Ghost Stories

Ambassadors Theatre

Reviewed – 9th October 2019

★★★

 

“well crafted, and well performed”

 

Ghost Stories arrives at the Ambassadors Theatre in London’s West End just in time for the season of spooks and all things that go bump in the night. Jeremy Dyson and Andy Nyman’s show, which they wrote and directed, has enjoyed considerable success since it premiered as a co-production with the Lyric Hammersmith and the Liverpool Everyman in 2010, going on to tour around the world, and even becoming a film. The Ambassadors gets into the act right from the moment you enter the foyer, with lots of spooky sound effects and mysterious numbers chalked up on the walls. This theme continues once you take your seat, building up a nice atmosphere with the help of hazard tape and flickering worker lights. Since this is an eighty minute show without an interval, ushers are kind enough to remind the audience that if they leave the auditorium once the show has begun, they cannot be readmitted. It doesn’t hurt the sense of anticipation by making one feel a bit trapped as one sits down.

Dyson and Nyman clearly know their stuff, and how to build suspense. There are a few nods to other classic tales in this genre. Fans of the paranormal will enjoy the way in which the actors set up each story, ably assisted by a flexible set, designed by Jon Bausor, but most of all by the sound and lighting effects (designed by Nick Manning and James Farncombe, with special effects by Scott Penrose). The effects cue each shocking denouement and can be on the loud and bright side, so be warned. Simon Lipkin as Professor Goodman gives a solid performance as the academic whose career has been spent debunking paranormal phenomena. Naturally, Ghost Stories is all about the three cases he can’t explain. Garry Cooper as Tony Matthews, Preston Nyman as Simon Rifkind, and Richard Sutton as Mike Priddle all shine as the hapless protagonists of the three tales that follow. Richard Sutton gives a particularly good performance as loathsome dealmaker Mike Priddle, but all three succeed in upping the creep factor. Despite these strengths, however, so much of the success of this show depends on careful preparation of the audience, and this can feel a bit manipulative. Stories about the paranormal tend to be at their most effective when viewed in a darkened space with no distractions—such as a cinema, or one’s own living room—alone in the house, of course. There’s just a little too much distraction in the Ambassador’s auditorium with the hazard tape and the flickering lights. Fans may find the film version of Ghost Stories gives more bump in the night for your buck than the theatrical production.

But if this is your first experience of a show about the paranormal, you will probably enjoy Ghost Stories. It’s well crafted, and well performed. More experienced connoisseurs may feel that the special effects overpower the storytelling, however, and don’t give the audience’s imagination enough space to heighten the horror. Because isn’t it what we don’t see or hear, and can’t explain, that create the ultimate shocks in a world so ready with easy answers to every question?

 

Reviewed by Dominica Plummer

Photography by Chris Payne

 

Ghost Stories

Ambassadors Theatre until 4th January then UK tour continues

 

Previously reviewed at this venue:

The Secret Diary Of Adrian Mole Aged 13¾ – The Musical | ★★★★★ | July 2019

 

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