Tag Archives: Lyric Hammersmith

Reviewers’ Round-up

When not out reviewing for us, our team attend many more shows which they’d love to tell you about. Take a look at what they’ve been seeing recently

November 2019

THE LARAMIE PROJECT | ★★★★ | RADA GBS Theatre until 30th November 2019 | Seen by Ethan Doyle
The Laramie Project
An interrogative and harrowing verbatim piece on a despicable homophobic murder that explores the attitudes of the town in which it occurred with frankness, intimacy, and hope. The performances are sublime in their service of the text and there are some truly striking visual moments too. Just make sure to bring tissues – you will cry.
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DEAR EVAN HANSEN | ★★★★  Noël Coward Theatre until 30th May 2020 | Seen by Flora Doble | Photo by Matthew Murphy
Dear Evan Hansen
The hotly-anticipated Broadway transfer of Dear Evan Hansen has finally arrived at the Noël Coward Theatre in London. Exploring mental health, suicide and the social media abyss, Dear Evan Hansen is a groundbreaking and powerful piece of theatre that will hopefully help facilitate important conversations about depression, anxiety and youth suicide.
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THE LION, THE WITCH & THE WARDROBE  | ★★★★★ | Bridge Theatre until 2nd February 2020 | Seen by Katre | Photo by Brinkhoff Moegenburg

THE LION, THE WITCH & THE WARDROBE

A beautiful, magical production with superb puppets and an amazing multi-talented cast. A really special show..
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SOLARIS  | ★★★★ | Lyric Hammersmith until 2nd November 2019 | Seen by Dominica Plummer | Photo by Mihaela Bodlovic

Solaris

A lyrical, thought provoking, but somewhat disappointing adaptation by David Greig, of Stanisław Lem’s classic science fiction novel. In the eerie presence of the sentient planet Solaris, an orbiting space station sent from Earth experiences the inexplicable. Greig updates this unforgettable story by adding a female protagonist to a crew trying to avoid madness a long way from home and from those they have left behind. Or have they? Enjoyed for superlative performances and a memorable set design that alternates between the bright clean lines of the space station and the moody seascapes of the planet below.
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LUNGS  | ★★★★★ | The Old Vic until 9th November 2019 | Seen by Dominica Plummer | Photo by Helen Maybanks

Lungs

The Old Vic’s revival of Duncan Macmillan’s eco love story reunites Claire Foy and Matt Smith in a seamless two hander about a couple considering parenthood in a world on the brink of climate change. Macmillan’s script holds up well and Foy and Smith recreate the onstage chemistry that ups the stakes in this timely drama. It was a treat to see the traditional Old Vic create an intimate theatre in round so that everyone in the audience could feel that much closer to this conflicted couple and their story.
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SHOOK | ★★★★ | Southwark Playhouse until 23rd November 2019 | Seen by Dominica Plummer | Photo by The Other Richard

Shook

Samuel Bailey’s Papatango prizewinning play is performed to great effect in a gritty, naturalistic setting about three young offenders who are also parents. Bailey’s play is an absolute gift to powerhouse performers like Josh Finan, Ivan Oyik and Josef Davies, with good support from Andrea Hall playing their empathetic teacher. Bailey’s tale may lack a satisfying denouement in this memorable portrait of prison life, but his talent for dialogue and characterisation will ensure him a devoted following for whatever he chooses to write next.
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DEATH OF A SALESMAN | ★★★★ | Piccadilly Theatre until 4th January 2020 | Seen by Rebecca Crankshaw | Photo by Brinkhoff Moegenburg

DEATH OF A SALESMAN

Sharon D Clarke and Wendell Pierce give powerhouse performances in Arthur Miller’s classic drama.
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GHOST QUARTET | ★★★★ | Boulevard Theatre until 4th January 2020 | Seen by Jonathan Evans | Photo by Marc Brenner

Ghost Quartet

An intoxicating, bizarre and sometimes baffling musical. The narrative threads weave themselves into knots, but the gorgeous score of this song cycle lines the show with magic. Magic that is matched by this impressive new venue in the heart of Soho.
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ON BEAR RIDGE | ★★★★ | Royal Court until 23rd November 2019 | Seen by Jonathan Evans | Photo by Mark Douet

On Bear Ridge

Riveting, off-beat theatre that takes you to another place. Surreally dark, shone through with stunning performances. 
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MARY POPPINS | Preview Performance | Prince Edward Theatre until 7th June 2020 | Seen by Chief Spy | Photo by Mark Douet

Mary Poppins

The all time classic returns with its incredible score, magnificent staging and an outstanding cast including the legendary Petula Clark. You’re guaranteed to leave with a smile on your face.
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DEAR EVAN HANSEN | Preview Performance | Noël Coward Theatre until 30th May 2020 | Seen by Chief Spy | Photo by Matthew Murphy

Dear Evan Hansen

The winner of six Tony Awards finally arrives in the West End and the wait has definitely been worth it. Steven Levenson’s book combined with Pasek & Paul’s outstanding score make this the show to see. This performance had Marcus Harman in the lead role proving he’s an exceptional alternate Evan.
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A WOMAN ON NO IMPORTANCE | ★★★★  | Yvonne Arnaud Theatre until 2nd November 2019 | Seen by David Woodward

A WOMAN ON NO IMPORTANCE

“The unspeakable in full pursuit of the uneatable” just one of many typically Walden witticisms that sparkled like fireworks at this performance. Perhaps no surprise that it’s deeply sympathetic to the eponymous character, well-played by Liza Goddard. There’s a hint of grimly controlled madness about her performance, with her off-kilter stance and dress, with some real poetry in her speeches. To the audience’s satisfaction, she turns the tables on her nemesis. Directed by Dominic Dromgoole. Roy Hudd and Isla Blair also appear in this witty and thought provoking show.

 

 

 

 

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Joe Stilgoe: Christmas at the Movies

Joe Stilgoe: Christmas at the Movies
★★★★

Lyric Hammersmith

Joe Stilgoe: Christmas at the Movies

Joe Stilgoe: Christmas at the Movies

Lyric Hammersmith

Reviewed – 10th December 2018

★★★★

“Stilgoe is a natural entertainer; a real music-man: talented, funny, engaging and blessed with a wonderful gift”

 

Joe Stilgoe is one of those performers that makes the audience feel completely relaxed the moment he steps onto the stage. It is a rare talent: his mix of stand-up humour and virtuoso musicianship make for an enthralling evening. Add to the mix his abundant charisma, decorate the icing with a top-notch selection of guest artists and sprinkle with a finale of fake snow and you have the perfect recipe. Stilgoe’s show; “Christmas at the Movies” represents that pivotal moment in the year when you know that the festive season has truly started. Featuring some of the best-known Christmas music from films, Joe’s eclectic selection is the perfect way to celebrate Christmas.

Stilgoe opens proceedings by announcing he is his own warm-up for the night. As the gig is being recorded for a special Radio 2 broadcast on Christmas Day, he feels he wants to get the crowd in the mood first. “Don’t ‘ooh’ and clap at the same time otherwise they won’t be able to use it” he instructs, before he elicits three different varieties of applause from us to ‘edit in later’ if necessary. This self-deprecating style is his motif which adds to his charm. A charm that hasn’t diminished in the slightest despite the spiralling success of his career over the last few years.

Backed by his six-piece band he launches into a medley of Irving Berlin’s “Top Hat, White Tie and Tails” and “Puttin’ on the Ritz” before bringing on his first guest; West End star Louise Dearman. A trio of festive favourites that highlight Dearman’s peerless voice is capped by Frank Loesser’s “Baby, It’s Cold Outside”.

Jess Gillam, the second guest, is totally transfixing on saxophone, performing Itturalde’s “Pequeña Czarda”. A ridiculously difficult piece she cloaks the sheer technical wizardry in passion and an emotional warmth that leaves us quite breathless. Stilgoe’s piano accompaniment is quite something, clearly revealing the breadth of his own skills.

The first act closes with ‘Have Yourself a Merry Little Christmas’ from “Meet Me in St Louis” (again with Gillam on saxophone) followed by Stilgoe’s self-penned “Mr Panettone”. My only gripe is that Joe did hint that there might be some complimentary panettone waiting for us in the bar at interval. There wasn’t. Yet nobody cared, as we were all itching to get back into the auditorium for Act Two.

He opens the second half asking for trouble. Inviting requests from the audience, he rather foolishly promises to deliver. Among the titles thrown back at him are “Fairy-tale of New York”, Wham’s “Last Christmas”, “Nessun Dorma” and Handel’s “Messiah”. Yet he effortlessly merges the suggestions into a faultless impromptu medley. A skill replicated later during a set with his next star guest: Rob Brydon. Between the two of them they ask members of the crowd for their worst ever Christmas present, which produces a delightfully absurd ad-lib Blues duet. Brydon then sings “I’ll Be Home for Christmas” morphing from Bing Crosby to Michael Caine and back again.

After a couple more of Joe’s own compositions the show concludes with “White Christmas” and “Let it Snow”. Flecked with hilarious tongue-in-cheek moments this is a show of serious musicianship. Joe Stilgoe is a natural entertainer; a real music-man: talented, funny, engaging and blessed with a wonderful gift. Make it your gift for Christmas by tuning into the broadcast on Radio 2 on Christmas Day.

 

Reviewed by Jonathan Evans

Photography by  Scott Rylander

 


Joe Stilgoe: Christmas at the Movies

Lyric Hammersmith

 

 

 

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