent towards each other. Tim Firth’s new play (or musical?) engages with all these topics but tends to neglect a nuanced exploration of them.

Firstly, and truly, one is reminded that good actors are wonderful artists. The cast, across the board, is excellent, reaffirming their ability to shape and invigorate otherwise middling writing. Allsop as Nicky is particularly charming, eminently watchable and sweet, and with a delightful voice. Whelan is also a standout as Nicky’s deeply frustrated mother, Yvonne.

This is my Family is nominally a musical. And yet, its status as such calls into question the framework and requirements necessary to earn its place as a musical. Because, surely, just sing-speaking constantly does not a musical make. A musical should really justify its songs: they have a reason for being: when speaking isn’t enough. Not when speaking is just not interesting enough. In this piece, dialogue and song became interchangeable and quickly indistinguishable, substituting memorable showstoppers for loosely spoken song. In all honesty, the only memorable bit of music is the aforementioned ‘this is my family’ line.

Set design (Chloe Lamford) was a standout: an initial shed-like house soon collapses, giving us a cosy interior. The switch to greener pastures in the Second Act was also a neat design choice.

In general, This is my Family is mediocre, but with first-rate actors. Whilst a play need not have a profound moralising conclusion, or solve the world’s most pressing problems, it ought to say something interesting, and with nuance. The plot is circuitous and often tedious, its twists predictable and its characters on the stock side. In its defence, it is light and fun, and the stakes are generally quite low. This may be a particularly palatable thing for theatre and audiences at the moment, given *gestures vaguely at everything* stuff. This is my Family is unimposing, gentle, and lightly comic, appealing to many a sensibility. However, its lightness came at the expense of subtlety and depth and is entirely devoid of a ‘showstopping number; a real showstopper’.



THIS IS MY FAMILY

Southwark Playhouse Elephant

Reviewed on 28th May 2025

by Violet Howson

Photography by Mark Senior

 

 

 

 

 

 

Last ten shows reviewed at Southwark Playhouse venues:

 

 

RADIANT BOY | ★★½ | May 2025
SUPERSONIC MAN | ★★★★ | April 2025
MIDNIGHT COWBOY | ★★ | April 2025
WILKO | ★★★ | March 2025
SON OF A BITCH | ★★★★ | February 2025
SCISSORHANDZ | ★★★ | January 2025
CANNED GOODS | ★★★ | January 2025
THE MASSIVE TRAGEDY OF MADAME BOVARY | ★★★ | December 2024
THE HAPPIEST MAN ON EARTH | ★★★★★ | November 2024
[TITLE OF SHOW] | ★★★ | November 2024

THIS IS MY FAMILY

THIS IS MY FAMILY

THIS IS MY FAMILY

🎭 A TOP SHOW IN JUNE 2024 🎭

NEXT TO NORMAL

★★★★★

Wyndham’s Theatre

NEXT TO NORMAL at Wyndham’s Theatre

★★★★★

“as close to extraordinary as is physically possible”

Many years ago, as a young father, I often interrupted my children’s playtime by asking what they were doing. They never thought it an intrusion – always happy to answer. One particular day, in response to the question my daughter responded with “I’m trying to be normal”. Five minutes later she had completely forgotten the conversation (possibly the ice cream van, or the urgent matter of shouting at her little brother took precedence), but it lingered with me for some time. I think I had answered in my usual flippant way with something like “join the club” or “aren’t we all?”. I never thought of bursting into song. Decades later the perfect answer is delivered to me from the West End stage.

“I don’t need a life that’s normal
That’s way too far away
But something next to normal
Would be okay
Yes, something next to normal
That’s the thing I’d like to try
Close enough to normal to get by”

When Eleanor Worthington-Cox delivers the lines towards the end of the second act in Tom Kitt’s (Music) and Brian Yorkey’s (book and lyrics) astonishing musical, there’s not a dry eye in the house, yet there’s also a collective feeling of elation that ripples through the auditorium. “Next to Normal” obviously addresses the subject of mental health but it never feels that way. The message (if there is one) or the answer (there isn’t one) runs subliminally beneath a musical that soars to the heights.

Worthington-Cox is Natalie, the daughter to Diana (Caissie Levy) who grapples with her bipolar disorder. In principle it is Diana’s story. A heart-wrenching one. In reality it is everyone’s story. Levy is simply stunning in the lead role, capturing with undiluted precision and sympathy all the highs and lows of her roller-coaster condition, guiding us through the funny moments to the achingly sad and tragic. Levy is surrounded by five other lead players, for this is an ensemble piece. Husband Dan (the magnificent Jamie Parker) battles to understand, often picking up the pieces and trying to get through another day. Initially it all seems normal. The angst-ridden daughter and the waif-like son, Gabe (Jack Wolfe), getting ready for school. But how quickly it all unravels – until the bombshell arrives quite early on. It won’t be long before the whole capital knows the twist, but until then I’m keeping mum.

The medical profession is not so much made fun of, but scrutinised with comic genius by the writers. Trevor Dion Nicholas plays two different doctors – the aptly named Dr. Madden and Dr. Fine – lightening the mood with darkness each time he arrives on stage, littering the space with pill boxes, black humour, dubious cures or just the aura of a Rock God. Another subplot is supplied by the blossoming relationship between Natalie and school chum Henry (Jack Ofrecio) which mirrors the elder couple’s in a frighteningly authentic, cyclical way. Jack Wolfe, of course, is sublimely shadowy as Gabe. Whilst his character is fighting to be seen and not forgotten, there is no denying that the beauty of his voice can be heard near and far and the tones will be remembered for a long time.

The musical will linger in the memory for even longer. The score is magical. One moment light and catchy, another aching and haunting. The manic ‘It’s Gonna be Good’ sits comfortably alongside Levy’s aching rendition of the soaring ‘I Miss the Mountains’. Vulnerability and despair, heartache and longing, love and guilt have all never been served better in song. Interspersed between the numbers are some brilliantly succinct one-liners that sum up decades of medical hypothesis. The fact that they are dressed in cloaks of humour add poignancy to the already impassioned performances. ‘Most people who think they are happy haven’t thought about it enough’

Nobody has to think hard at all to realise that “Next to Normal” is as close to extraordinary as is physically possible. ‘There will be light’, we are told in the uplifting closing number. But it is far from a cloying sentiment, as a tangible question mark still hangs in the air. And for the moment, the light is refracted through tears – of sadness and of joy. Heart-breaking, heart-warming and life-affirming, this musical is more than a must see.


NEXT TO NORMAL at Wyndham’s Theatre

Reviewed on 26th June 2024

by Jonathan Evans

Photography by Marc Brenner

 

 

Previously reviewed at this venue:

KING LEAR | ★★★★ | October 2023
OKLAHOMA! | ★★★★ | February 2023
LIFE OF PI | ★★★★★ | November 2021

NEXT TO NORMAL

NEXT TO NORMAL

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