Tag Archives: Pamela Raith

Oi Frog & Friends! 

★★★★★

Lyric Theatre

Oi Frog & Friends!

Oi Frog & Friends!

Lyric Theatre

Reviewed – 5 December 2019

★★★★★

 

“Highly recommended for its sparkling script, extraordinary performances and  wonderful design”

 

It’s not even Christmas yet, but if you and your kids are already suffering from a surfeit of seasonal festivities and are looking for something that won’t jingle bells and ho, ho, ho at you, (except in a non-Christmassy way) then hurry along to the Lyric Theatre on Shaftesbury Avenue. Here you will find the delightful Oi Frog and Friends! Based on the best selling children’s book by Kes Gray and Jim Field, this fifty five minute entertainment provides all the elements of a good story, presented in a very young child friendly way. So child friendly, in fact, that this reviewer observed at least one infant happily enjoying the action. Kudos to the parents for getting their kids to good theatre at such a young age, and kudos to adaptors Emma Earle, Zoe Squire, Luke Bateman and Richy Hughes for managing such a seamless transition from the page to the stage.

Oi Frog and Friends! is not just entertainment, however. It has some important things to teach about finding one’s place (and sitting still on it) , and all the fun one can have with words while doing it. It’s a simple enough story. At the Sittingbottom School, (ho, ho) the bossy prefect Cat has the rule book about who sits on what—all determined by what rhymes with your name. Easy enough if you are a hare (chair), a fox (box) or a cat (mat). But what if you are an ostrich or a badger? Into this rule bound classroom comes Frog, a new student whose questions (and new rhymes) overturn the established order, much to Cat’s dismay, and the horror of the local media—a guest star turn by Meerkat TV’s Bob Burrows. (There’s a lot of funny punning as well as rhyming in this script, and you get drawn in. Oops).

The audience is enticed into this enchanting world by four actors who manage a breathtaking quantity of performance skills at breakneck speed. With the able direction of Emma Earle, they portray any number of animals using a combination of costumes and puppetry, and of course, sing and dance when appropriate as well. Particularly outstanding are John Winchester as Frog, and Darren Seed as Dog, but really the whole cast is brilliant at the way they leap nimbly between roles, including assisting one another when some nifty bunraku-type puppetry skills are required. Zoe Squire and Yvonne Stone, responsible for design, have come up with inventive creations that flawlessly integrate both actor and puppet into the character they play. Dog’s design is particularly clever in this respect, and it takes a skilled performer to be able to manage all the moving pieces in such a convincing way. Cat, played by Lucy Tuck, is a more conventionally designed character but still demands a lot of athleticism and comic ability. Tuck’s portrayal of a cat who is terrified of losing the last of her nine lives, is both funny and touching. The fourth member of the cast is Simon Yadoo as Cheetah, although he assists with the puppetry and takes on so many roles that it’s easy to lose count of how many times he changes costumes (and puppets). Still, his Carmen Miranda inspired turn as a Cheetah that must sit on a fajita was a big hit with the kids in the audience, and yes, even the big kids otherwise known as their parents.

In short, Oi Frog and Friends! is the perfect show to counter the pre-Christmas blahs, and satisfy the kid in all of us. Highly recommended for its sparkling script, extraordinary performances and wonderful design. It’s a rhyming good time! O.K. O.K—I’ll show myself out.

 

Reviewed by Dominica Plummer

Photography by Pamela Raith

 


Oi Frog & Friends!

Lyric Theatre until 5th January

 

Last ten shows reviewed by Dominica:
Now Is Time To Say Nothing | ★★★★ | Battersea Arts Centre | October 2019
The Accident Did Not Take Place | ★★ | Pleasance Theatre | October 2019
The Fetch Wilson | ★★★★ | Pleasance Theatre | October 2019
The Hypnotist | ★★½ | Pleasance Theatre | October 2019
The Unseen Hour | ★★★★ | Pleasance Theatre | October 2019
Cinderella | ★★★★ | The Vaults | November 2019
Iphigenia In Aulis | ★★★ | Cockpit Theatre | November 2019
Madame Ovary | ★★★★★ | Pleasance Theatre | November 2019
The Snowman | ★★★★ | Peacock Theatre | November 2019
Touching The Void | ★★★★ | Duke Of York’s Theatre | November 2019

 

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Soho Cinders

★★★★

Charing Cross Theatre

Soho Cinders

Soho Cinders

Charing Cross Theatre

Reviewed – 28th October 2019

★★★★

 

“despite being predictable to the end, the story flows as harmoniously as the ensemble singing”

 

The setting for “Soho Cinders” is Old Compton Street, a street that knows no shame, where theatre goers rub shoulders with prostitutes and local businessmen on their way home are having one last drink as they collide with a younger crowd arriving for their first. It is a world which never really existed but you kind of feel it might have done. It is London as we know it, but with a technicolour gloss coating that fits perfectly with this modern-day retelling of ‘Cinderella’.

With music by George Stiles, Lyrics by Anthony Drewe and book by Drewe and Elliot Davis, the classic fable is given a satirical twist with a plot that is, in turns, comedic, romantic and serious. The mix of politics, scandal and true love is flawlessly balanced so that, despite being predictable to the end, the story flows as harmoniously as the ensemble singing.

Young, impoverished student Robbie is ‘Cinderella’, scraping a meagre living in his late mother’s laundrette, but facing eviction from his ‘ugly’ stepsisters who run the strip club next door. He just gets by with the occasional pay off from a local ‘Lord’, but when he begins a secret liaison with the already engaged Mayoral candidate, he looks set to lose everything. And everyone. Luke Bayer captivates as Robbie, having us rooting for him throughout. When he sings “Happy ever afters always turn out wrong”, we both wish and know that he’ll be proven wrong and he’ll find his prince. Part of me, however, wishes he would straighten up and fall for his co-worker and best-friend ‘Velcro’. Millie O’Connell imbues Velcro with a warmth, loyalty and irreverent wisdom that makes it one of the stand-out performances.

The show stealers are surely Clodagh and Dana, the stepsisters, though they do have a head start. Davis’ script is overflowing with brilliant one liners and these sisters have the lion’s share of them. Michaela Stern and Natalie Harman certainly make a meal of them too with unforgettably hilarious performances. But each character is given their moment to shine, while the ensemble highlights Adam Haigh’s dynamic choreography. Stiles and Drewe’s eclectic score is a catchy mix of ballads, duets and showstoppers, ranging from the achingly beautiful “They Don’t Make Glass Slippers” through to the fiery “I’m So Over Men”, which is reprised with a clever double-entendre re-interpretation of its title.

“Soho Cinders” is a musical with a heart full of passion and a belly full of laughs. As the nights draw in and the cold fronts approach the city, this show will certainly reignite the cinders and leave you with a feeling of warmth. The moral of the fairy-tale is in plain sight, but it doesn’t quench the enjoyment. This incredibly talented cast have as much fun as the audience. An audience who will still be humming the tunes way after midnight. Go! You’ll have a ball.

 

Reviewed by Jonathan Evans

Photography by Pamela Raith

 


Soho Cinders

Charing Cross Theatre until 21st December

 

Previously reviewed at this venue:
Harold and Maude | ★★★★ | February 2018
It Happened in Key West | ★★ | July 2018
Mythic | ★★★★ | October 2018
Violet | ★★ | January 2019
Amour | ★★★★ | May 2019
Queen Of The Mist | ★★★★ | August 2019

 

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