Tag Archives: Omnibus Theatre

Mortgage – 4 Stars

Mortgage

Mortgage

Omnibus Theatre

Reviewed – 30th March 2018

★★★★

“The three actors perform with unconditional energy and presence”

 

A powerful piece of theatre, ‘Mortgage’ has strangely misleading publicity which, consequently, leaves the audience in the odd situation of puzzling out the narrative of a brilliantly acted, directed and technically devised production. It is the centrepiece of ‘The DEvine Comedy Trilogy’ by David Glass, the first part being ‘Boredom’ and the third, ‘Heaven’. Abused and damaged, Stage Manager Mortgage has burned down the last theatre on Earth and is embarking on a painful healing process in an asylum, representing Purgatory. A collaboration between ‘Created a Monster’ and the ‘David Glass Ensemble’, the work combines physical theatre with inspiration from Artaud’s ‘Theatre of Cruelty’ to create a tragi-comedy about the will to overcome hopelessness and the inescapable relationship between destruction and creation. There is an underlying analogy to the struggle of the younger generation, often at the hands of their elders, to feel in control of their own lives and how this can lead to mental health issues, which in turn is managed by adults.

Briony O’Callaghan commands the stage as Mortgage, battling through sessions of therapy and medication, zigzagging from fits of hysteria to lucid memories of the past and trance-like resignation. Her doctors, François Testory and Simon Gleave produce a perfect balance of the unexpected, humour and intimidation. Their contrasting personalities are prominent from the beginning, even in their inextricably linked relationship – one, younger, bolder, more demonstrative and the other, older, more restrained, sharper. The three actors perform with unconditional energy and presence. From vivid movement, slow dance-like scenes, comic routines and cleverly formulated dialogue we are led from Mortgage’s agonising physical distress to her gradual, coherent reconstruction and regaining of hope.

On the technical side (Paul Micah) an interesting selection of music and sound fits beautifully with the contrasting moods of the play, calm moments of respite breaking up the emotional intensity and the lighting is inventive in its dramatic effects on an almost empty set. The intrigue of the costumes, the significance of which is revealed eventually, shows how the details are carefully chosen and designed.

The concept of Mortgage is much clearer after a post-performance chat with the cast (originally advertised as a panel discussion about mental health and loneliness in the younger generation) as they explain the background to the project – the motivation, the concept of the trilogy and the theme of this part, including the derivation of the name, Mortgage. In addition to this, the absence of credits on the programme suggests that it is a work in progress. However, that would be to undersell the inspirational direction of David Glass and the exciting and multi-layered quality of the show, performed with great artistry.

 

Reviewed by Joanna Hetherington

 

Omnibus Theatre

Mortgage

Omnibus Theatre

 

 

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My Dad the Magician – 4 Stars

Magician

My Dad the Magician

Omnibus Theatre

Reviewed – 18th March 2018

★★★★

“children in the audience were delighted with the level of interaction and opportunities to participate”

 

Today the Omnibus Theatre, a small intimate theatre nestled in the corner of Clapham Common, was home to the touring family show “My Dad the Magician”.

This is a charming piece of interactive theatre perfectly pitched for ages ten and under. Tom Adams as himself tells a poignant tale of his childhood through the use of audience participation, song, dance, humour and just a little bit of magic. The story of his mum meeting his stepdad, falling in love, getting married, losing his job and moving to the seaside slowly unfolds during the course of the hour. His enthusiasm, love and passion for his family is clear to see and it is hard not to be consumed by it. The story line itself is probably pitched a little beyond some of the younger members of the audience (ranging from three upwards) but it does keep the older children and adults enthralled.

The children in the audience were delighted with the level of interaction and opportunities to participate. Whenever Tom asked for a volunteer there was a raft of hands waving in the air keen to be chosen! Sometimes relying on the audience to respond can crush a show but Tom has the ability to keep the children engaged! A bit of a feat of magic in itself.

The set was simple and props had a homemade air, which added to the wholesomeness of the show. This is a thoroughly enjoyable way to spend an hour – if you have a small child and it’s on tour near you I urge you to pop along!

 

Reviewed by Angela East

 

Omnibus Theatre

My Dad the Magician

Omnibus Theatre

 

 

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