Tag Archives: Stephanie Jacob

THE GUEST

★★★★★

Omnibus Theatre

THE GUEST

Omnibus Theatre

★★★★★

“powerful, provocative, and resonant”

Behind the ivy-covered walls of their quaint English cottage, Ricky and Joe – a middle-aged couple – live a quiet life, enjoying the fruits of their labour, both tangible and intangible. Their days are filled with gardening and tender conversations, the sort of domestic tranquillity earned over years of shared love and quiet perseverance.

But the rhythm of their peaceful life shifts the moment a stranger crosses their threshold.

The Guest is a poignant and timely stage production that echoes the England of today – an England grappling with the escalating realities of climate change, where each day seems hotter than the last. “Hot, isn’t it?” they mutter to each other. “Forty-one… nearly forty-two, they said.” The search for shade has become an impossible task, even under the once-reliable vines in their garden.

Into this sweltering, shifting landscape (brought to life with Christianna Mason’s simple, yet effective set design and enhanced by Imogen Senter’s intense lighting)  walks Hannah, a young mother newly arrived in the country, portrayed with haunting depth by Erica Tavares-Kouassi. Initially asking only for a glass of water, Hannah’s brief visit becomes a daily presence, and soon, tensions begin to rise. Conversations morph into confrontations. Small talk spirals into debates, and eventually into shouting matches, revealing the deeply embedded fears, misunderstandings, and prejudices lurking just beneath the surface of civility.

Tavares-Kouassi’s performance is nothing short of extraordinary, capturing the emotional weight of the immigrant experience – from the hopes and hardships of arrival to the struggle for recognition and belonging in a place that feels simultaneously foreign and familiar.

Stephanie Jacob (who also wrote the play) as Ricky and Graham Turner as Joe deliver equally compelling performances driven by Lucy Richardson’s skilful direction. They embody the emotional complexity of those witnessing change from within the comfort of their long-established routines. Through them, we feel the creeping uncertainty of a world that no longer feels predictable, the unease that comes with confronting the unknown, and the quiet panic of being asked to leave the safety of the familiar “nest.”

The Guest is more than a play – it is a mirror held up to our society. It tackles bigotry, xenophobia, and the fear of the “other” with nuance and grace. The script is beautifully written, deeply human, and painfully relevant. In a world that grows more divided by the day, it reminds us that beneath our differences lies a shared need – for connection, for compassion, for home.

This is a must-see production: powerful, provocative, and resonant. It doesn’t just ask us to watch – it asks us to feel, to reflect, and perhaps, to change.



THE GUEST

Omnibus Theatre

Reviewed on 10th April 2025

by Beatrice Morandi

Photography by Héctor Manchego

 

 


 

 

 

Previously reviewed at this venue:

VANYA IS ALIVE | ★★★★ | February 2025
THE ICE AT THE END OF THE WORLD | ★★★★ | September 2024
MY LIFE AS A COWBOY | ★★★ | August 2024
HASBIAN | ★★★★ | June 2024
COMPOSITOR E | ★★★ | September 2023

THE GUEST

THE GUEST

THE GUEST

Again – 3 Stars

Again

Again

Trafalgar Studios

Reviewed – 9th February 2018

★★★

“The myriad viewpoints serve to confuse rather than add mystery”

 

The ‘family’ has always been ripe pickings for drama, traversing all genres from horror, mystery, animation to comedy. In fact it is almost impossible to avoid nowadays with the multitude of repeats of family oriented sitcoms on our television screens.

Actress turned writer Stephanie Jacob has taken this tried and tested formula with the intention of shaking it up by restructuring its narrative flow. Without giving much away, each scene is presented to us more than once (hence the title of the piece). It is a bit like watching an old VHS and continually hitting the rewind button, but the repeat viewing is not as you remember it.

It is a very clever device, but it doesn’t take long for it to lose its novelty value and we are left with a jumble of allegiances. Not one of the characters is quite strong enough to win our empathy and bring us onto their side, so we never really know whose story is the truth; whose memories are the real ones.

A close-knit family of four are reuniting for lunch. It is hinted at that there has been conflict and estrangement in the back-story. The only one who still lives in the family home is matriarch Louise, committedly portrayed by the ever-wonderful Natasha Little, although there are flashes of discomfort in her performance. She has invited her ex-husband, Tom, and their two children to lunch.

The star of the show is Rosie Day who plays the unreserved teenage daughter, Izzy, who bubbles with an infectious, manic energy. Izzy’s candid giddiness is the perfect foil to her inward-looking brother, Adam, played by Charles Reston with a brittleness that constantly threatens to shatter with scarring results. They are both highly strung and Day and Reston do convey well that modern dichotomy of how much ‘the parents are to blame’, particularly the father figure: Chris Larkin captures the right mix of culpability and blamelessness as Tom, veering between deserter and victim depending on which scene we’re in.

Hannah Price’s direction keeps the pace moving and we are kept on our toes throughout. It is fascinating to witness the scenarios replayed slightly differently, each time shedding a new light on the situation.

But, all in all, too many sympathies are tugging at our hearts, and too many layers of the past and present are pasted onto the narrative, for us to really care about the characters, let alone who we should be rooting for. The myriad viewpoints serve to confuse rather than add mystery, and the line between genuine causticity and comedy is often unclear. A shame as this does cloud what is undoubtedly a skilled piece of writing.

 

Reviewed by Jonathan Evans

Photography by Zute Lightfoot

 


Again

Trafalgar Studios until 3rd March

 

 

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