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Marlowe’s Fate

White Bear Theatre

Reviewed – 5th November 2021

★★★

“the charm and energy of the cast keep things bubbling along”

Marlowe’s Fate by Peter B. Hodges, and directed by the author, has just opened at the White Bear Theatre in Kennington. Set initially in 1593, the year of Marlowe’s death, this is yet another drama dealing with the question of who really wrote Shakespeare’s plays. Answer: Shakespeare. But Shakespeare skeptics around the world will rejoice at a new exhumation on an epic mystery that never seems to stay buried. The set up is this: what if Marlowe didn’t die in a tavern brawl in Deptford, but was, instead, spirited away to Europe as a spy for Queen Elizabeth the First and her Privy Council?

Peter Hodges has chosen to treat this material in a comic way, and it’s certainly more palatable than the alternative. Marlowe’s Fate opens in the aforementioned Deptford tavern. Present are the hired assassins, Ingram Frizer, Nicholas Skeres and Robert Poley, discussing the job of dispatching the playwright who has been dazzling London theatre audiences with his Tamburlaine and Doctor Faustus. They are regretful about having to kill him since they are fans. Marlowe himself enters, and is, understandably, a bit upset to discover that he is about to be assassinated. He is only a bit less upset to find out that his death is going to be faked so that he can continue his work as a spy. At this point, Marlowe’s Fate becomes not a play about Marlowe’s mysterious death, but instead, a play about his eventual return from Europe (if ever). But to Marlowe the playwright, the more important question is this: how he can continue to write, and get his poems and plays out to his adoring public? Well, you guessed it. Enter an uneducated, unsophisticated glover’s son named Will’m Shaxper (sic) from Stratford upon Avon, looking for work with a local printer.

I won’t provide spoilers for this Marlovian/Shakespearean romp except to say that it has a little bit of everything. “Everything” including a rather wonderful impromptu puppet show featuring the Annual Shakespearean Author’s Challenge that opens the second act. As long as you are comfortable with the way that Marlowe’s Fate quickly devolves into absurdity from the few known facts about Christopher Marlowe (and William Shakespeare, for that matter), you will enjoy Hodges’ work in this spirited production. The play is overly long, and there is way too much exposition needed to explain how everything comes about, but the charm and energy of the cast (particularly Nicholas Limm as Marlowe, and Lewis Allcock as Shaxper) keep things bubbling along. As with most productions at the White Bear Theatre, “great reckonings in little rooms” are standard fare here, and the seven actors of Marlowe’s Fate don’t let the small space cramp their style. Penn O’Gara’s costumes and puppets are delightfully and economically made, and Reuben Speed’s Elizabethan tavern design feels appropriately “period.”

This is definitely a show for Shakespeare scholars seeking a break from another interminable conference, or for graduate students in search of a busman’s holiday from writing the never ending PhD dissertation. But really, Marlowe’s Fate is for anyone who enjoys a good “what if?” rather than a “whodunnit.”

Reviewed by Dominica Plummer

Photography by Benji Paris

Marlowe’s Fate

White Bear Theatre until 28th November

Previously reviewed at this venue this year:

Luck be a Lady | ★★★ | June 2021

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★★★★

“This is not sophisticated comedy, and doesn’t pretend to be, but it is skilful theatre”

The Adventure of Isaac Saddlesore and the Witches of Drenn is a comedy caper in the style of a Sherlock Holmes mystery. Written by Callum Hale, who also gives a terrific turn as the blustering Aussie anti-hero Sir Maxwell Gropefund, it follows the private detective, Isaac Saddlesore, and his long-suffering companion Dr George Hotbuns as they seek to uncover the true cause of the curse which seemingly lies over the Gropefund family. The publicity promised an evening of ‘bad puns, single entendre and daft names aplenty’, and did not disappoint. What was a treat to discover however, was the professionalism of this young company, in evidence at every turn.

This is not sophisticated comedy, and doesn’t pretend to be, but it is skilful theatre. The Micawber Theatre Company run a tight ship and it was a pleasure to watch a piece of original comedy that was truly funny, pacy and well-rehearsed. Hale’s writing ably parodied the conventions set in place by Conan Doyle, with some frolicsome meta-theatrical touches pleasing to a 21st century palate. The cast worked extremely well as an ensemble, and there was some terrific multi-role work on display from Alice Osmanski and Sam Young in particular. Their ability to move between roles at high speed in the fast and furious denouement was delicious, and gave a shot of comedy aderenaline to the capacity crowd at the Hen & Chickens.

Lewis Allcock and Roger Parkins were well cast as the crime-fighting duo, though Saddlesore was the only role which seemed a trifle underwritten. Parkins gave a performance of tremendous brio, which occasionally overshadowed that of his capricious friend, owing to the quality of the material. Much was made of Saddlesore’s cocaine addiction, but the detective’s lines (pun entirely intended) didn’t always give Allcock what he needed. The comic business between the two was terrific throughout however, with the perfectly performed high speed chase a particular highlight.

The fact that a high speed chase was even possible in this tiny space is credit to Amy Wicks’ superb and inventive direction. The physical comedy was slickly choreographed and the space transformed with creative flair throughout. Dylan Allcock’s atmospheric and frequently hilarious musicianship also played an important part in the success of this energetic and entertaining production. The Micawber Theatre Company simply fizzes with talent and deserves every success.

Reviewed by Rebecca Crankshaw

Tag Archives: Lewis Allcock

Marlowe’s Fate

★★★

White Bear Theatre