Tag Archives: Nell O’Hara

GIFFORDS CIRCUS: LAGUNA BAY

★★★★★

UK Tour

GIFFORDS CIRCUS: LAGUNA BAY

Chiswick House and Gardens

★★★★★

“The drizzle is still hanging in the air, but the sunshine created by this extraordinary circus show is still blazing in our hearts”

Giffords Circus is as old as the Millennium. Which makes it sound old, until you remember that this millennium is actually quite young. Still, young or old, the circus – founded in 2000 by Nell and Toti Gifford – has become part of our heritage as it tours the Cotswolds and Southern England each summer, come rain or come shine (this is England – so more often the former). For its twenty-fifth anniversary director Cal McCrystal, who has been with Giffords since 2012, has avoided the fireworks and grand gestures of a landmark celebration, and instead opted for ‘business as usual’. That business being jaw-dropping acts combined with chaotic humour and dazzling live music. Like every other year, the circus adopts a theme. This year we are swept back to the buoyant, sun-soaked era of 1950’s America with “Laguna Bay”. A world that shimmers with promise and optimism. Black clouds may be hovering over West London but under the big top the sun is beating its heart out.

And Tweedy is back. The clown went AWOL last year but now he’s back with a vengeance. It could almost be dubbed ‘The Tweedy Show’ as he bombs, hijacks, infiltrates, interrupts and hilariously joins in most of the routines (important note: do not try this yourself – despite the anarchic appearance it has of course been meticulously rehearsed down to the tiniest tee). Tweedy plays the role of the bellboy at Sal’s Motel with his trademark slapstick and irreverence, but he rapidly sheds the restraints of his character (and his costume) before mounting his mutiny on the management. The kids love him; the adults love him more.

More so than previous years, the show has a real ensemble, almost family, feel. When not displaying their breathtaking skills, the performers are singing, acting and joining in the party in numerous other guises. Bandleader Mikey Fletcher mingles with the acrobats while lead singer Nell O’Hara is literally swept off her feet, up to the top of the big top, while still belting out pitch-perfect melodies. All the while the live band, the wonderful ‘Semi-tones’, are underscoring and overscoring the action with the feelgood, fifties soundtrack of the West Coast; as though The Beachboys have wandered onto the set of ‘That’ll be the Day’.

McCrystal has brought together the customary matchless cast. A mix of new faces and past masters, but each styling their performance to fit the concept of the show. Pablo and Vikki Garcia circle the tent in their American Airforce monoplane, shedding the laws of gravity (and shedding underwear!) while putting out an engine fire, and hanging from the undercarriage by the skin of their teeth (and that is not a metaphor). Both hilarious and heart-stopping. Their two sons Antonio and Connor – aka the Garcia Brothers – astound with their handstands, redefining the body’s centre of gravity and reinventing the body’s abilities. Daniela and Noémi make our hair stand on end while they use theirs to hang from the rafters, and spin, float and dance in the air with perfect synchronisation. Up there too is Randy Forgione with his remarkable strap act. But down on the ground the Ethio-Salem Troupe boggle our minds with, first their juggling, and then later their hoop diving act. Emma Tytherleigh brings a few moments of relative serenity with her four-legged friends; the loveable ponies and her dancing dog, Cowboy. It is all quite magical. And, of course, a touch of real magic is thrown into the mix by Maxi, whose personality plays tricks on our hearts while his conjuring plays with our minds. At one point he (how does he do it?) makes Tweedy disappear.

But there is no holding Tweedy back. He returns. And returns. The Rivelinos (clown duo Dany and Sito) are often by his side, not so much comic sidekicks as the ones kicking him into shape. The show culminates in a full-on ice cream fight – a dream for the audience but a nightmare for the stage managers. The entire troupe follow this with song and dance and a bit more mayhem. The audience are pulled into the ring. All of a sudden, the performers have disappeared, but the crowd continues to bop-a-long to the hop. As the lights fade, we wander back into the night. The drizzle is still hanging in the air, but the sunshine created by this extraordinary circus show is still blazing in our hearts. Giffords Circus lets us step into another world and forget everyday life with its mix of thrills and skills, romance, comedy, magic and mayhem. Glorious escapism at its best.



GIFFORDS CIRCUS: LAGUNA BAY

Chiswick House and Gardens then tour continues – click on Giffords logo below for dates and venues

Reviewed on 5th June 2024

by Jonathan Evans

Photography by Spencer McPherson

 

 


 

 

 

Previously reviewed at this venue:

GIFFORDS CIRCUS – AVALON | ★★★★ | June 2024
GIFFORDS CIRCUS – THE HOOLEY | ★★★★★ | June 2021

 

 

LAGUNA BAY

LAGUNA BAY

LAGUNA BAY

GIFFORDS CIRCUS – AVALON

★★★★

UK Tour

GIFFORDS CIRCUS – AVALON at Chiswick House and Gardens

★★★★

“the performers, the musicians and the magic soon bring us back into a wonderland that Nell Gifford would be proud of”

Nell Gifford ran away with the circus when she was eighteen. “I held the jewel of my childhood up to my eye”. For most of us it is a dream that tugs at the arm of our inner child. For Nell it was reality. She fell deeper in love with that magical world as she travelled the globe, never letting go of the dream until a quarter of a century ago when, together with her ex-husband Toti Gifford, she turned her vision into what is now an annual, village green, travelling circus. Nell sadly passed away in 2019, but she continued to step beyond life’s boundaries until the very end. Giffords Circus continues in her name, attracting the top performers from around the world.

We are not just transported back to our childhoods. We are also taken to a bygone age, and into a fantastical storybook. To a time and a place that arrives without warning. The big top appears mysteriously, glimpsed through the treetops. It is there. Yesterday it wasn’t. Tomorrow it may not be. Each year, Giffords Circus adopts a theme and this year the audience enters a medieval world of pageantry and Arthurian legend. Welcome to “Avalon”.

Regulars will be approaching the tent in the knowledge that Tweedy will not be appearing. He leaves behind a big pair of clown shoes to fill, but Cuthbert (pronounced an elongated, raspberry-blowing Cuthhhrrrffbbert) fits into them effortlessly, running amok with comedic and rebellious abandon. He (kind of) enrols Merlin the Magician as a (sort of) sidekick. The pair compete to outdo each other in silliness and skilfulness. Maximiliano Stia, as Merlin, clearly wears the wizard’s hat when it comes to magic; while Tyler West, as Cuthbert, dons many caps sprinkling his comic magic over the show. Sprinkles? No, it’s shovelled onto us, leaving us spluttering with laughter. A rebel without a care, West is determined to rip up the tenuous, medieval narrative theme. Piecing it back together, though, is Guinevere (Nell O’Hara), who recites vague, mythical references to all things Avalon in rhyming couplets before delighting us with her magical voice. The song selection often strays far from the twelfth century, as Mud’s ‘Tiger Feet’ race round the ring hot on the heels of Rolling Stones’ chart-toppers. Excalibur is speared in rock n roll; it’s not just a sword in the stone. The brilliant house band – this year affectionally named ‘Jethro Dull’ – are playing live throughout. With masterful skill and musicality, they steer the performers through their acts, simultaneously underscoring and watching over them, like lion tamers cracking tunes instead of whips.

But the acts themselves need little taming. They are wild yet extremely honed. Nick Hodge, in the guise of King Arthur, spins within his Cyr wheel while a quartet of gravity defying acrobats – The Godfathers – ricochet off each other like a juggler’s skittles. Morgan Barbour and Victoria Sejr are the Damsels of the Ring, hanging from the air from their hoop in exotic, serpentine unison; entwined around each other and entangled in a shared danger. None of the performers has a safety net. Dylan Medini weighs up the impossible as he precariously balances on his unfeasible collection of unsteady, unstable and wobbly objects. Meanwhile his sister, Asia, turns hula hoops into living sculptures that snake around her sylph-like form, in perfect time to the music. The pair later come together as a double act in a dizzying dance that takes roller-skating to vertiginous heights. Dany Rivelino, as Barold the Page, wanders in and out of the action, slightly mystified, juggling a deadpan comedy with… well – juggling.

Our four-legged friends are not shy of the limelight. Equestrian Latoya Donnert lets her pony take centre stage as she watches on in pride as the Lady of Shalott, while Sir Dagonet and the Priestess Lenore (Pat Clarrison and Pip Ashley) wow us with what is dubbed as their ‘Comedy Dog Art’. That speaks for itself. There are moments when we do feel like we have wandered into the Britain’s Got Talent semi-finals, but the performers, the musicians and the magic soon bring us back into a wonderland that Nell Gifford would be proud of. Director Cal McCrystal once more keeps the flag flying and as we roam back out into the night, under the stars and the twinkling lights of the circus wagons, with the wandering minstrels mingling with the crowds; we are already looking forward to next year. And wandering what the theme might be. If Giffords Circus isn’t an annual date in your diary, it should be. It’s definitely a day to remember. A night you won’t forget.


GIFFORDS CIRCUS – AVALON at Chiswick House and Gardens

Reviewed on 13th June 2024

by Jonathan Evans

Photography by Emily Jo West

 

Click on image below for further dates and venues

 

 

 

Previous Giffords Circus review:

THE HOOLEY | ★★★★★ | June 2021

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