Tag Archives: Old Red Lion Theatre

That Girl – 3 Stars

Girl

That Girl

Old Red Lion Theatre

Reviewed – 5th September 2018

★★★

“The actors are engaging to watch, but That Girl’s overall concept could do with some development”

 

For anyone who grew up in the 90s, the film Madeline should be a familiar one. Its star, Hatty Jones, was thrust into the limelight at ten years old. Now approaching thirty, Hatty has written That Girl, inspired by her experiences as a child actor and how this has impacted her adult life. Fundamentally, it’s a play exploring female friendships, modern life as a twenty-something year old and letting go of youth.

As Hatty herself has noted, she wanted to create a world that is “not hers, but could have been”. The play opens with a scene involving Hatty (played by Hatty Jones herself) in an interaction with a colleague who is adamant she knows her from somewhere, but can’t figure out where. This opening, clearly based on situations Hatty has no doubt found herself in on numerous occasions, is entertaining and sets the play up well.

That Girl’s main strengths lie in its relatable themes and scenarios. Following the opening scene, we are introduced to one of Hatty’s housemates, Poppy (Alex Reynolds), as the two young women prepare to move out of the flat they share. Their friendship is explored well in their exchanges of dialogue. From the fun they clearly have together, sharing a Turkish takeaway every Friday and joking around, to the jealousy that can also come from comparing your life to that of your friends. The latter comes to light when Poppy’s new boyfriend appears on the scene and her priorities shift.

Online dating is explored when Hatty goes for a drink in a local pub with someone she met on Tinder. This scene will most likely resonate best with those more familiar with online dating, but anyone who has been in similar uncomfortable, somewhat awkward, situations should be able to empathise as well as laugh along.

The actors are engaging to watch, but That Girl’s overall concept could do with some development. It sometimes just feels as though we are watching quite a self-obsessed girl, clinging on to her childhood of fame. This is mainly apparent during a scene where Hatty sits in the dark watching a scene from Madeline and mouthing the dialogue, as well as when she’s chatting to Poppy’s boyfriend (Will Adolphy) and appears, at times, to be showing off about her childhood experiences. Is it a coping mechanism? Is it because she can’t let go of her past? Or is she just a bit narcissistic? These are questions the audience is left with quite frequently.

Directed by Tim Cook, That Girl deals with universal themes and benefits from good performances, but I was left not quite knowing what its overall concept or aim was supposed to be by the end. The play shows promise, though, and it would be interesting to see a revised or developed version, if one ever materialised.

 

Reviewed by Emily K Neal

 


That Girl

Old Red Lion Theatre until 15th September

 

 

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Welcome Home – 3 Stars

Welcome

Welcome Home

Old Red Lion Theatre

Reviewed – 27th August 2018

★★★

“a humorous and engaging script that is delivered well on stage”

 

In a world where artificial intelligence is playing a key role in our lives, it seems hugely appropriate that theatre should explore it and the impact it has on human life. In Welcome Home, we are introduced to two young women, Jess and Enoch, who live together with an aBode, “the market leader in home assistance”. The aBode does everything from controlling the apartment’s security and surveillance to ordering groceries. The two housemates barely need to lift a finger as almost all daily tasks are taken care of with ease. However, it soon transpires the aBode may have sinister intentions and does not merely exist to provide assistance to the two housemates.

Amali Jazeel (Enoch) and Jemma Burgess (Jess) are convincing as housemates who appear to get on, but also clash occasionally. The two actors keep up a good level of energy throughout and hold the audience’s attention well. Sarah Cahill (both writer and director) has produced a humorous and engaging script that is delivered well on stage. Even during the darker sections of the play, humour is still found within lines from the aBode and its interactions with Enoch and Jess. The aBode glows blue and changes to red in more sinister moments, which makes for a nice design element.

Running at just over half an hour, the play is a little on the short side and could benefit from an extended running time, allowing for more of a build-up of the story and a chance for us to learn about the characters and scenarios in more depth.

A dark, yet entertaining exploration of the power and impact of artificial intelligence, Welcome Home is highly relevant for modern audiences. It should, no doubt, prompt discussion surrounding the rate at which technology is progressing and audiences’ own use of it, as well as the potential artificial intelligence has to grow.

 

Reviewed by Emily K Neal

 


Welcome Home

Old Red Lion Theatre

 

 

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