“filled to the brim with fun, frolics and is ideal for adults and children alike. Truly spiffing!”
Written by Denise Deegan in 1980, Daisy Pulls It Off follows Daisy Meredith as she becomes the first scholarship student to attend the prestigious Grangewood School for Girls. In this parody of 1920s schoolgirl novels, Daisy must overcome prejudice and snobbery from some of her wealthier peers in a bid to uncover missing treasure and save her new school.
The cast is made up of seven diverse adult actors who, as well as playing the schoolgirls, take on other roles such as school teachers and Daisy’s mother. The exceptions to this are Anna Shaffer (Daisy) and Pauline McLynn (Daisy’s newfound best friend, Trixie), who play the same roles throughout.
In terms of comic timing, the entire cast are spot on and deliver the witty script to almost constant laughter from the audience. This does mean the occasional word is lost, but it does not affect the overall delivery or understanding of the piece. Those actors who portray multiple characters do so very well, with effective physical and vocal differences delivered. Lucy Eaton (Alice/Miss Gibson) and Freddie Hutchins (Belinda/Mr Scoblowski) particularly stand out in the portrayal of their contrasting characters.
The set is basic, consisting of a black and white chalkboard-style theme and wooden chairs. However, as the schoolgirls flock the stage in their brightly coloured pinafores, the focus is immediately on them. The contrast between their colourful costumes and the lack of colour in the set works well visually. Another element that works effectively is the fact the cast move the set, consisting of wooden chairs, chalkboards and a wooden staircase, on and off stage themselves, whilst in character. This allows for minimal distraction, whilst allowing the production to flow well.
If you’re after some entertainment this festive season, look no further than Daisy Pulls It Off. Director Paulette Randall’s production is filled to the brim with fun, frolics and is ideal for adults and children alike. Truly spiffing!
“the company embody the lighthearted foolishness that makes the play what it is”
With it’s subtle political jokes (a ‘stags for remain banner’ clearly shown) and modern dance pieces entwined with classic Shakespearean text, it feels like this performance was designed to try and draw in newbies to the classics. Despite this, Shared Experiences’ production of what has been shown to be an audience favourite of The Bard, has proven to humour a Shakespeare aficionado.
You’d think with an alumni of Vanessa Redgrave and Helen Mirren (to name a few) starring as Rosalind, a young actor would be quaking in their boots to take on such a role. But, Jessica Hayles takes it in her stride providing a refreshing new take on the character. Layo-Christina Akinlude shines as her cousin Celia when they move to the mythical Forest of Arden, after fleeing persecution in her uncle’s court (now portrayed as some kind of political office). Libby Watson’s design for Arden comprises of a desolate stage with white walls and floors reminiscent of a cell, tinged with artificial hues of hot pink and green (lighting by Chris Davey) that remind me more of neon raves rather than a quaint and tranquil haven. Furthermore, the only other indication that this is a forest is one lone, artificial, barren tree which wobbles as the actors climb up it. Poorly placed projections add nothing to the set or the story.
The actors more than make up for what the set lacks. On top of the two heroines’ stand out performances, Nathan Hamilton sets the stage as an angsty teen version of Orlando, the main love interest who progresses to a love stricken outcast from the office/court while Matthew Darcy shines as, among other characters, the pantomime Audrey.
This play feels like it was aimed at a younger audience. One who would appreciate the selfies and Glastonbury feel to the camp in Arden. Despite this, it appeals to everyone, regardless of whether you like Shakespeare or not. It’s fun and funny to watch and you’ll catch yourself empathising with the characters of this centuries old, yet timeless, play. Directed gaily by Kate Saxon, the company embody the lighthearted foolishness that makes the play what it is; a playful romp through one of the early examples of a romantic comedy.
Reviewed by Ciara Loane
Photography by Keith Pattison
AS YOU LIKE IT
is at the Richmond Theatre until 11th November then touring until 2nd December
