Tag Archives: Richard James

A Sherlock Carol

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Marylebone Theatre

A SHERLOCK CAROL at the Marylebone Theatre

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“one of the cleverest and most entertaining of the current festive productions”

Sherlock Holmes was just thirty-seven years old when he was reported to have died in the Reichenbach Falls in 1891; having fallen to his death in a struggle with the criminal mastermind Moriarty. The sleuth reappeared three years later, however, to resume his detective business, but becomes filled with self-doubt and slips into semi-retirement. Meanwhile, not too many yards away from 221b Baker Street, Ebenezer Scrooge is enjoying his twilight years. Nearly fifty years on from his spirit induced epiphany one Christmas Eve, he remains a respected and admired member of society, frequently visited by his close friend and beneficiary, Dr Timothy Cratchit.

It is no surprise then, that these individuals’ paths should cross as the nineteenth century is drawing to its close. There is no historical evidence to the contrary, so the events that occur in Mark Shanahan’s ingeniously clever and witty play, β€œA Sherlock Carol”, are entirely plausible. If a little bonkers. After all, when you have eliminated the impossible, whatever remains, however improbable, must be the truth. Okay, the sceptical among you will be clamouring to remind me that these are fictional people, but I say β€˜Humbug’ to that – let’s suspend our disbelief.

It seems that β€˜A Christmas Carol’ is everywhere, so this is a perfect antidote to relieve the bloated overindulgence of Dickens at this time of year. A glorious mash up, it is recognisable as both β€˜A Christmas Carol’, and as β€˜Sherlock Holmes’, but the crossover is so tightly packed that characters and characteristics are well and truly mixed up. The styles as untangleable as last year’s decorations brought down from the loft.

“The cast can barely keep the smile from their faces, yet each and every one is a master at characterisation”

Holmes (Ben Caplan) is a haunted, cantankerous scrooge, insulting carol singers and bleating misanthropically at all the merry makers on Christmas Eve. He rudely shuns Watson’s (Richard James) invitation to join him for Christmas lunch. Enjoying (or rather not particularly enjoying) a melancholy drink in a melancholy tavern his solitude is interrupted by Doctor Timothy Cratchit (Devesh Kishore) who implores him, unsuccessfully, to investigate the mysterious death of Scrooge (Kammy Darweish). Holmes famously doesn’t believe in ghosts, but is nevertheless visited by a spectral Scrooge in the form of the ghost of Christmas past, present and future rolled into one. Reinvigorated he then decides to take on Cratchit’s case. A case that involves a precious blue diamond, a misplaced goose, poisoned candles, a recalcitrant maid, a bumbling Inspector Lestrade, a young Fezziwig and quite a few elementaries. Don’t ask me! Go and figure it out for yourself. You certainly won’t regret it.

The cast can barely keep the smile from their faces, yet each and every one is a master at characterisation, many of them grappling with multiple personas. Virtuosity and comedy are as intertwined as the plotlines. There is a Victorian music hall quality to it all, with the story telling and the performances taking centre stage with no reliance on modern trickery or high budget effects. Yet at the same time there is a timeless and modern quality to the presentation that appeals to all. Fans of Arthur Conan Doyle and of Charles Dickens will love it. So will newcomers. And non-fans. That covers all, I think.

At one point Watson laments the fact that Sherlock is β€˜not the man I thought he was’. He hits the nail on the head. Except that this is nothing to lament, but to celebrate instead. β€œA Sherlock Carol” is certainly not the Sherlock you’d think it to be. Nor the Christmas Carol. But it is one of the cleverest and most entertaining of the current festive productions. You don’t need a detective’s skills to discover that. Just the ability to find Baker Street on Google Maps. And enjoy it. β€˜Come, the game is afoot!’.

 


A SHERLOCK CAROL at the Marylebone Theatre

Reviewed on 30th November 2023

by Jonathan Evans

Photography by Alex Brenner

 

 

Previously reviewed at this venue:

The Dry House | β˜…β˜…Β½ | April 2023


A Sherlock Carol


A Sherlock Carol

Click here to see our Recommended Shows page

 

Awful Auntie
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Bloomsbury Theatre

Awful Auntie

Bloomsbury Theatre

Reviewed – 12th December 2018

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“for the book’s fan base it is no doubt a delight to see the antics brought to the stage with imagination and charm”

 

Stella Saxby, 12-year-old heir to Saxby Hall, awakens bound in a bed at the will of her awful Auntie Alberta. Told that her parents were killed in a tragic car accident, all is not what it seems when auntie suspiciously mentions the β€˜deedly weedlies’ for Saxby Hall.

David Walliams’ best selling book is brought to life by Birmingham Stage Company and the talented adapter and director, Neal Foster. With all the mischief and mayhem of Dahl’s Matilda, Awful Auntie is a dark comedy-thriller, with the mood captured perfectly in Jackie Trousdale’s marvellous staging. The gothic set features spectacular rotating turrets made for giddy chases in and out of rooms and chimneys. Puppets are creatively used throughout the play, crossing the expansive grounds of Saxby Hall to evoke the exhilarating sense of adventure of Walliams’ book. Wagner the Bavarian Owl is an exceptionally-made puppet, artfully managed by Roberta Bellekom.

Georgina Leonidas plays the resilient Stella with youthful energy and vigour. Despite her captivity and the fatal loss of her parents, Stella is rather unemotional which could explain the sense that something is missing throughout the show to make the audience really root for her. The lack of emotion becomes particularly apparent with the out of place class moral wedged on the end of the play. Despite this, scenes betweenΒ LeonidasΒ and the cockney ghost chimney sweep, Soot, have a playful innocence all set to the background of Jak Poore’s atmospheric score. The endearing, wide-eyed Soot is played humorously by Ashley Cousins, who previously starred in Gangsta Granny.

Awful Auntie Alberta (Richard James) is a Miss Trunchbull character with a sizeable dash of pantomime dame. The shrill dame voice is slightly grating in an overly-wordy opening scene that sadly falls flat. Fortunately, poo and trump gags win the young audience’s attention. The second act livens up with slapstick humour and a more villainous Awful Auntie appearing. The electrocution chamber that Stella is locked in feels slightly inappropriate but luckily only parents and not their children seem concerned about it.

Awful Auntie doesn’t quite follow in the footsteps of Gangsta Granny but for the book’s fan base it is no doubt a delight to see the antics brought to the stage with imagination and charm.

 

Reviewed by Beth Partington

Photography by Mark Douet

 


Awful Auntie

Bloomsbury Theatre until 6th January

 

 

 

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