Tag Archives: Park Theatre

Another America

Another America

★★★

Park Theatre

Another America

Another America

Park Theatre

Reviewed – 7th April 2022

★★★

 

“For all its initial bounce, though, this show is slow to catch fire”

 

Another America by Bill Rosenfield, manages to combine two American obsessions — sport, and road trips. Inspired by Dan Austin’s film, True Fans, Rosenfield’s stage version presents us with three characters, all male, all about to take what they hope will be a life changing trip across America. The plan is to cycle from Los Angeles, on the west coast where they live, to Springfield, Massachusetts, on the east coast, to visit the Basketball Hall of Fame. Dan, the instigator of this madcap idea, is a basketball fanatic. He somehow talks his reluctant brother Jared, and his best friend Clint, into coming with him. Even the team’s failure to raise money to sponsor their trip does not derail Dan’s enthusiasm. He is sure they will manage somehow. And manage they do, though their efforts are hardly inspiring. They are constantly being rescued by the kindness of strangers on basketball courts — and in Subway sandwich shops. Which is not an uncommon American experience, if truth be told.

Another America begins on an encouraging note. Donning the naïve enthusiasm of a kind that endears all Americans to each other — and to the world for that matter — actors Jacob Lovick (Clint), Rosanna Suppa (Jared) and Marco Young (Dan) are on stage to welcome the audience from the moment they enter the studio space at the Park Theatre. This informal presentation serves the production well as the actors shift between a variety of roles, and locations. Director Joseph Winters keeps the action bouncing along on a makeshift set, much like the basketball that accompanies our fans on their road trip. Occasionally, the audience gets directly involved. The backstage crew, even when invited, are shrewd enough to decline the offer to participate.

For all its initial bounce, though, this show is slow to catch fire. Another America is a better subject for film than the theatre, for the simple reason that, unless you’ve actually been to middle America, it’s a difficult place to imagine. It’s far easier to film this vast nothingness — if your audience is ready to settle in for long periods of riding across land so flat that you can see the curvature of the earth. Looking at you, North and South Dakota. Indiana, Missouri and Pennsylvania may not be quite as prostrate, but they’re still states in “flyover country” which makes their geographical expanse hugely challenging to convey on stage. The energetic charm of the actors is not enough to paint the pictures of emptiness in words that film, unfairly, can.

For the most part, however, Across America hangs on a series of depressing encounters with people left behind and disenfranchised by an illusory American Dream. Playwright Rosenfield accurately captures the bewildered resentment of these folks. But the first half of the Another America is spent wondering why, despite some of the spectacular scenery that the cyclists travel through, most of the action is located on basketball courts, near double wide trailers, farms on the brink of foreclosure, and Subway sandwich shops in the middle of nowhere. Ironically, a detour to Las Vegas results, not in a lost 24 hours of excess, which is kind of experience we have been led to expect from any encounter in the Nevada desert, but with the team getting the hell out of there as quickly as possible. Fair enough. But this hardly makes for good drama.

Right from the start, we know there is going to be a certain amount of rite of passage material in this picaresque tale. A good example is Dan’s reckless tossing of their trip mascot, a basketball, into the Mississippi River, in a moment of existential despair. He then jumps in after it. And his brother jumps in to rescue him, and the ball. Why rescue the ball? It’s not just that it’s a basketball. It is also covered with well meaning advice from all the people who have bailed them out, at one point or another during their trip. It turns out that meeting these people is more important than even reaching the Basketball Hall of Fame, which can only offer them a free soda as acknowledgement of their epic journey. Not surprisingly, the people they meet, with little to offer, and nothing left to lose, turn out to be more generous than corporate sponsors and money making tourist attractions. It’s a sobering conclusion to what might, under different circumstances, and in a different time, be a more uplifting tale.

Another America provides a glimpse into American life that is sadly recognizable, and rather downbeat. For audiences looking for something other than gritty dramas about big city life, this may appeal. But this story is as much a myth buster about road trips and sports fanatics, as it is an inspiring tale about go-getting heroes, despite the delightful energy of its young cast.

 

 

Reviewed by Dominica Plummer

Photography by  Piers Foley

 


Another America

Park Theatre until 30th April

 

Previously reviewed at this venue:
When Darkness Falls | ★★★ | August 2021
Flushed | ★★★★ | October 2021
Abigail’s Party | ★★★★ | November 2021
Little Women | ★★★★ | November 2021
Cratchit | ★★★ | December 2021
Julie Madly Deeply | ★★★★ | December 2021

 

Click here to see our most recent reviews

 

Julie Madly Deeply

Julie Madly Deeply

★★★★

Park Theatre

Julie Madly Deeply

Julie Madly Deeply

Park Theatre

Reviewed – 20th December 2021

★★★★

 

“Feel-good entertainment this is, and in the hands of talented performers — it works”

 

True confession: I must admit that I arrived at this show (after some difficulty finding the Park Theatre due to the new (improved) area around Finsbury Park Station) a sceptic. Julie, Madly, Deeply? Two hours of Julie Andrews’ impressions? Fan of Dame Julie though I am, it still seemed like a stretch for one performer (Sarah-Louise Young) and her accompanist (Michael Roulston) to bring off. I am delighted to report that this sceptic left the theatre two and a half hours later — a convert.

Julie, Madly, Deeply (directed by Russell Lucas) is easy on the ears. It is easy on the eyes as well, since Sarah-Louise Young is a talented mimic who can make you believe she really looks like Julie Andrews (and even Audrey Hepburn). Young is also an accomplished singer (no surprises there) and accompanist Michael Roulston plays beautifully (and, on occasion, sings quite nicely as well). All the favourites from Dame Julie’s long and brilliant career are featured. But Young’s rendition of “Could I Leave You” from Follies was, for me at least, the standout song of the evening. The moment of tribute to the late Stephen Sondheim was poignantly and beautifully done. In Julie, Madly, Deeply the songs are delivered with an appropriately sharp wit. It does not seem out of place, especially when you consider how fearless and edgy Julie Andrews herself became, after she got together with movie director Blake Edwards.

There are always challenges to dramatizing the life of a famous person. If you want to be truthful as well as entertaining, you have to acknowledge the tragedies as well as the triumphs. Sarah-Louise Young doesn’t sugar coat Julie Andrews’ tough childhood (the absent mother; the alcoholic step-father, who also discovered her talent) and growing up as the family breadwinner. Young focuses on the important part: that Dame Julie is an extraordinary talent who has been performing on world famous stages since she was nine years old. Young doesn’t dwell on the personal tragedies in adulthood, either, because Julie, Madly, Deeply should have happy ending, right? To their great credit, Young, Roulston and Lucas do pull off the happy ending—by bringing us right back to where the show began: Young as a star struck Julie Andrews’ fan writing a letter to her idol. It doesn’t matter whether Dame Julie replied—what matters is the moment we can all identify with—a touching tribute to a great star, and a wish from a would be performer, to be like that star. In Julie, Madly, Deeply, the audience is warmly invited to sing along with all their favourite Julie Andrews’ songs, and to share their memories of seeing Dame Julie in person. Feel-good entertainment this is, and in the hands of talented performers — it works.

Julie, Madly, Deeply is perfect for those who feel unable—understandably during a pandemic—to brave the bigger, and riskier, theatres of London’s West End. The Park Theatre is not only smaller, but both cast and crew will welcome you in and make you feel as safe as is possible in these difficult times. So get your jabs on, mask up, and go over to Finsbury Park, for a delightful trip down Memory Lane.

 

 

Reviewed by Dominica Plummer

Photography by Steve Ullathorne

 


Julie Madly Deeply

Park Theatre until 1st January

 

Previously reviewed at this venue:
Abigail’s Party | ★★★★ | November 2021
Flushed | ★★★★ | October 2021
Little Women | ★★★★ | November 2021
When Darkness Falls | ★★★ | August 2021
Cratchit | ★★★ | December 2021

 

Click here to see our most recent reviews