This is not Right
Wilton’s Music Hall
Reviewed – 2nd October 2019
β β β β
“pulls you into its world and keeps you there with beautifully observed performances and a gripping story”
This is Not Right is John Godberβs latest play, set in his old stomping ground β Hull. Specifically, a Hull council estate which throughout the play is painted as a very bleak and toxic environment. Perhaps this is why it has been specially rewritten for Wiltonβs Music Hall β the minimalist set lends itself to the derelict appearance of the venue, creating the effect of being stuck in the past, a massive part of the playβs identity. The minimalism continues with the lack of recorded sound β instead music is provided by a discordant violin courtesy of Sophie Bevan and changes in setting are shown through the castβs soundscapes. These feel like appropriate choices for the piece, although with only four actors the soundscapes are somewhat limited and donβt always paint a clear picture.
This is Not Right follows the story of Holly (Martha Godber) through her childhood and early adult life, focusing on the difficulties of growing up in a poor neighbourhood with a doting but very overprotective father (Jamie Smelt), who tries to guard his daughter from danger but only succeeds in pushing her further away. When Holly eventually flies the nest, she breaks contact with Dad in her determination to become independent, but when London life doesnβt work out for her she is forced to βdo the thing I said Iβd never doβ and return home. The overall story is wonderfully engaging with an expertly crafted marriage of beautifully heartfelt moments and witty observational comedy, however the last twenty minutes or so feel like something of a stalemate. Conflict between Holly and Dad continues with the climax being a vaguely political argument about girls going missing, followed by a fight with the noisy neighbours. There are no revelations for either character and the play concludes rather abruptly with Holly leaving to stay at her Granβs.
Perhaps this is the point John Godber is trying to make β that sometimes things donβt change and life trudges on regardless. Echoing the title, Hollyβs last line is βthis is not right, is it?β Could that refer to things not changing? Is it a general comment on life in working class Hull? Or girls going missing? For me, it is unclear what βis not rightβ, and the ending feels decidedly washed out, letting down an otherwise spellbinding tale.
John Godberβs direction is triumphant – the acting is superb. Martha Godber performs with a wild energy encapsulating all the hormonal mood swings expected from a teenager; it erupts during scenes with Dad yet is also deftly woven into her narration. Hollyβs development in maturity and experience as the playβs timeline advances is also commendably reflected in Godberβs portrayal. Jamie Smeltβs performance is the one that stays with me, however. It is touchingly vulnerable β a poignant, considered portrait of the hapless Dad as he attempts to get through to his daughter. Parents in the audience may find themselves painfully relating β the tragicomedy of his tactlessness and the genuine desperation as he realises Holly is slipping away from him are both etched into the performance. Sophie Bevan and Lamin Touray complete the picture with overall solid supporting characters, although I found Tourayβs lack of Belgian accent for Harvey a confusing choice.
Overall, This is Not Right is a play which pulls you into its world and keeps you there with beautifully observed performances and a gripping story. Although you may leave wanting slightly more from its resolution, it is immensely enjoyable β just make sure you leave your βHULL AND PROUDβ sweater at home.
Reviewed by Sebastian Porter
Photography Β© John Godber Company
This is not Right
Wilton’s Music Hall until 5th October
Last ten shows reviewed at this venue:
Twelfth Night | β β β | September 2018
Dietrich – Natural Duty | β β β β | November 2018
The Box of Delights | β β β β | December 2018
Dad’s Army Radio Hour | β β β β | January 2019
The Good, The Bad And The Fifty | β β β β | February 2019
The Pirates Of Penzance | β β β β | February 2019
The Shape Of the Pain | β β β β β | March 2019
The Talented Mr Ripley | β β β β | May 2019
The Sweet Science Of Bruising | β β β β | June 2019
Old Stock: A Refugee Love Story | β β β β β | September 2019
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