Tag Archives: Park Theatre

Shackleton and his Stowaway

★★★

Park Theatre

Shackleton and his Stowaway

Shackleton and his Stowaway

Park Theatre

Reviewed – 10th January 2020

★★★

 

“an extremely interesting and watchable play”

 

After being lucky enough myself to explore north of the Arctic Circle just two months ago, I eagerly arrived at the Park Theatre for a trip to Antarctica.

This play by Andy Dickinson and directed by Simone Coxall tells the story of Ernest Shackleton, who along with his crew, attempts to sail his ship Endurance across the Antarctic. His plans are immediately thrown into chaos as a young stowaway appears on board. Much of the story then focuses on the relationship between Shackleton and the stowaway and how this develops as the voyage progresses and doesn’t exactly go according to plan.

The stage is set (Kajeel Patel) using wooden crates and trucks, along with ropes and sheets to depict various parts of the ship and later, tents and rocks on the pack ice; these are well utilised. A ladder and the gantry are used to strong effect to establish different levels on The Endurance.

Lighting (Pablo Baz) is well designed, there is also clever use of projection (Enrique Muñoz) with snow and other icy shots. I would like to have seen more blizzards rather than gently falling flakes and maybe the occasional map to depict the distance and location that these adventurers explored. Sound (Dominic Brennan) is well thought out with waves, wind, creaking joints and some suitable dramatic music. Again, maybe the wind could have been stronger, howling gales could have added to the bleakness of the locations.

Richard Ede has some great moments as Shackleton. I thought when he first met the stowaway, he took this a little too much in his stride. He was strongest in his monologues. His opening dialogue beautifully set the scene and introduced us to the drive and motivation behind Shackleton’s journey, his long speech as he desperately searched for help over hundreds of miles, was quite inspiring. Elliott Ross as the Welsh stowaway was a nice contrast and he brought a huge amount of youthful energy to all his scenes, until the freezing conditions got the better of him.

Despite there being twenty seven men on board, this is actually a two-hander. The actors had a nice chemistry and a decision had clearly been made to bring out the humour in this script, I think possibly a little too much. There is definitely a place for the lighter side to be explored, but this is beautifully poetic script and the play was at its best when the drama was highlighted.

Act Two focussed on the time after the ship had been crushed by the ice and eventually sunk. I would have loved to have seen the actors dressed with some frost bitten make-up and I could not understand how in one of the most frozen and remote areas of the World, they were not wearing gloves.

This is an inspirational story in many ways and considering the helpless situation that Shackleton found himself in, it was remarkable how he mostly brought his crew home. Stolen Elephant Theatre has produced an extremely interesting and watchable play. I definitely felt like I’d been on a voyage, although I was not entirely convinced that I’d been all the way to the Antarctic.

Hard to believe that this story took place only just over one hundred years ago. Now, due to climate change, some of these unnavigable, remote, frozen areas, that caused Shackleton and his crew such trauma, are disappearing before our very eyes.

 

Reviewed by Chris White

Photography by Elena Molina

 


Shackleton and his Stowaway

Park Theatre until 1st February

 

Last ten shows reviewed at this venue:
Summer Rolls | ★★★½ | June 2019
The Time Of Our Lies | ★★★★ | August 2019
The Weatherman | ★★★ | August 2019
Black Chiffon | ★★★★ | September 2019
Mother Of Him | ★★★★★ | September 2019
Fast | ★★★★ | October 2019
Stray Dogs | | November 2019
Sydney & The Old Girl | ★★★★ | November 2019
Martha, Josie And The Chinese Elvis | ★★★★★ | December 2019
The Snow Queen | ★★★★ | December 2019

 

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Martha, Josie And The Chinese Elvis

★★★★★

Park Theatre

Martha, Josie And The Chinese Elvis

Martha, Josie And The Chinese Elvis

Park Theatre

Reviewed – 13th December 2019

★★★★★

 

“pretty darn perfect; hilarious and surprisingly moving, performed by a cast at the top of their game”

 

Well, that was a treat! Definitely the best thing I could have done to dispel my election result blues was to go and see this gem of a play. This year is the twenty-first anniversary of the play’s first production, which won it the Pearson Best Play Award for playwright Charlotte Jones. Jones’ best known play is ‘Humble Boy’, and ‘Martha, Josie and the Chinese Elvis’ shows the same genius for comedy, and the same humanity and understanding of family dynamics. This production, directed by Robert Wolstenholme, is pretty darn perfect; hilarious and surprisingly moving, performed by a cast at the top of their game.

Josie, beautifully played by Kellie Batchelor, is a bored dominatrix, not excited to be turning forty. Batchelor’s Josie in immediately likeable, matter of fact and funny; not what you would probably imagine a dominatrix to be, she can’t even be bothered to dress up any more. Lionel, a regular client who has become a friend, decides to throw her a birthday party that she doesn’t want. What could possibly go wrong? Plenty, it turns out! Lionel has taken on quite a task, and Andrew P Stephen, after a laugh out loud appearance as Josie’s client, is charming as he attempts to make everyone have a good night, topping up glasses with his ‘catastrophe’ cocktail mix and determinedly trying to make the evening fun. Josie’s dreamer of a daughter, Charlie Bence’s Brenda-Marie knows she has learning difficulties and has built a fantasy version of herself as an ice-skating champion. She has some great interjections and Bence keeps the warm heart of the play beating, even while everyone is falling apart. Martha is the cleaner, a good Irish catholic with numerical OCD. Sioned Jones is splendid in the role, cleaning, counting, worrying and disapproving, and always very, very funny. The Chinese Elvis of the title turns out to be Timothy, Vietnamese, and very new to the Elvis business. He has been hired by Lionel to entertain Josie, a huge Elvis fan, at her party. But finds himself in the middle of a bizarre family drama that includes the appearance of an unexpected visitor. I don’t want to give the game away, so I will just say that Jessica Forrest plays the surprise arrival with honesty and feeling, bringing in the darker moments of the play. Timothy is played by Matt Lim, and he is a sweet Elvis, posturing, not knowing the words and trying gamely to do his job in the midst of utter chaos.

I loved this play, with its lightning repartee and belly laughs, its compassion and wit. The cast don’t put a foot wrong; it’s tight and zippy, gentle and fierce. Brilliant. The audience loved it. There were moments of spontaneous applause during the action and a standing ovation at the end. Highly recommended!

 

Reviewed by Katre

Photography by Lidia Crisafulli

 


Martha, Josie And The Chinese Elvis

Park Theatre until 4th January

 

Last ten shows reviewed at this venue:
Napoli, Brooklyn | ★★★★ | June 2019
Summer Rolls | ★★★½ | June 2019
The Time Of Our Lies | ★★★★ | August 2019
The Weatherman | ★★★ | August 2019
Black Chiffon | ★★★★ | September 2019
Mother Of Him | ★★★★★ | September 2019
Fast | ★★★★ | October 2019
Stray Dogs | | November 2019
Sydney & The Old Girl | ★★★★ | November 2019
The Snow Queen | ★★★★ | December 2019

 

Click here to see our most recent reviews