Love Letters
Theatre Royal Windsor
Reviewed – 13th October 2020
β β β β
“Martin Shaw and Jenny Seagrove are perfectly cast for this agreeably wry game of theatrical tennis”
Windsorβs Theatre Royal successfully re-opened last night with A.R. Gurneyβs gentle hit βLove Lettersβ starring Martin Shaw and Jenny Seagrove. The affection in which this lovely old theatre is held locally was evident in the warm reception given to Producer Bill Kenwright as he paid tribute to the team behind the show and welcomed the audience back. He also announced βWindsor on Airβ β a new season of radio style one week runs which includes hits like βThe Lady in the Vanβ and Tom Conti and Felicity Kendal in βLloyd George Knew my Fatherβ. A comprehensive set of measures ensure audience safety, including serving drinks to your seat.
βLove Lettersβ began in 1988 as an epistolatory novel, but it soon became a big Broadway hit. Itβs a play which βneeds no theatre, no special set, no memorization of linesβ. The two characters sit at desks at 60 degrees to each other and read letters and cards which chart a half century of hectic and privileged East Coast American living. A glittering roster of past performers has included the likes of Elizabeth Taylor, Charlton Heston, Ali MacGraw β and even Larry Hagman.
At its soft heart the play is about maintaining togetherness through separation, as childhood sweethearts stay close by correspondence, as their lives dramatically diverge. Only in the last, poignant moments does one character finally look at the other.
Martin Shaw (βJudge John Deedβ and many others) and Jenny Seagrove (βPeak Practiceβ, βJudge John Deedβ, the film βA Chorus of Disapprovalβ and much more) are perfectly cast for this agreeably wry game of theatrical tennis. The writing is excellent, particularly in the second half, when the pair of elementary students grow into adults. She is a βlascivious old dameβ and he a βshifty [but very successful] bastardβ. His dogged defence of the power of letter-writing gets gently patted back by her one-liners and aching silences.
Roy Marsden directs this bittersweet and delightful Pulitzer-listed comedy with a light touch.
Reviewed by David Woodward
Photography Simon Vail
Love Letters
Theatre Royal Windsor until 17th October
Previously reviewed by David:
Assassins | β β β β β | Watermill Theatre Newbury | September 2019
The Mousetrap | β β β β | Theatre Royal Windsor | October 2019
The Nutcracker | β β β β | Theatre Royal Windsor | November 2019
What’s In A Name? | β β β β | Theatre Royal Windsor | November 2019
Ten Times Table | β β β β | Theatre Royal Windsor | January 2020
Buddy: The Buddy Holly Story | β β β β | Theatre Royal Windsor | February 2020
The Last Temptation Of Boris Johnson | β β β Β½ | Theatre Royal Windsor | February 2020
The Black Veil | β β β | Theatre Royal Windsor | March 2020
The Wicker Husband | β β β β β | Watermill Theatre Newbury | March 2020
The Strange Case Of Dr Jekyll & Mr Hyde | β β β β β | Wilde Theatre | September 2020
Click here to see our most recent reviews